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Influence of the concentration of Cr in the leachate and quantity of Pb(CH3COO)2 of Pb(NO3)2 on the reaction of synthesizing yellow chrome was also studied. Finally, according to the criterion and standard method in GB3184-82, some yellow chrome synthesized in the experiments was sampled and the concentration of PbCrO4 in these samples was determined. The following conclusion can be drawn from these experiments.

根据中华人民共和国国家标准GB3184-82中的规定铅铬黄颜料的技术质量指标和检测方法,测定了铬黄样品中铬酸铅含量的厂迄回【、矾士牢位论父泅仰yW盯皿'S川mS达标情况,结论如下:门)反应中重铬酸盐的浓度并不需要达到前人所提出的150~2509·L'的范围,在一定条件下低于此浓度时对铬黄生成反应并无不利影响。

We shall have, moreover, the same respite and in the same manner in rendering justice concerning the disafforestation or retention of those forests which Henry our father and Richard our brother afforested, and concerning the wardship of lands which are of the fief of another (namely, such wardships as we have hitherto had by reason of a fief which anyone held of us by knight's service), and concerning abbeys founded on other fiefs than our own, in which the lord of the fee claims to have right; and when we have returned, or if we desist from our expedition, we will immediately grant full justice to all who complain of such things.

此外,就我父亨利、我兄理查德所划定之森林区废止事宜;及对于他人封地内土地的监护权事宜(即,我们因骑士军役授予其人封地,从而享有的监护权);及我们在他人封地建立修道院,而该地领主主张对此享有权利的相关事宜;我们可依例得暂缓处理,但只要我们远征归来或中断征程归来,则即应立刻按公平正义处理上述事宜。注: a 、本条见于1215年最初的版本,后来版本无。b 、可参考37条。

After his release, with amazing perseverance to endure the torture of residual body, and finally completed, and immortalizing of China's first mass body discipline History "Historical Records", was Lu Xun called "historians of the peak of poetic perfection, without rhyme's Lament" for the future described it as "the father of Chinese History."

出狱后,以惊人的毅力,忍受残体的折磨,终于完成了名垂千古的我国第一部纪传体通史《史记》,被鲁迅称之为&史家之绝唱,无韵之离骚&,后世称之&中国历史之父&。

Therefore we implore Thy incomparable goodness, enlighten the eyes of our understanding and raise up our mind from the heavy sleep of indolence; open our mouth and fill it with Thy praise, that we may be able undistracted to sing and confess Thee, Who art God glorified in all and by all, the eternal Father, with Thy only-begotten Son, and Thy all-holy and good and life-giving Spirit, now and ever, and to the ages of ages.

因此,我恳求你无可比拟的圣善,光照我们悟性的眼目,将我们的心灵从懈惰的沉睡中唤醒;开启我们的口舌,使之充满对你的赞美,使我们能专心一意地歌颂和宣认你──在万有中受万有之荣赞的上帝──无始之父,偕同你的独生子,及你至圣至善,赋予生命的灵,从今日到永远,世世无尽。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明,在农业社会中,太阳对人们的生产生活具有绝对的控制与影响,因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨;而月亮在先民心中,不仅能促进农作物的生长,而且带来了与太阳相反的皎洁、清凉、闲适,所以月亮比太阳受到更多的欢迎;神话是是民族情感的载体,&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识,在诗歌意象的选取中自然地流露出来,有助于&重月轻日&现象的形成;哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现,但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域;而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位,具体到诗歌中,则是月亮意象完全压倒日意象;审美上的月神精神,在月亮意象上得到了多方面的反映,月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源,也是其最高体现,月亮意象自然比日意象更多地进入诗歌审美领域,成为审美对象。

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This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

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