既不...也不...

Posterity will remember him for the books in which neither farce nor bleakness has the upper hand, but in which affection and close knowledge are united.

后代记得他因为他写过几部既不胡闹也不阴冷的书，其中既有热情，又有切实的知识。

My kingdom is bounded only by the world , for I am not an Italian, or a Frenchman, or a Hindu, or an American, or a Spaniard--I am a cosmopolite

因为我既不是意大利人也不是法国人，不是印度人也不是美国人，也不是什么西班牙人，我是一个宇宙人。

My kingdom is bounded only by the world, for I am not an Italian, or a Frenchman, or a Hindu, or an am erican, or a Spaniard--I am a cosmopolite

因为我既不是意大利人也不是法国人，不是印度人也不是美国人，也不是什么西班牙人，我是一个宇宙人。

Yet the cut of the mouth is stoic, not toylike, and the light-and-shadow coloring conveys the ambiguity of being neither white nor black but both, like sunshine falling through a forest—a camouflage therefore reverberant of grief, since the forests are mostly gone.

熊猫的嘴角坚定，似乎不以苦乐为意，一丝玩具的可爱味道都没有。深深浅浅的色泽看起来既不黑也不白但又是黑白的，就像阳光穿过森林一样既明又暗---一件勾起痛苦的"迷彩服"，因为森林几乎都不见了。

Chapter3, first of all, sums up the theories concerning about ideology control since the founding of People's republic and clarifies the disputes between various theories. It holds the point that the attitude to trivialize or overemphasize is wrong , neither of which is advisable. On the issue of ideology control,both the extreme and conservative ways should be abandoned. Instead, we should stick to the principle of moderation, which requires us neither to go back to the old way of class struggle nor to exaggerate the pursuit of democracy and freedom.

第三章首先总结了我国建国以来有关的意识形态控制理论，并对我国建国以来有关意识形态控制问题的争论加以澄清，认为对意识形态问题的一味的"淡化"和"强化"态度都是不可取的，是错误的，进行意识形态控制，不能偏左也不能偏右，不能过激也不能保守，控制要把握住"度"，既不能回到阶级斗争的老路上去，也不能夸大对民主、自由的追求。

Like all the rest of the world, he possessed the termination in ist, without which no one could exist at that time, but he was neither a Royalist, a Bonapartist, a Chartist, an Orleanist, nor an Anarchist; he was a bouquinist, a collector of old books.

象大家一样也属于一个&派&，当时，无派的人是无法生存的，但是他既不是保王派，也不是波拿巴派，也不是宪章派，也不是奥尔良派，也不是无政府主义派，他是书痴派。

DR. NADIA RICELAND: Yeah...and then I, and that is the only study I know of...you know, which actually looked at the difference between mothers who are stressed and mothers who are depressed, and mothers who are both stressed and depressed and mothers who are neither stressed nor depressed.

纳迪亚·莱斯兰德博士：是的，这是我知道的唯一可以研究的方法，我们对比观察了精神紧张的母亲，精神沮丧的母亲，精神既沮丧也有压力的母亲，以及精神既不沮丧也没有压力的母亲在行为上有什么区别。

Yet the cut of the mouth is stoic, not toylike, and the light-and-shadow coloring conveys the ambiguity of being neither white nor black but both, like sunshine falling through a forest—a camouflage therefore reverberant of grief, since the forests are mostly gone.

熊猫的嘴角坚定，似乎不以苦乐为意，一丝玩具的可爱味道都没有。深深浅浅的色泽看起来既不黑也不白但又是黑白的，就像阳光穿过森林一样既明又暗---一件勾起痛苦的&迷彩服&，因为森林几乎都不见了。

He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer.

他既不开办工厂，也不经营、农业；他既不是搞说合的掮客，又不是做买卖的商人。

In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.

由于电影文学剧本独特的语言表达方式，其在人物塑造上具有不同于小说、戏剧的特点。1940年代后半期电影剧作者高度重视电影文学剧本中人物形象的塑造，运用电影化的思维方式来刻画人物，依托人物性格的发展来展开故事，使得这时期电影文学剧本在引人入胜的故事书写中，绘就出了一长串内涵丰富、形象生动、有血有肉的人物群。1940年代后半期电影文学剧本既顺应着中国现代文学的历史进程，又呼应着动荡巨变的时代大潮，无论是侧重社会批判意识的，还是倾向人文关怀意识的，其思想性或方向性是非常明确的，但这种&方向性&的表达和诉求既不是概念性的，也不是生硬的灌输，而是&具体形象&的，是&隐寓&文本之中，在故事情节发展和人物性格塑造之中自然而然地流露出来的，可以说是&风行水上，自然成纹&，呈现出高超的艺术技艺和水准。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。