无欲望的

Su Wong-Shen's artworks reflect contemporary social phenomenon indirectly. He uses dog's figures to mock human's desire and violence in contemporary society. Dog's characteristic of attack and tear demonstrate human's rude and aggressive behavior. Dogs and animals represent greed, contemptibility, no benevolence and righteousness, which can be used to mock desire hidden behind human.

苏旺伸作品内容是以一种曲折间接的方式去反映当代社会现象，他以犬形图像讽刺当代社会中人们的诸多欲望、暴力等，以犬具有攻击、撕咬的特质来意味人们的粗暴、攻击的行为举止，并以犬、兽於文化中贪婪、卑劣、无仁义的意涵，讽刺人表面下所潜藏的欲望。

The superior life and the creature comfort are the human beings' endless pursuits, therefore the human' s desire of holding money is ceaseless and the money changes omnipotently.

优越的生活和不断丰富的物质享受是人类永恒的追求，因此人类占有金钱的欲望是无休无止的，金钱变得无所不能。

In the fatties series, all the fatties look the same and seem happy, in which the artist shows that in the consuming time people lose ?themselves by indulging in seeking endless creature comfort.

艺术家希望通过这些看上去都是一个模样，显得心满意足的胖子群像来揭示，在当今消费时代人们为无休止的欲望所迷惑，沉溺于物质消费中而不能自拔，从而迷失了自我。

I know you are successful,but find time to enjoy yourself and do not fall prey to the allconsuming work ethic and greed.

我知道你很成功，但是还是抽点时间多享受一下生活，不要成为无止境的工作和欲望的牺牲品。

Moreover, the pursuit of happiness should be moderate. The satisfaction of immoderate needs and desires will usually lead to the loss of a person's independence and make him the slave of needs and desires who is deprived of the ability to get happiness.

另外，对快乐的追求还有个节制的问题，对需要和欲望的无节制的满足，往往导致人的自主性的丧失，使人成为需要和欲望的奴隶，从而丧失获得幸福的能力。

In the bright moonlight fog illuminates the human, the sentiment innate alone clock, had the special feelings, has engraved the life brand mark, is the most beautiful heart experience, the rejection desire without limits life, wants that kind to be calm and to be calm, favors the shame not startled, sits the courtyard, to look that before idly the flower blossoms falls the remove or retain to have no intention, to inundate the cloud woolpack extends along with the day outside, vague can actually give the human the daydream infinite space, this should be the how beautiful life.

明月霧裏照人，情自有独钟，有了特殊的情愫，就刻上了生命的烙印，是最美的心历，舍弃欲望无止境的生活，要那种淡定而从容，宠辱均不惊，闲坐庭前看花开花落去留无意，漫随天外云卷云舒，若有若无的却能给人遐想无限的空间，这该是多么美的生活啊。

That action which is devoid of fruitive desires, free from attraction and repulsion, without attachment; which is performed as duty is called the nature of goodness.

在行为活动方面，全无利益的欲望和欲望的利益，即不被吸引也不排斥，脱离了依附，作为责任义务去进行的活动就是善性品性的。

It is argued that the interplay of lack and excess in Pai Hsien-yung results in a metonymical narrative of desire in which relations of the subject and the object can never be reciprocal and thus are destined to be reenacted in an endlessly renewable cycle of appetite and anxiety in the storytelling process.

二者之间的吊诡关系正说明了白先勇的欲望叙事建基於主体与客体的永远无法交融，只能是一波推向一波的欲望徵逐，一个永无止尽及无偿的循环。这欲望的徵逐循环在白先勇不但是个主题，更是促生整个叙事活动的原动力。它不但决定了叙事发展的模式，也启动了每次书写的开端。

Not on account of his views, learning, or knowledge do the skilled here, Nanda, call one a sage. Those who live disarmed, undesiring, untroubled: those, I say, are called sages.

&世上智者不依据观点、学问和知识称某人为牟尼；无设防，无烦恼，无欲望，我称这样的人为牟尼。&

Theophrastus, in his comparison of bad acts- such a comparison as one would make in accordance with the common notions of mankind- says, like a true philosopher, that the offences which are committed through desire are more blameable than those which are committed through anger.

迪奥弗拉斯图斯像个真正的哲学家一样，以人类公共的理性比较了不同的不良行为，他认为由欲望导致的罪过远比由愤怒导致的罪过更令人发指，因为被愤怒冲昏头的人是带着痛苦和无意识的痉挛离开理性的；而因为欲望而犯错的人则是被快感所控制，对其所犯过错似乎更为纵容和软弱。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了