无旋律的

This mode of thinking that has no theme, no melody and atonal, its expressiveness is unquestionable.

这种无主题、无旋律、无调性的思维逻辑，表现力无可置疑。

Years before de Brosses introduced the term to art criticism, an anonymous music critic called "baroque" the music of Rameau's Hippolyte et Aricie, first performed in 1733, which he found noisy, unmelodious, and capricious and extravagant in its modulations, repetitions and metrical changes.

多年以前，de Brosses引用这艺评的术语，佚名的乐评者称「巴洛克」，是指拉莫（Rameau，法国18世纪音乐家）的歌剧《Hippolyte et Aricie》在1733年首演，他发现这歌剧喧闹、无旋律，转调时过度铺陈，而且变来变去，一直反覆和改变拍子。

Hitting rhythms of be-bop and the laid-back, mellow harmonies of cool jazz to the jittery, atonal forays of free

随着这一新风格的发展，爵士乐被分成了几个流派：从快速，节奏硬朗的比博普，以及有着松弛，柔美旋律的酷派爵士乐，到以颤抖，无调的打击乐为主的自由爵士，还有散发着朴实韵味的心灵爵士。

Transmit Softclipping Time Constant Receiving Input Sidetone Network Input Line Current Regulation Stop Value Microphone Input Microphone Input Transmit Gain Adjustment Transmit and Receive Part Power Supply Ground Line Current Source Power Supply Voltage Stabilizer Positive Line Unregulated Microcontroller Power Supply Receive Gain Adjustment Negative Earphone Output Positive Earphone Output Ringer Buzzer Output Ring Power Supply Reset Power On Ring Indicator Oscillator Input Mask, Ring Melody Input Data Input Data Clock Input Microcontroller Stabilized Power Supply Reference Voltage (VCC/2) DTMF Filter

1第1页，本页显示记录1-8，共8条记录分1页显示发送Softclipping时间常数接收输入侧音网络输入线电流调节停止价值麦克风输入麦克风输入发射增益调整发送和接收部分电源地线电流源电源稳压器的正电源线无管制的单片机接收增益调整负耳机输出耳机输出正林格蜂鸣器输出电源供应环环指标振荡器输入掩码电复位，环旋律输入数据输入数据时钟输入单片机的稳定电源参考电压（Vcc / 2）双音多频滤波器

Its opening notes sound just like an ending, a passage of apparently clinching finality, after which we are introduced to a little snippet of tune that seems stuck in its own narrow groove, unable to get anywhere. All of this is then repeated almost verbatim in another key, and then, within another bar or two, we suddenly realize that somehow, despiteall this nonactivity, we're actually off and running. These are high jinks of the very highest order.

还有这段不太为人所熟知的四重奏末乐章( http：//img.slate.com/media/10/6_haydn76_5.asf )，起始的曲调听起来像是典型的结尾，随之展开的旋律片段又仿佛将乐曲带入了山穷水尽疑无路的境地，转调后仍逐字逐句地重复，形式虽显呆板，但是继续听过一个或者两个小节之后，听众会突然意识到他们实际上摆脱了形式上的一切束缚转而在音乐中驰骋，这就是最高水平的恶作剧。

The first single Mademoiselle Juliette got on the top 13 of French downloading board with its passionate electronic and rock mixture. Alizée also added some cool and stylish singing skills in it. She invited French well-known producer and music composer Bertrand Burgalat (Depeche Mode、Pizzicato Five、Mick Harvey) to produce this album. The second song Fifty Sixy is with smooth and great melody also add some cheerful dance sounds that totally shows extremely young passion. The song with same title as album Psychédélices is set in a fantastic and air-free atmosphere. Beautiful violin sounds go through the whole song and gradually lead the song the softest and most fascinating feeling. Decollage is a song that is added with hip-hop street style. In this song, Alizée shows her great talent in rapping that makes people feel refreshing. With fast beats, Lilly Town is just in people's taste of dance song. The last song of this album L'effet spreads a slight tender of jazz. This time Alizée use various styles that add more charm with her mature appearance.

第一波单曲" Mademoiselle Juliette"，登上法国下载榜Top13，交融强烈电子与摇滚的撞击，艾莉婕加入更多酷酷个性演唱调调，请到法国籍炙手可热的制作/演奏才子 Bertrand Burgalat(Depeche Mode、Pizzicato Five、Mick Harvey)操盘；第二支预备曲"Fifty Sixy"，更为流畅动听旋律贯穿，同样加料欢乐舞曲声韵，展现年轻的无比热力；同名单曲"Psychedelices"漂浮在一股迷离无压的气氛之中，弦乐优雅润饰其中，徐缓勾引出最动人的抒情乐章；添进街头嘻哈风格的"Decollage"，艾莉婕更大秀饶舌才情，让人耳朵为之一开；节奏加速度的" Lilly Town"，是支十分讨喜的正点舞曲；谢幕小品"L'effet"则洒下一抹淡淡爵士柔情，艾莉婕此次大胆尝鲜更为多样风格，为她成熟风貌添加更多迷人魅力。

In that familiar with the local Qing Huan with you Wind came in your breath Clouds Yingzhuo your Xiaoyi Lin Xiang Wei dependencies in the birds I was lonely I am waiting for you back The child opened the window I rely on to I am waiting for you back With pure charisma Like a child Filled with clothes on your memory What a clear night's dream Cold dawn only sigh How do you forget Blur the border without Xiangzhuo nights floating melody in the ears of the non-stop convolution / The thoughts can be carried rainband I find you Although a dream worth mentioning Would rather give up freedom of loneliness How would like to seize your hands Spring and summer autumn and winter of your commitment I will be waiting

在那熟悉的地方轻唤着你风里传来你的呼吸云里映着你的笑意林里的鸟相偎相依我却孤寂我等你回来把那窗儿打开向我依赖我等你回来带着纯真的风采宛如小孩衣上装满你的记忆夜里的梦多么清晰冰冷黎明只剩叹息如何忘你迷离的夜飘响着无边境的旋律在耳边旋绕不停能不能载着思绪的雨带我找你纵然是梦想也罢宁愿寂寞放弃自由怎样也想抓住你的手春夏秋冬你的承诺我会守候谁能把它翻译成英语，不要用翻译网站翻译。。高手指点，谢谢

Without the Old Gods' power to keep their raging spirits bound to the physical world, the elementals were banished to an abyssal plane, where they would contend with one another for all eternity.

没有了古神的对这个世界精神力量的控制，元素被放逐到了黑暗中，在那里他们将永无安宁的互相争斗下去，随着元素的散去，大自然宁静下来，世界进入有序的旋律，泰坦看到没了威胁，又继续的工作。

It was yesterday I thought myself a fragment quivering without rhythm in the sphere of life.

仅仅在昨日，我还以为自己是一片碎片，在生命的天空中无旋律的颤动。

When you are tired with flamboyant luxury, vapid simplicity, iridescent pattern and lavish gloss, the little angel in your heart will begin to swing her laced skirt and dance to a sweet melody in front of a vine-wound crystal dressing table in a carefree paradise.

当人们厌倦了夸张奢华的艳羡、简约元素的乏味、波普撞色的摩登、漆皮缎面的夸张时，住在你心灵深处的那个小天使开始抖动自己缀满蕾丝花边的蓬蓬裙，对着藤蔓缠绕的水晶梳妆台翩翩起舞，画出一串美妙的旋律，尽情迷失在无忧的乐园里。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。