无言以对

The asseveration in the heart has never forgotten but has never attained as well, I have already again had no speech to say what.

心中的誓言未曾忘却，但也未曾付诸实现。我再次无言以对。

Brought before the evidence of his crimes, he was awe-struck and could say nothing in his defence

他张口结舌，无言以对。证据由地方检察官提出。

Brought before the evidence of his crimes, he was awe-struck and could say noth in g in his defence

他张口结舌，无言以对。

You have bereft me of all words.

你让我无言以对

Madam, you have bereft me of all words.

女士，你让我，无言以对。

She confronts his wife and son, who are as clueless as she.

她面对他的妻子和儿子，谁是像她一样无言以对。

Of course, being newly licensed he was clueless as to market behavior or analysis of any kind.

当然，目前新持牌他无言以对，以市场行为，或任何形式的分析。

Colby discovered that there was no telling who would break or when.

科尔比上尉发现，对崩溃之人或崩溃时刻无言以对。

In the silent gaze, you can feel the power of fate: externalization, foreignization and alienation.

在无言以对的凝视中，你能感觉宿命的力量：外化、异化和他者化。

Speechless, speechless, that's how you make me feel

无言以对，无言以对，那就是你给我的感觉了

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。