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In the '20s, Chanel filled her off-hours with Arthur Capel, a wealthy English polo player whose lavish gifts of jewels served as the keystones of Coco's astonishing collection, and whose blazer--lent to the designer on a chilly day at the polo grounds--became the source of her famous box jacket.

在二十世纪20年代,夏奈尔的业余时间都是和一名富有的英国马球赛手亚瑟·卡柏共度的,他慷慨的珠宝馈赠占了夏奈尔惊人收藏的主要部分,而且某个寒冷的日子,他在马球场借给设计师的运动夹克成为了她著名的无领直统夹克的设计来源。

In the '60s, Coco sprang no surprises, only refinements on what was her classic look: the short, straight, collarless jacket, the slightly flaring skirt and hems that never budged from knee length.

在20世纪60年代,除了其经典造型方面的改进:短小而直挺的无领夹克、略显华丽的裙子以及永远及膝的下摆,夏奈尔并没有带来其它任何惊喜,。

As one of the first manufacturers of bearing steel ring in China, the company is mainly engaged in such products as bearing steel ring for cotton spinning, nut, retaining ring, cotter pin, closing ring and flat pad etc.

经试验证明,"衰退钢领"内跑道的几何形态无显著变化,表面具备足够硬度,精抛光后(钢领可达到▽10-▽11级),上车使用效果非常好,可连续抛光使用能达到钢领使用寿命3-5年以上。

She went back to Paris to repick his job and then started her second stage of the design career,primary designs of the stage are two suits that made people unforgetable,jacket without collars,flanger decoration,touching solf tartan with some bunches of balls necklace and black,brown Asakuchi shoes.

1953年她到巴黎,重操旧业开始了她第二时期的设计生涯,这阶段的主要设计是令人难忘的两件套装,无领茄克和镶边装饰,手感柔软的格子呢,配上数串珠子项链,以及黑、棕色的浅口皮鞋。

Nevertheless, the eight virus isolates that were nonpathogenic in ducks replicated and transmitted efficiently to naive contacts, suggesting that highly pathogenic H5N1 viruses causing minimal signs of disease in ducks can propagate silently and efficiently among domestic and wild ducks in Asia and that they represent a serious threat to human and veterinary public health.

该现象提示高致病性流感毒株H5N1能够在野鸭或家禽体内迅速、隐匿复制而无明显表现,对人或家禽的健康安全构成严重威胁。您翻译的质量真不错,感谢您的参与我领第4单元。已完成。4单元译文。doc (27.5k)第10单元吧,可是我打不开,乱码,麻烦楼主发给我,邮箱已pm我领第七单元吧!我领第九单元吧!第七单元完成!

Dressedin navy blue pants and a gray sweat shirt that read Main Jail,I took my place.Four female inmates fell in line after me.

我穿着藏青色的裤子和印有梅因监狱字样的灰色无领长袖运动衫,站在规定的位置上。4个与我问牢房的女犯人排在我后面。

Chapter 4 'A Summary of Zhuang Zi's Poetic Thought', based on a'close reading'of thirty-three sections of Zhang Zi and the three parts'primordial thought'T's discourse'and'poetic living', systematically combs and interprets the basic framework of Zhuang Zi's poetic thought.lt starts from a'primordial thought' about a 'carefree life' that overcomes 'grief and 'heavy burdens'and obtains Toe's wisdom', and experiences a judgment of various discourses of man, a listening to the discourse of heaven and earth and a preception of 'Tao's discourse'. With this as a basis, a realm of 'poetic living' is attained: such a realm is rooted in a confirmation of 'useless use', a method of 'inaction',and an ideal state of 'floating by means of Tao-Te'.

