无文化

China, zhejiang longquan concentric handicraft department, We are specialized in producing, selling, processing, and the international trade purchasing handicraft, we present a new product is mainly, artificial natural jade products, new product characteristics, glittering and translucent, amber, purity transparent qualitative, utmost noble character, fashion, and contemporary through a national quality technologysupervision bureau of quality and new product authentication, non-toxic, no radiation, safety, environmental protection etc, and the production and sales of bamboo and wooden crafts, natural and supplies, also, the production and business operation characteristic of traditional sword, zhejiang longquan, celadon porcelain products is the Chinese celadons of a piece of treasure, longquan sword "tenacity, soft and combine, sharp, decorative pattern of vulgar opportunely features of" for Chinese celadons longquan, passing, sword has long history of cultural inheritance.

登录后回答可以获得经验值奖励，并可以查看和管理所有的回答。登录|中国），浙江龙泉同心手工业部门，我们是专业生产，销售，加工，国际贸易采购工艺品，我们提出了一种新的产品主要是，人工天然玉石产品，新产品的特点，晶莹剔透，琥珀，纯度透明的质量，最崇高品德，时尚，和当代通过国家质量质量technologysupervision局和新产品的认证，无毒，无辐射，安全，环保等，以及生产和竹木工艺品，自然销售和用品，也生产和经营的传统剑的运作特色，浙江龙泉青瓷产品是一种财富片断的中国青瓷，龙泉宝剑&坚韧，柔软结合，锐利，庸俗适时的功能装饰图案&的中国龙泉青瓷，传球，剑具有悠久历史文化的传承。

He believes that, by bringing the art of their homelands to Canada, newcomers make a valuable contribution to Canada.

他相信自己把阿富汗的文化在加拿大广泛传播对加拿大有百利而无一害的。

This part deal with the question from the perspectives of lexical-grammatical category, the category of gender, number and case, the emotional meaning of nouns, concept superordinates and hyponyms, social cultural factors and context.

在这一部分中，笔者从词汇—语法类别、名词的性、数、格范畴、名词的情感意义、种概念和类概念、社会文化因素及语境等方面剖析了名词的有无标记性。

The Neo-Confucianism of Taiwan and Hongkong\'s aesthetic study combines the artistic spirit of Confucianism and Taoism, introjects the aesthetics of China and the west, and excavates the modern merits of traditional aesthetic, which are important problems of the modern Chinese aesthetics. Therefore, it is very helpful to the modern Chinese aesthetic and the comparative poetics that we scan the Neo-Confucianism of Taiwan and Hongkong\'s problems again and pursue the evolution of these problems in a cross-cultural and cross-subject view.

由于台港新儒家的美学研究兼有会通儒道艺术精神、融合中西美学思想，及发掘传统美学之当代价值等的层面，这些无一不是中国当代美学的重大课题，因此带着问题意识用跨文化、跨学科的视野重新审视他们探讨过的问题并追踪问题的延伸，将对中国当代美学的建构和比较诗学的研究都有着重要的启发意义。

In about a century' s time, their livelihood of swidden agriculture has been changing greatly along with the natural and social environment change. Before 1950s, as a minor group frequently move in the subtropical mountainous area characterized by scarce arable land, high forest coverage rate and sparse population, Kemu people has long been engaged in swidden agriculture which was simple, called for no sophisticated production tools and was suitable for frequent movement. At that time, they adapted to the environment change mainly by moving frequently from one place to another, and their livelihood was featured by complete dependence on environment, frequent movement and swiddening without continuous cultivation. From 1950s to early 1970s, their way of adaptation changed into migration within defined territory and shortterm fallow featured by complete dependence on environment, migration within limited area and short fallow. In early 1970s, they leaned from outside to cultivate irrigated fields and plant cash forest and their livelihood was featured by complete dependence on environment and agro-forestry.

近一个世纪以来，随着其所处自然环境和社会环境的变迁，其刀耕火种的生计方式在不断地变化：20世纪50年代以前，作为频繁迁徙于山多地少、森林覆盖率高、人烟稀少的热带、亚热带山区的弱小族群，以开发容易，便于流动作业不需要复杂生产设施的刀耕火种为其传统的生计方式，主要以迁徙的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为完全依赖型、随意迁徙型、无轮作型；20世纪50年代至70年代，其主要以固定区域内迁徙和短期轮作的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为完全依赖型、在固定区域迁徙型、短期轮作型刀耕火种；20世纪70年代初，其主要以外文化——开拓水田及人工造林的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为部分依赖型、粮林轮作型刀耕火种；20世纪80年代以后，其主要以发展橡胶种植业对环境变迁进行调适，其刀耕火种生计方式的特征表现为暂时依赖型刀耕火种。

The correlation between the intelligence developments of infants and gender, early-education, parents＇ profession, parents＇ educational degree, familial income, major nurturers were analyzed.

幼儿期智能发育指数与性别、是否早教、父母亲文化以及父亲职业有关；与母亲职业、经济收入及主要带养人无明显相关性；而幼儿运动发育指数则与以上几个因素均未见明显相关性。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。

In order to arouse southerners'collective unconsciousness and deconstruct northern cultural hegemony, William Faulkner portrays a Yoknapatawpha mythical world, and uses"Southernness"extensively in his novels.

一方面，福克纳通过塑造约克纳帕塔法神话世界并且在作品中大量使用&南方性&来唤起南方人内心深处的集体无意识，以此来打破北方在南方的文化霸权。

Rulers decreed cruel torture to maintain their imperial authority or amuse themselves by punishing, threatening their subjects. Cruel torture has a far-reaching impact on the Chinese social life and psychology. The awakening of civil right consciousness is of great significance to shake off the cruel torture culture and get onto the legal track.

统治者利用酷刑来达到惩罚、恐吓、确认皇权的无上权威甚至是娱乐的目的，酷刑对中国人社会生活、社会心理有久远影响，公民权利意识的觉醒对摆脱酷刑文化的影响、促使中国走向法治化社会有重要影响。

Results results of simple logistic regression showed that factors with significant ors were low education level,unemployment, marital status, senseless of life, self-killing, h orror, madness, depression, insomnia, dizziness, perspiration, evil dream, divor ce, setbacks of emotion, smoking, alcohol-abuse, playing truant, runaway from ho me, fighting, etc.

结果 单因素logistic回归分析结果显示，or值有极显著意义的因素有：文化水平低、无业、无稳定的婚姻、生活空虚、曾想自杀、无故害怕、发疯感、沮丧郁闷、失眠早醒、头晕、多汗、常做噩梦、失恋离婚、感情挫折、吸烟、饮酒、逃学、离家出走、打架斗殴等，or值均在2.0以上。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。