无话可说

Always think with if she speak I mean to say, but I was hold up by her inhospitality, letting what me change have nothing to say.

总是想跟她说出我想说的话，但是我却被她的冷漠挡住，让我变的无话可说。

Once you hear the music, you can't knock it.

一旦你听过我的音乐，你一定无话可说。

But I have nothing good to say about being a miserable, sleep deprived lunatic.

但是我现在无话可说，我是个痛苦的，被剥夺睡眠的疯子。

The man could make no answer, he yielded to his fate, and went away with death.

这人无话可说，只得听天由命，跟着死神走了。

Yet, while the United manager cited the "wounded animal aspect" of Liverpool's performance and atmosphere as contributory factors, plus the referee Andre Marriner's two key decisions involving Jamie Carragher, Evra said there were no excuses for a display that mirrored the champions' failings at Anfield last season.

曼联经理认为利物浦的"困兽之斗"和球场气氛是他们获胜的原因。并且裁判Andre Marriner也有2次涉及卡拉格关键的判罚。埃弗拉说打出这种表现输球就无话可说，这和上赛季EPL冠军在安菲尔德输球一样。

Fran?ois Mitterrand, the late French president, spent much of his 14 years in power neither at the Elysée palace nor with his wife, but at the home of his mistress and their illegitimate daughter Mazarine, according to her new book of memoirs published today.

在法国前总统密特朗执政的14年间，他大部分时间不是住在总统官邸爱丽舍宫，也不是和他夫人共同生活，而是和他的情人还有他的私生女住在一起。2月28日，密特朗私生女玛莎妮·潘洁的《无话可说》一书出版，这位法国前总统的私生女在书中透露了她父亲生前的秘密生活。

Ninety-nine would be blank, because there is nothing to say.

99 ，将空白的，因为那里是无话可说。

Noel and I don't speak to each other.

我们看到对方，但我对他无话可说。

He says the phony presser was the dumbest thing he has seen in government and vowed to discipline those behind it.

他称这个假新闻是他在政府里见过的最令人无话可说的事情，并发誓要对此严厉整顿。

This left the President red-faced and at a loss for words.

这让总统先生满脸通红并且无话可说。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。