无领的

Clothing : men clothe camisole 、 collarless 、singlet and t-undershorts ; women clothe ageeattach handmade amice and skirt .

服饰：雅美族男子以无袖、无领、短背心，配合上丁字裤；女子方面，斜系手织方巾配上短裙，所有手织衣物均以白色为底，黑、蓝相间的色彩。

Collarband, no occupiers whether round, square, acuminate or in ironing all keep it open deformation, had better be fixed shape and ironing, If there is a lead of iron wire, don't general plait, just after death, while it is still hot, with warm hands, gently press fold look like this will lead to live.

领口部位，无领者不论是圆形，尖形或方形，在整烫时都注意不要把它拉开变形，最好是固定形状再加以熨烫；如果是有领片的，不要将领褶线烫死，只要再烫以後，趁它还是温热的，用手翻折轻压，这样子领片看起来会比较活。

A tight sleeveless and collarless jacket worn by men in former times.

以前男人穿的一种无袖无领的紧身上衣。

He slung the new collarless, buttonless jacket over his shoulders and tied the two sleeves in a knot on his chest as if he were carrying a pack on his back.

然后，他把这件无领无钮的单衣斜搭在身上，把两条袖子在胸前结成个结子，像背包袱那样。

They wore their hair longer. Reporters called them the "Mop Tops." Their clothes were different, too. They wore collarless suit jackets, which buttoned all the way to the top. Their accents were different, too, because they were from England. Liverpool, England. Before that, all the biggest pop stars were American.

他们的头发留得比较长，因此记者称他们做「拖把头」；他们穿的衣服不一样——无领的西装外套，并且将整排扣子全部扣起；他们的口音也不一样，因为他们来自英国利物浦，在他们之前，所有的摇滚巨星都来自美国。

First was high-necked,then lower-neckd and collarless.Some sleeves of the cheongsam were longer to wrist,some are lower than elbow;The tapestry satin without the sleeve have double lapels, the clothes may long or to be short, and it only for the economical wealthy woman.

先是崇尚高领，后来又流行低领至无领，低到无可再低时，索性将领子取消，袖子时而长过手腕，时而又短及露肘，两边开衩开得很高，腰身变的极窄，进一步合体以显示出女性的体型曲线。

I said-and I felt it from the bottom of my heart,-"Carrie darling, I was a proud man when I led you down the aisle of the church on our wedding-day; that pride will be equalled, if not surpassed, when I lead my dear, pretty wife up to the Lord and Lady Mayoress at the Mansion House."

我说----我也打心眼里这样觉得，----："宝贝佳丽，当婚礼上我领着你走在教堂中的通道时，我无比骄傲；而当我在官邸里领着我美丽的宝贝妻子，走向市长和市长夫人时，那骄傲是有过之而无不及的。"

No rules should be followed because v-neck and no collar tops are the perfect buddy of necklaces!

不应该遵循的规则，因为V字领，无领上衣，是完美的好朋友的项鍊！

In the design aspect, besides maintained the smooth line of cheongsam,clothing design masters retained its rigorous structure, do not have any nonessential accessories such as belt, button-fastening loop, appendix bag and so on; in craft aspect,abbreviating the shoulder part, useing the decoration flower and embroidery, all these things enhances the skin texture effect;structurally, not only adopting the pipa front, the pleasant lapel, the low lapel, the hich collar, the low collar,even on collar, but also involving its sisters art ,such as drawing, to make decorations for cheongsam.Those cheongsam on which drown flowers, birds, and makeups in Peking opera,are exotic and elegant. Graft the drawing onto the clothing design and improve the originally structure which is insufficiently comfortable,the new style cheongsam become a marvellous achivement on the international clothing stage Moreover, the production technology innovation, the technical process improvement, the new material use, all of these has poured the new blood into the Chinese dress development.

在款式方面，除了保持旗袍流畅的线条外，服装大师们在设计剪裁时，保留旗袍结构严谨，线条流畅，没有任何不必要的带，袢，袋等附件的特点；在工艺上采用收肩，饰花，穿珠片，刺绣等手法，加强肌理效果，在构造上，采用琵琶襟，如意襟，低襟，高领，低领，无领等，同时又把绘画等姊妹艺术也作为旗袍装饰的手段，那些画有花，鸟，京剧脸谱等图案的旗袍，不仅设计新巧，而且风格典雅，富有韵味，把服装和绘画融为一体，打破了原来穿着不够舒服的构造，使之一展新容，成为国际服装舞台上的奇葩。

Her innovations were basic to the wardrobes of generations of women: jersey suits and dresses, the draped turban, the chemise, pleated skirts, the jumper, turtleneck sweaters, the cardigan suit, the blazer, the little black dress, the sling pump, strapless dresses, the trench coat.

她的革新设计是好几代妇女们衣柜的要素：紧身针织套装及连衣裙、头巾式女帽、女式宽松衬衣、百褶裙、无袖连衣裙、套领毛衫、无领套装、运动夹克、黑色迷你裙、轻舞鞋、裸肩美裙以及风雨衣。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。