无节奏的

Damage to the temporal lobes, which are part of the cerebrum lie at the sides of the brain, can cause a disorder referred to as Amusia. People may have trouble with rhythms, recognizing melodies, singing, or playing an instrument. Sometimes the damage can cause little or no problems with hearing speech or other sounds; my.ssbbww.com music.

若损坏了位于大脑旁边的属于大脑的组成部分叶时，会引起我们 sSBbWw 提及到的失歌症，这类人有可能 www.ssBBww.cOm 在对旋律或节奏，乐曲的辨认，唱歌，或弹奏乐器方面 www.sSbbww.com 都会有一些8 tt t8.com 困扰或不敏感，又是这种伤害对于听力或其他声音的辨别有一些8 tt t8.com 影响或者 wwW.ssbbwW.coM 无影响，只是音乐。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和十四行诗，他也十分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

It should be understood in relation to other aspects of modern football – an increased focus on ball retention in midfield makes movement in attacking positions more valuable, whilst the increased pace of modern footballers and the tendency to play on the counter-attack (primarily because there is more space to exploit) have also contributed.

现代足球中还有其他一些值得一提的因素使得无球跑动更加重要——控球权集中在中场区域使得前锋的跑位更有价值，同时，现代足球节奏和速度的提升以及防守反击的流行（防守反击使得更多的空间可供利用）。末尾少了一句话？&也起到了推波助澜的作用&

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和104行诗，他也10分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。