无文化

Contemporary China's society is a society of structural change and structural weightlessness loss of society, in which lot of life experiences and cultural awareness we had had have disappeared. We have been unconsciously re-created, but we still can not cure the pain in heart: a sense of rootlessness has become the general psychological symptoms, since the past no longer exists and all the new changes are still pregnant.

当代中国是一种结构性变化与结构性失重的社会，许多我们曾经拥有的生活经验和文化认知都消失了，我们在不知不觉中已经被重新塑造，但是我们仍然不能抹平内心的楚痛：过去的一切不再拥有，新的仍在变动之中，无根的感觉成为普遍的心理征候。

Rootlessness; immigration culture; influence

无根性；移民文化；影响

However, the national elements in our culture, even when they were ignored, always providing an unconscious driving force of passion and aggressive self-assertion.

然而，我们的文化中包含的国家要素，甚至是当我们被忽略了，始终提供了一种无意识的热情的动力和进取的自我断言。

Colorful. People walked through the beginning period of radical modernism last century, entering into the classic、 romantic、rebelling、 self-contradicting late_industry period. From the icy cold mold、 concept、 regulation, starting the humanization、 characterization、 aiming at the individual work. From shock of the new art, rapidly arrived to the period of making people the center thoroughly , the realm of a little crazy modernism style, developped the person's individuality to extreme achievement, in the aspect of culture or art or architecture neither do not display the notional value in individuality.

人们走过了上世纪初现代主义的激进，进入了带有古典、浪漫、反叛、矛盾的后工业时期；从冰冷的模数，概念、规律，开始了人性化、个性化，针对个体的创作；从新艺术给人们心灵带来的震撼，急进到了彻底的以人为本的，带有点疯狂的后现代主义风格领域，将人的个体性质发挥到了极致，在文化、艺术、建筑的创作上无一不显示出个体观念的价值。

It is covered with mystry .it hungered to go back to the status of ecstasy ,purity ,ignorance and senselessness .

李大鹏的作品充满了生活意趣和激情，并带有远离现代都市民间神秘特征，它以有意识地复兴一些自己所曾拥有过的传统，探索一种文化集体的过去，渴望回到了一种狂欢、纯真、无知、无意识的状态中去。

The hustle and bustle of the city .It is covered with mystry .it hungered to go back to the status of ecstasy ,purity ,ignorance and senselessness .

李大鹏的作品充满了生活意趣和激情，并带有远离现代都市民间神秘特征，它以有意识地复兴一些自己所曾拥有过的传统，探索一种文化集体的过去，渴望回到了一种狂欢、纯真、无知、无意识的状态中去。

Our popular culture feeds the alarm, with tales of women consigned to permanent singlehood, men unwilling to make lasting commitments, and teens engaged in endless sexual escapades.

我们的通俗文化使得这种状况加剧，比如说，女人愿意永久单身，男人不愿做出长久的承诺，十几岁的孩子无止境的性滥交等故事。

Consciously or unconsciously, that's the way males have been socialized in this culture.

不论是有意识还是无意识的，这就是我们的文化当中男性被社会化的结果。

In order to arouse southerners'collective unconsciousness and deconstruct northern cultural hegemony, William Faulkner portrays a Yoknapatawpha mythical world, and uses"Southernness"extensively in his novels.

一方面，福克纳通过塑造约克纳帕塔法神话世界并且在作品中大量使用"南方性"来唤起南方人内心深处的集体无意识，以此来打破北方在南方的文化霸权。

Nowadays in India, the true orthodox Buddhism has been completely extinguished with only a few superficial appearances left, and the substance has been replaced by the non-Buddhist tantrism of couple-practice. About Theravada Buddhism, although it can still keep the appearance of sound-hearer Buddhism and is not defiled by the non-Buddhist tantrism, it is rare to find the saints who can personally realize the sound-hearer liberation now. As for Mahayana Buddhism, there are only Buddhist rituals and the mind-consciousness dharma now in China, which has just recovered from the ravage of the Cultural Revolution. In both Japan and Korea, only the appearance of Buddhist rituals but not practice remains and there is no even the mind-consciousness practice like in China. Therefore the practitioners in China, Japan and Korea cannot touch the real content of the practice and realization to fulfill the Buddhahood way of the great-vehicle Buddhism.

现存的佛教，在印度已经完全灭亡，只余极少数人保留著佛教的表相，本质已是坦特罗双身法的非佛教了；南传的小乘佛教教域，虽然仍能维持小乘声闻佛教的表相而不被坦特罗双身法的非佛教所染污，然而能够实证声闻解脱道的圣者亦已难可觅得；而北传的大乘佛教教域中，中国才刚从文化大革命的破坏中恢复了仪式表相及意识境界的佛教，日本、韩国则只剩佛教仪轨的表相而无修行的表相，已谈不上如同中国地区意识境界的修行了；是故中、日、韩对於大乘佛教实践菩萨道的见道与修道真实内涵，都已经都无力触及了。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。