无月亮的

When we describe the moon as dead, we are describing the deadness in ourselves.

" "当我们形容月亮死，我们所描述的无生气的自己。

Before the Gates there sat On either side a formidable shape; The one seem'd Woman to the waste, and fair, [ 650 ] But ended foul in many a scaly fould Voluminous and vast, a Serpent arm'd With mortal sting: about her middle round A cry of Hell Hounds never ceasing bark'd With wide Cerberian mouths full loud, and rung [ 655 ] A hideous Peal: yet, when they list, would creep, If aught disturb'd thir noyse, into her woomb, And kennel there, yet there still bark'd and howl'd Within unseen.

这种可怕的情景，不亚于愤怒的西拉在卡拉伯里和脱里那克里亚中间的海里洗澡时；也不亚于那丑恶的夜之魔女，嗅到婴儿的血腥气味之后，便悄悄地从空中飞来，邀同拉波兰的妖女们跳舞，用符咒使月亮亏蚀无光。

Highlights include the iron sliding 'moongate' doors,copious glass paneling and an austere water garden featuring a handful of wisteria, pomegranate and osmanthus trees and amodernist Chinese pagoda with the roof sliced away are the main highlights.

铁铸流线型月亮门，各式木格玻璃窗与朴素的由水泥筑成的水上花园。圆中植被种类丰富，包括紫藤、石榴和木樨类植物。另外，具有现代主义风格的无顶式宝塔也是景观亮点之一。

Modern science and technology enables the troops to fight on a moonless night.

现代科技使军队能在无月亮的夜晚作战。

Moon and not with the significator of the Father; and for the most part attended with

在私生子的命盘中，ASC常跟月亮有相位，跟父亲的徵象星则无。

In the series works, such as Sun Birds and Moon Snake, all the objects are simple and condensable. In general, without description of detail, these works put more emphasis on the whole grasp and the inner conformation and spirit of the objects. Such action is consistent with the abstract art's spirit which seeks for "no objects painting".

在《太阳鸟》和《月亮蛇》等系列的作品中，物象都呈现出简约概括的特质，通常都不作细部的刻画，而是强调以少胜多的整体把握和物象的内在构造和精神，实际上这与作为&无物象绘画&的抽象艺术的精神是正相契合的。

He is at peace--this wretched man-- At peace, or will be soon: There is no thing to make him mad, Nor does Terror walk at noon, For the lampless Earth in which he lies Has neither Sun nor Moon.

这个不幸的人却心静如水或者在未来也会平静入睡。什么事情也无法让他发疯，恐惧也不会在中午逞威风，他躺在没有灯光的地上，白天无太阳晚上无月亮。

I see it as a night scene by El Greco: a hundred houses, at once conventional and grotesque, crouching under a sullen, overhanging sky and a lusterless moon.

在我的梦中，这个小镇就像埃尔-格列柯画的一幅夜景：上百所房屋，既平常又怪诞，蹲伏在阴沉沉的天空和黯淡无光的月亮之下。

Apart from some certain ultra-popular staples,"gastronome-class snacks" include raw-fried bun, barbecue roll, boneless chicken feet, fried chicken steak with pickled vegetable sauce, Xinjiang grilled skewers, traditional flavoured ice black tea, roasted duck in steamed bun, miner's hand roll, Dongshan duck head, moon-shaped shrimp cake, etc.

除了人气红不让的美食外，「饕客级小吃」也很经典，如：生煎包、烤肉卷、无骨凤爪、泡菜酱料鸡排、新疆串烧、古早味红茶冰、粉肠、烤鸭夹饼、矿工手卷、东山鸭头、月亮虾饼等。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失