无论是...或...

That's something that either EDUCATES or ENTERTAINS.

这一点无论是教育或娱乐。

If hydrogen is the coolant, either a material must be selected that is not subject to hydrogen embrittlement or special features must be include d in the design to avoid contact of the hydrogen and the embrittling material.

如果氢是制冷剂，无论是物质，必须选择是没有受到氢脆或特殊功能，必须包括D的设计，以避免接触氢和embrittling材料。

In America's ideal of freedom, the exercise of rights is ennobled by service, and mercy, and a heart for the weak.

这些问题是我们的裁判，也团结了我们。因为无论是何党派、自我选择或是否出生于此，美国人在自由的道路上是不可分离的。

The power also allows a character to move and attack normally while underwater, even with cutting weapons such as axes and swords and with smashing weapons such as flails, hammers, and maces, provided that the weapon is wielded in the hand rather than hurled.

本异能同样可以令受术者在水中如常移动和攻击，只要武器是手持挥舞而非投掷的，无论是挥砍武器或钝击武器（比如链枷、战锤和硬头锤）都可如常进行攻击。

He points out that "the Gallican Liturgy in the features which distinguish it from the Roman, betrays all the characteristics of the Eastern liturgies," and that "some of its formularies are to be found word for word in the Greek texts which were in use in the Churches of the Syro-Byzantine Rite either in the fourth century or somewhat later", and infers from this that,"the Gallican Liturgy is an Oriental liturgy, introduced into the West towards the middle of the fourth century".

他指出，&高卢圣圣礼的特点，有别於罗马，背叛所有的特点，东欧liturgies &，并说，&它的一些formularies是要找到字一个字地在希腊文是在使用在教会的Syro ，拜占庭礼仪无论是在四世纪或稍后一些&，并从这一推断说，&高卢圣圣礼的是一个东方礼仪，引入西方国家对中东的第四次世纪&。

In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.

由于电影文学剧本独特的语言表达方式，其在人物塑造上具有不同于小说、戏剧的特点。1940年代后半期电影剧作者高度重视电影文学剧本中人物形象的塑造，运用电影化的思维方式来刻画人物，依托人物性格的发展来展开故事，使得这时期电影文学剧本在引人入胜的故事书写中，绘就出了一长串内涵丰富、形象生动、有血有肉的人物群。1940年代后半期电影文学剧本既顺应着中国现代文学的历史进程，又呼应着动荡巨变的时代大潮，无论是侧重社会批判意识的，还是倾向人文关怀意识的，其思想性或方向性是非常明确的，但这种&方向性&的表达和诉求既不是概念性的，也不是生硬的灌输，而是&具体形象&的，是&隐寓&文本之中，在故事情节发展和人物性格塑造之中自然而然地流露出来的，可以说是&风行水上，自然成纹&，呈现出高超的艺术技艺和水准。

Generally,agent is entitled to be indemnified against any liabilities and reimbursed for any expenses incurred in the course of carrying out p's instructions

无论是有偿代理或无偿代理，代理人都可要求被代理人支付其所支出的必要费用和所遭受的损失

Tail: Set low, short and either straight or kinked.

尾：定低，短，无论是直线或拗折。

The film shows whether the philosophy of power or consumption of aestheticism has become legitimized with the new development of globalization and marketization since the 1990s in China, which shows accompanied with the high-speed economic development in China, China has deviated from its globalization in the 1990s and the Post-New Era in the early period of marketization into an era of the new century culture.

英雄》说明无论是强者哲学或唯美主义的消费性都伴随着中国在九十年代以来的全球化和市场化进程的新的发展而变成了具有合法性的，说明伴随着中国经济的高速成长，中国已经脱离了九十年代中国全球化和市场化&前期&的&后新时期&，进入了一个&新世纪文化&时期。

The film shows whether the philosophy of power or consumption of aestheticism has become legitimized with the new development of globalization and marketization since the 1990s in China , which shows accompanied with the high-speed economic increase in China , China has deviated from China's globalization in 1990s and Post-New Era in the early period of marketization into an era of the new century culture.

英雄》说明无论是强者哲学或唯美主义的消费性都伴随着中国在 90 年代以来的全球化和市场化进程的新的发展而变得具有了合法性，说明伴随着中国经济的高速成长，中国已经脱离了 90 年代全球化和市场化&前期&的&后新时期&，进入了一个&新世纪文化&时期。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。