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Progress is impeded by a number of philosophical mistakes, and the aim of this paper is to remove nine of those mistakes: consciousness cannot be defined; consciousness is subjective but science is objective; brain processes cannot explain consciousness; the problem of 'qualia' should be set aside; consciousness is epiphenomenal; consciousness has no evolutionary function; a causal account of consciousness is necessarily dualistic; science is reductionistic, so a scientific account of consciousness would show it reducible to something else; and an account of consciousness must be an information processing account.

这个过程被某些哲学错误所阻碍,此论文目的是移除这些错误中的九个:意识无法被定义;意识是主观的但科学是客观的;大脑程序不能说明意识;&感质&的问题不应予以理会;意识是副现象的;意识并无演化的功能;意识的因果说明必须是二元的;科学是还原论式的,所以意识的一个科学式说明将显示,它可以被还原到某种其他事物上;以及意识的一个说明必须是一种资讯处理的说明。

Take as a single example this easily overlooked little passage from the rondo of the 23rd piano concerto; it is, in its essence, nothing more than a functional bit of connective tissue taking us from one place to another within the movement's structure. Ten brief bars—about 10 seconds—of basic scalar material, doing its job efficiently and economically. But it is at the same time so richly and amusingly characterized, so full of piping energy, with its determined but struggling piano line climbing its stutteringly inexorable way up to the note E, punctuated along its course by deadpan commentary from the winds, sneaking in the D natural that signals the change of key with almost undetectable sleight of hand—the passage almost constitutes a miniature comic universe all by itself.

请听这段在《第23钢琴协奏曲》中常常被人忽视的回旋曲( http://img.slate.com/media/87/7_mozart488.asf ),没有哪个功能性连结段能比它更好地仅通过乐章结构就将听众带入另一个世界,长约10秒钟的概要部分(brief bars of basic scalar material)不仅经济有效地发挥其职能,同时又表现出丰富、诙谐的特色,充满木管乐器的活力,伴随着坚决但阻碍不断的钢琴的快速音群移入E大调,其行进过程不时被管乐器部加以修饰、注解,自然而然的转为D大调,转调手法之娴熟几乎无法察觉——这段音乐本身创造出一个微缩的喜剧世界。

In the process of different people accepting creation education, the characteristics in psychological process and personality's difference are always being neglected the component obstacle is baffling the creation education, education system inner part in narrow sense, analyze the teaching barriers of the creation education in teaching the current course structure exists some problem in itself constructive factor the current course contents escapes from the source of creation education namely the student's living world, the course implement process emphasizes to accept study and memorize or train mechanically, seldom let the student obtain the knowledge through his own activities and practice, the student rarely have the opportunity to express his viewpoint and opinion through his own understanding, this annihilates the student' personality and corpus such instruction process is nearly making the student under control according to the craft process, The student can't creatively express himself, so it constitute the obsatacle of creation education.

社会本位观突出了要求个体奉献社会的一面,忽视了个体突破已有社会秩序与常规的富有建设意义的独创思想与行为对社会发展的价值;同时从心理学的视角,对创造教育的心理障碍进行了剖析,不同的个体在接受创造教育的过程中,心理过程的特点与个性差异的被忽视,构成的障碍阻碍着创造教育;在狭义的教育系统内部,就创造教育的课程教学障碍进行了分析,当前的课程结构在其构成要素上本身存在一些问题;现行课程内容脱离创造教育之源,即学生的生活世界;课程实施过程存在过于强调接受学习、死记硬背、机械训练的现状,很少让学生通过自己的活动与实践获取知识,学生少有根据自己的理解发表看法与意见的机会,这是对学生个性的抹杀,这样的教学过程几乎是根据工艺流程对学生进行控制的过程,学生无法创造性地表现自己,对创造教育构成了障碍。

The results indicated that the lignified seed shell had a negative impact on water permeability of seeds,but it was not the main reason for seed dormancy.

结果表明:(1)美国桂花种子木质化种壳对种子的吸水透性有一定的阻碍作用,但不是引起种子休眠的主要原因;(2)美国桂花种子的胚没有休眠,离体胚在光照培养7 d开始萌动;(3)胚乳被严密包裹的机械作用使胚无法获得萌发所必需的水分和氧气,这可能是导致种子休眠的最主要的原因。

The traditional research pass wades the point of departure when we researches language problem in the modern new poetry is usually the static-state linguistics, i.e., it explains the rhythm, rhyme and choice of vocabulary from the opposite static layer of the phrase, such as the pure phrase logic and the grammar layer and so on. Though this kind of angle of view of does major contribution in studying language of the modern new poetry, it also brings the irregularity of analysis equally, because its abstract and regular analytic method can't correspond with the modern new poetry whose expression of character is freedom and immediate, and thus obstructs us to have further cognition of the language of the modern new poetry.

传统的关涉现代新诗语言问题的研究的出发点往往是静态语言学,也就是从单纯的语词逻辑、语法层次等相对恒定的语言层面来阐释现代新诗的音韵、节奏乃至词汇选择,这种语言视角尽管为现代新诗的语言研究做出了重要贡献,但同样也带来诸多分析上的弊端,它的这种定型的归纳和抽象的规则化分析方法无法更好地切入到以自由和随即为表述特征的现代新诗语言,也就在一定程度上阻碍了人们对现代新诗语言的进一步认知。

Wheel, track and walking wheel are three main kinds of the walking mechanisms on the developed air-cushion vehicles.

目前已开发的气垫车辆所采用的行走机构有轮胎、履带、步行轮等三种,虽然气垫车的垫升机构可以明显降低它们的接地比压从而减少了行驶阻力,但依然存在着行走机构自身重量大,结构复杂以及在软湿地面上的滑转、粘土等一系列问题,另外,限于行走机构的几何尺寸影响,这些车辆的抓地位置仅作用于表层土壤,对于表层土壤含水量严重饱和并且硬底层较深的地面来说,甚至使车辆无法行驶和作业,严重阻碍了气垫车辆的推广应用。

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推荐网络例句

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢?

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我,一个心中布满虚荣的女孩子真实的想法。

Oh, and I bought myself a new laptop," he said."

哦,我还给我自己买了一个新笔记本"他说。"