无美感的
- 与 无美感的 相关的网络例句 [注:此内容来源于网络,仅供参考]
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Fourier analysis consists of Fourier series which can solve limited one-dimensional space Heat-conduction question and Fourier integral which can solve infinite one-dimensional space Heat-conduction question. This is more systematic compared with the other methods, and embodies corresponding beauty of Mathematics to Physics.
傅里叶分析包括傅里叶级数和傅里叶积分,用傅里叶级数法解决有界细杆的热传导问题,用含参数的傅里叶变换法解决无界细杆的热传导问题,比其它方法更系统,体现出一种数学与物理对应的美感。
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On top of that, they offer a formal pleasure that free verse can't provide.
除此之外,它们还能提供自由诗所无的形式美感。
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Either white or black Childishly I always think Everything we should unconsciously to make Nothing in reality is to like Adamancy makes exhaustion Embrace lover and sleep without intension Beauty lies in storm's presentation Death is the nature without any question Who am I in grey nothingness Couldnt memorize feeling of happiness Who are you without choices Sobbing for me with sadness Lighting plain in dreams Go back to langsyne after hurts Leave smoothly as hate flies Nights always remain endless nights Weep with me in your arms
原来不是白就是黑只不过是天真的以为要醉得清醒要无辜的犯罪现实的世界只有灰坚强得太久好疲惫想抱爱的人沉沉的睡卷来的风暴凶猛里有种美死了心痛就没感觉灰色空间我是谁记不得幸福是什么滋味无路可退你是谁怎么为我流泪梦见发着光的草原一身伤回到很久以前我选择不恨带着平静走远醒来后夜还是长夜紧抱着我流泪要求:翻译成可以用的歌词,要求押韵,美感,可以适当改变意思。
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In their description, the"infatuation""foolishness"is the symbol of truth and purity, which reflected that the idea of"plainness and purity is the beauty"in Daoism aesthetics has influenced the art of literature a lot at that time.
三、"苦——乐"、"丑——美"的美感转化论在明清文学中也得到了艺术化的体现,四、明清时的文学思潮和文学作品对"痴"的人物形象的描写及推崇,将"痴"人形象作为真实无伪、纯真不俗的象征,反映了道教美学中以素朴为美的思想对明清文学艺术的影响。
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Out of this partial, ambivalent, unaesthetic sense of belonging we can always re-form the shape of things to come.
无论怎样,在好奇和信仰、自然与人工之间,显示出通常现在的类似角色–抛开这些归属的不完整、矛盾和无美感,我们总能重新塑造未来事物的面貌。
- 推荐网络例句
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Do you know, i need you to come back
你知道吗,我需要你回来
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Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.
1〕 杨银书,王祥生,李德昌。安徽省首次发现嗜群血蜱。
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Chapter Three: Type classification of DE structure in Sino-Tibetan languages.
第三章汉藏语&的&字结构的类型划分。