无调性的

Kandinsky is a benchmark for your unrehearsed response to abstract art, for two reasons. First, he helped invent it, and second, he understood that non-figurative art was one facet of an esthetic movement that also included atonal music.

对于没准备好欣赏抽象艺术的人来说，康定斯基是一把标尺，原因有二：一、他是现代艺术的发明人之一；二、他知道非具象艺术是一整个美学运动中的一个方面，这个运动还包括无调性音乐。

His early works are in a late Romantic style, influenced by Richard Wagner and Gustav Mahler, but he later abandoned a tonal framework altogether, instead writing freely atonal music — he is often reckoned to have been the first composer to have done so.

他的早期作品属于后浪漫风格，受瓦格纳和马勒所影响，但稍后他放弃了这一套路，转而进行无调性音乐的创作——这种作曲法被认为是他的首创。

The station of Expressionism music is very especially in the west music history.It can be seen a historical "monument", not only has a "creation" in melodize technique such as atonalism and twelve—note techniques.but also been worth attention to the music break through romanticism'spoony expression and impressionism'sentimental exterior description.

勋伯格的表现主义音乐在西方音乐史上的地位是极其特殊的，之所以被当作一块历史的"纪念碑"，不仅仅是因为他在作曲技术上的"创造"——以无调性和12音技法为标志。

Words never heard before That day of unforgiving snow When I nursed my atonality In the winter squall of my soul, Convinced no one wanted me.

在那个无情大雪的日子之前从未听过的话当我在我灵魂的严冬里培养我的无调性确信没有人要我。

Picking up the mumbling baton from REM, and adding their own atonality, Abe Vigoda prove that if you really want to have not a single clue what's going on, then college rock's the music for you.

拿起指挥棒从快速眼动的喃喃自语，并增加自己的无调性，安倍Vigoda证明，如果你真的想有没有一个线索是什麼'回事，那麼大学岩石'S的音乐给你的。

At this time, the music composers of China started to explore the brand-new sense "Chinese music style". Besides of the continuation of the "nationality" style and the "populace" style, some modern compose techniques,such as "dodecaphonic","atonality" and "sound block" have been used into the Chinese composers piano works.

从困惑中走出来的中国作曲家们开始探索全新意义上的"中国音乐风格"，除了延续"民族化"、"群众化"的传统创作风格的作品之外，十二音、无调性、音块等现代创作技法开始出现在中国钢琴音乐作品中，这些有益的尝试与创作实践都为进入新世纪的中国钢琴音乐创作奠定了发展的基础。

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从"节奏细胞"的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

After a brief instrumental drone interlude, Sin Nanna offers up another bizarre blast, the drums WAY up in the mix this time, the same sheet of hiss, and again the whirling ghostly keyboards, but this time, the sound is much more atonal, tense and jagged, an almost suspense full horror movie feel, a strange but sonically sound balance for the strange beauty of the first track.

在一首短小的纯氛围及音效构成的插曲之后，Sin Nanna献出了另一首怪异的曲子，鼓声瞬间加快了速度，同时嗡嗡作响的吉他和诡异邪恶的键盘紧跟其后，但这次，所有声音似乎显得更加无调性、紧张与突兀，一种类似恐怖电影般的恐惧感瞬间袭来，充满陌生感的声响仿佛与首曲如出一辙。

Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R.

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

"Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R. Strauss and the French group Les Six continued in a more traditional vein in reaction to nineteenth-century Romanticism."

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。