无父的

According to the relationship to their fathers, these images could be classified into the following types: bastards, the children without a father, the children with Electra complex, patricides and the children looking for their fathers.

以"五四"时期儿童本位观的提出为先导，中国现代文学中出现了具有独立个体特征与审美价值的儿童形象，根据儿童与"父"性的不同关系，这些形象可归纳为无父型、失父型、恋父型、弑父型和寻父型等几种类型。

Cosette was, moreover, passing through that dangerous period, the fatal phase of feminine revery abandoned to itself, in which the isolated heart of a young girl resembles the tendrils of the vine which cling, as chance directs, to the capital of a marble column or to the post of a wine-shop: A rapid and decisive moment, critical for every orphan, be she rich or poor, for wealth does not prevent a bad choice; misalliances are made in very high circles, real misalliance is that of souls; and as many an unknown young man, without name, without birth, without fortune, is a marble column which bears up a temple of grand sentiments and grand ideas, so such and such a man of the world satisfied and opulent, who has polished boots and varnished words, if looked at not outside, but inside, a thing which is reserved for his wife, is nothing more than a block obscurely haunted by violent, unclean, and vinous passions; the post of a drinking-shop.

珂赛特并且正在经历那个危险时期，也就是女性没人指点、全凭自己面壁虚构的那个一失足成千古恨的阶段，在这种时候，孤独的年轻姑娘便好象葡萄藤上的卷须，不管遇到的是云石柱子上的柱头还是酒楼里的木头柱子，都会一样随缘攀附。这对于每一个无父无母的孤女，无论贫富，都是一个危机，一种稍纵即逝、并且起决定作用的时机，因为家财并不能防止错误的择配，错误的结合往往发生在极上层；真正的错误结合是灵魂上的错误结合，并且，多少无声无臭的年轻男子，没有声名，没有身世，没有财富，却是个云石柱子的柱头，能撑持一座伟大感情和伟大思想的庙宇。同样，一个上层社会的男人，万事如意，万贯家财，穿着擦得光亮的长靴，说着象上过漆的动人的语言，如果不从他的外表去看他，而是从他的内心，就是说，从他留给一个妇女的那部分东西去看他，便只是一个至愚极蠢、心里暗藏着多种卑污狂妄的强烈欲念的蠢物，一根酒楼里的木头柱子。

The new era writer is very concerned about his father"s image. They treat their father with diverse attitudes, such father and son relationship patterns are in the literature as "trial father","patricide","worship of Father","making fun of father","without Father","longing for father" and "seeking father.

新时期作家对父亲形象十分关注，对待父亲的态度也是多样的，文学中出现了"审父"、"弑父"、"无父"、"恋父"、"崇父"、"寻父"等多种父子关系形态，形成了复杂而独特的"父与子"结构模式。

In the course of the study, the paper firstly from the motivation, behavior, the result of the patricide to completed study the interpretation elements. Secondly, according to the text features and the specific films, divide into of five types, kill father, reject father, judge father, blaspheme father, fatherlessness to discuss the same figures in the movie. Through Patricide Motif development in the film, it analyses the deep cultural connotation and reflections on the social changes brought about the ideological collision.

论文首先剖析"弑父"的动机、行为、结果，然后探讨共性化的人物建构策略，进而根据文本特征归纳出弑父、拒父、审父、渎父、无父五种"弑父"母题的表现形态，最后通过电影中"弑父"母题的发展流变，透视其背后深层的文化意蕴，思考社会变革所带来的思想碰撞。

The gentleman with the hooked nose then muttered certain cabalistical expressions which I was too much frightened to remember, but I recollect that at the conclusion I was given to understand that I was married to a young lady of the name of Frances Fair child, whom I perceived standing by my side, and I hope in the course of a few months to have the pleasure of introducing to you as your daughter in law, which is a matter of some interest to the poor girl, who has neither father nor mother in the world

接着，那位鹰钩鼻的老先生口中念念有词，说了一串神秘的话语。我当时十分紧张，没有记住他说了些什么，只记得在结束的时候，他说我和一个名叫弗朗西丝·菲切尔德的姑娘成了婚。她当时就站在我身旁，希望几个月后能有机会荣幸地把她作为您的儿媳介绍给您。这个可怜的姑娘对此很感兴趣，因为她在这个世界上无父无母

In the course of the study, the paper firstly from the motivation, behavior, the result of the patricide to completed study the interpretation elements. Secondly, according to the text features and the specific films, divide into of five types, kill father, reject father, judge father, blaspheme father, fatherlessness to discuss the same figures in the movie. Through Patricide Motif development in the film, it analyses the deep cultural connotation and reflections on the social changes brought about the ideological collision.

论文首先剖析&弑父&的动机、行为、结果，然后探讨共性化的人物建构策略，进而根据文本特征归纳出弑父、拒父、审父、渎父、无父五种&弑父&母题的表现形态，最后通过电影中&弑父&母题的发展流变，透视其背后深层的文化意蕴，思考社会变革所带来的思想碰撞。

Foster"养育,培养":The parentless child was fostered by an old man.

这个无父无母的孩子由一位老人收养。

If my dear love were but the child of state, It might for Fortune's bastard be unfather'd' As subject to Time's love or to Time's hate, Weeds among weeds, or flowers with flowers gather'd.

一二四 假如我的爱只是权势的嫡种，它就会是命运的无父的私生子，受时光的宠辱所磨折和播弄，同野草闲花一起任人们采刈。

Mrs.Fetherstonhaugh-Beauchamp is a well-to-do much traveled,and twice widowed society dance teacher who,along with her children,Darcy and Pearl,is fleeing from the debt collectors.miss Alsop,her pianist,is chasing Mrs F-B for her unpaid wages and unwitting ends up on the journey whilst Anna,an orphaned Chinese girl,stows away in a basket of dried lotus leaves in an attempt to prevent her unloving uncle from harming her.

费瑟史东哈碧儿泉(Fetherstonhaugh-Beauchamp)夫人，极富旅游经验，是一位离过两次婚的社交舞老师，正带著孩子，达尔希和佩儿要躲避债主。阿沙波小姐的钢琴家正在追捕爱芙比太太，因为她还没付薪水，却不知情弟结束了安娜的旅行，安娜是个无父无母的中国少女，在篮内放了乾莲叶来阻止她没爱心的叔叔伤害她。

According to the relationship to their fathers, these images could be classified into the following types: bastards, the children without a father, the children with Electra complex, patricides and the children looking for their fathers.

以&五四&时期儿童本位观的提出为先导，中国现代文学中出现了具有独立个体特征与审美价值的儿童形象，根据儿童与&父&性的不同关系，这些形象可归纳为无父型、失父型、恋父型、弑父型和寻父型等几种类型。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了