无调性

At this time, the music composers of China started to explore the brand-new sense "Chinese music style". Besides of the continuation of the "nationality" style and the "populace" style, some modern compose techniques,such as "dodecaphonic","atonality" and "sound block" have been used into the Chinese composers piano works.

从困惑中走出来的中国作曲家们开始探索全新意义上的"中国音乐风格"，除了延续"民族化"、"群众化"的传统创作风格的作品之外，十二音、无调性、音块等现代创作技法开始出现在中国钢琴音乐作品中，这些有益的尝试与创作实践都为进入新世纪的中国钢琴音乐创作奠定了发展的基础。

The technique elements of the modern music existed in the piano accompany part of Chinese art songs in the first half of 20th century, such as modes-semitone system of Neo-Nationalism in Music, bicinium technique of Neo-Classicism, and free atonality of Expressionism.

内容提要：20世纪上半叶中国艺术歌曲的钢琴伴奏中存在现代音乐的技法因素——新民族乐派"调式半音体系"、新古典主义音乐"二部写作技法"、表现主义音乐"自由无调性"的某些技法特征。

《Wozzeck》 is the first opera written by Alban Berg with the technique of Atonality;the script is adapted from the German realism pioneer Georg Buchner' s drama of the same title.

《沃采克》是阿尔班·贝尔格第一部用无调性技法写成的歌剧，脚本改编自德国现实主义戏剧先驱毕希纳的同名戏剧。

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从"节奏细胞"的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

Berg-violin concerto, wozzeckkey terms: atonality, 12 tone, tone row, retrograde, inversion, form

主要音乐概念：无调性，十二音体系，音序，倒叙性，倒置性，体裁的变改。

Berg-violin concerto, wozzeckkey terms: atonality, 12 tone, tone row, retrograde, inversion, fm

主要音乐概念：无调性，十二音体系，音序，倒叙性，倒置性，体裁的变改。

The work is divided into five sections under the titles of:"Mono-tune Skating","Closure","Kafka-fka","Exotic Flowers / Space" and "Angelic Death under the Fireworks".

表演内容分为「无调性溜冰」、「封锁」、「卡夫卡夫卡」、「奇花异境」、「烟花下的美丽死亡」5个小段落。

In The Craft of Musical Composition, trans.

"无调性和饱和"音乐作品的手段，翻译阿瑟纽约。

Mann's protagonist cannot create, so out of rancor sets out to "take back" the works of Ludwig van Beethoven, by writing atonal lampoons of them that will destroy the listener's ability to hear the original.

托玛斯曼笔下的主角没有创作能力，恼怒之下，他以无调性的风格戏仿贝多芬，以此破坏听众欣赏原作的能力，从而「收回」了乐圣的作品。

After a brief instrumental drone interlude, Sin Nanna offers up another bizarre blast, the drums WAY up in the mix this time, the same sheet of hiss, and again the whirling ghostly keyboards, but this time, the sound is much more atonal, tense and jagged, an almost suspense full horror movie feel, a strange but sonically sound balance for the strange beauty of the first track.

在一首短小的纯氛围及音效构成的插曲之后，Sin Nanna献出了另一首怪异的曲子，鼓声瞬间加快了速度，同时嗡嗡作响的吉他和诡异邪恶的键盘紧跟其后，但这次，所有声音似乎显得更加无调性、紧张与突兀，一种类似恐怖电影般的恐惧感瞬间袭来，充满陌生感的声响仿佛与首曲如出一辙。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。