无抑扬的

I wrote an entire paper on julius caesar in iambic pentameter.

我写过一首赞美秋丽。西萨的抑扬格无韵诗

In his writing, he pioneered the use of blank verse—nonrhyming lines of iambic pentameter—which many of his contemporaries, including William Shakespeare, later adopted.

在他的写作，他率先使用无韵诗， nonrhyming行步抑扬格五音，而他的许多同时代人，包括威廉莎士比亚，后来通过了。

Christopher Marlowe was the first English author to make full use of the potential of blank verse, and also established it as the dominant verse form for English drama in the age of Elizabeth I and James I. The major achievements in English blank verse were made by William Shakespeare, who wrote much of the content of his plays in unrhymed iambic pentameter, and Milton, whose Paradise Lost is written in blank verse.

克里斯托弗马洛是第一个英文作者充分利用的潜力，无韵诗，还建立了它的主导形式的诗句英语话剧时代的伊丽莎白一世和詹姆斯一，主要成就在英语韵诗发了言威廉莎士比亚，谁写的大部分内容，他的戏剧在unrhymed抑扬格五音，和米尔顿的失乐园是用无韵诗。

The language and meter used by Aeschylus in his plays was the forerunner of blank verse, or unrhymed iambic pentameter.

埃斯库罗斯在剧中使用的语言和韵律则是素体文，或者说成无韵抑扬格五步诗的前身。

Blank verse: Verse written in unrhymed iambic pentameter.

素体诗：用五音步抑扬格写的无韵诗。

For centuries, iambic pentameter had been a preferred poetic meter of outspoken literati across the globe, from the ancient Greek writer Archilochus to Shakespeare, Milton, Chaucer, and Voltaire—bold souls who chose to write their social commentaries in a meter that many of the day believed had mystical properties.

数世纪以来，五步抑扬格历来都是全球那些为人坦率的文人们的最爱，从古希腊的阿尔基洛科斯到莎土比亚，到弥尔顿，到乔叟，到伏尔泰，无一不是如此——这些勇敢的灵魂，选择了当时许多人都相信具有神秘特质的诗律形式，来描写他们所处的社会，针砭时弊。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。