第四章&庄子诗学思想述略&,主要通过对现存三十三篇的《庄子》的&文本细读&,围绕&本然之思&、&大道之言&、&诗化人生&三大板块,系统清理和阐释庄子诗学思想的基本框架:它从对于充满太多&悲恸&、&无奈&、&生存重负&的&荒诞人生&和与&体道智慧&相联系的可能的&自在人生&的&本然之思&出发,经由对各种&人言&的分辨、对&天地之言&的聆听、对&大道之言&的感领,最后通达逍遥无待的&诗化人生&之境——种植根于&无用之用&的确认,借助于&无为而观&的手段,通过&乘道德而浮游&的体验而通达的理想人生境界。

The Rajdhani Oil and Oilseeds Exchange is hidden among a cluster of small shops and peopled by men in kurta pyjamas, their hair dyed with henna, reclin ing in the afternoon heat under rusted fans.

拉杰塔尼油和油籽交易所隐藏在诸多小商店之中,周围挤满了身着无领长衣的男子,他们的头发染成了红褐色,冒着下午的酷热躺在生锈的风扇下。

The key piece of the latest Costume collection was the waistcoat (à la Bowie in his Thin White Duke incarnation), worn over turtles and tees. Capasa paired it with baggy, pleated pants for the requisite Weimar vibe, and threw an unmatched jacket over the top for a loose contemporary take on the three-piece suit. The monochrome palette—also very mid-period Bowie—was sparked by the red soles of the chunky shoes and the lining of an evening coat. Otherwise, memories to cherish included the Alice Dellal-type 'do on model Jethro "Son-of-Nick" Cave, and the elevating, New Wave-ish whiff of the polyurethane catwalk.

秋冬的主轴单品很显然是马甲背心、也是David Bowie在Thin White Duke时期的主要造型,Capasa运用龟领套头衫与紧身tees下搭宽垮长裤、沉稳低调的黑/白与深/浅灰色系则反应著Bowie当时的内敛与苍郁,而穿插在宽头皮鞋和西装内里的红色点缀也毫不意外的让人眼睛一亮;或许乍看似单调无奇的设计,其实却有著跨越时代的概念,也或许是要,曾经浸淫在彼时此时的音乐环境中的人们,才能够投入设计师之於摇滚乐手的浪漫钦慕情怀之中。

The compatibility of both Gvirens and B.firmus was researched. The fermentation filtrate of Gvirens , under the concentration of 70%, had not distinct inhibitory activity to B.firmus, the biomass of B.firmus would decrease with above the 70% filtrate of Gvirens, but the fermentation filtrate of B.firmus had not inhibitive role to Gvirens. 7, The cooperation control of both Gvirens and B.firm to the pine needle blight was explored:(1) Pathogen inoculation happened prior to the bio-control treatment for 7 days, however, the disease index and control effect had not distinct differences in any treatments even if combination of the two antagonists, but the susceptibility for different kind of pine were different.(2)when antagonist and pathogen were inoculated at the same time, some control effect to the pine needle blight, including certain extent cooperation control of both Gvirens and B.firm were proved, but it wasn't distinct when two antagonists used separately, and the change of the antagonist concentration had little effect to the control effect.

G.virens与B.firmus对松赤枯病的协同控制显示:(1)预先接种病菌后(7天)再进行生物防治处理,不管那种情况,感病指数和防治效果在处理间差异不明显,浓度影响无显著差异,即使是两种生防制剂联合作用也未显著提高其防效,但不同树种间的感病性有明显差异;(2)领抗菌与病原菌同时接种,对松赤枯病有一定防治效果,两菌联合有一定的协同作用,两菌分别单独施用防效差异不显著,浓度变化对防效影响不大;(3)预先接种颇抗菌能显著提高防治效果,两菌联合处理防效更优,感病树种的感病指数可降至13一15,抗病树种的感病指数可控制在3%左右;在同一浓度下B.f1'r功US、叹叮厂即s间无显著差异,在同一领抗菌下,浓度愈高,防效愈高:松,(4)三种生防接种方式的平均效果分析表明,叹F行ens最高平均防效49.5%黑 B。

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。