无手的

When I Have Fears That I May Cease to Be》 When I have fears that I may cease to be Before my pen has gleaned my teeming brain, Before high-piled books, in charactery, Hold like rich garners the full-ripened grain; When I behold, upon the night's starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour, That I shall never look upon thee more, Never have relish in the fairy power Of unreflecting love --- then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink.

生命稍纵即逝》我害怕自己可能逝去在我的笔道尽我脑中泉涌的文思之前，在高叠的书本，写成文句，如盈盈谷仓堆着完熟谷粒之前；我凝望，夜缀满繁星的面貌，浪漫传奇繁多迷蒙的象征，想着我或许再不能探究它们的幻影，凭借机会的神来之手；当我感受，美丽生命的短促，我将不再注目，再无法享受超然的力量那无忧的爱──于辽阔

But this was a Utopia which, drawing on the unconscious operations of Adam Smith's invisible hand, and in sharp contrast to the hyperconsciousness of the Utopian "intentional community", gambled everything on the unintentionality of its universal panacea, for which any number of populations around the globe proved unwilling to wait.

但这曾是一种乌托邦，依赖于亚当·斯密看不见的手的无意识的运作，它与乌托邦的"有意图的社会"的极度的意识明显不同，对它的普适性的灵丹妙药进行疯狂地赌博，而世界上大部分的人都急于获得这种灵丹妙药。

So the girls and their mother all walked together, a child on each side of Tess, holding her hand, and looking at her meditatively from time to time, as at one who was about to do great things; her mother just behind with the smallest; the group forming a picture of honest beauty flanked by innocence, and backed by simple souled vanity.

母女俩就这样上路一起走着，苔丝的两边各有一个孩子牵着她的手，心里似乎想着什么，不时地把苔丝看上一眼，就像在看一个正要去干一番大事业的人一样；她母亲同最小的一个孩子走在后面；这一群人构成了一幅图画，中间走着诚实的美丽，两边伴随着无邪的天真，后面跟随着头脑简单的虚荣。

But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth a hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and while the vast assembly, as with one impulse, shrank from the centers of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple -- to the purple to the green -- through the green to the orange -- through this again to the white -- and even thence to the violet, ere a decided movement had been made to arrest him.

大伙儿看到来者如此狂妄，早已吓坏了，哪儿还有什么人胆敢伸出手去把他抓住啊？因此，这个不速之客竟然通行无阻的走到王爷面前，相距咫尺。这时，那一帮子跳舞的人都情不自禁的纷纷从屋子中间退避到墙跟前，他就趁此脚不停步的朝前走，步子还是象先前那样不同寻常，既稳重，又匀调，一步一步的走出蓝色的一间屋子，走到紫红色的一间，出了紫红色的一间又走进橙黄色的一间，由此又走进白色的一间，再由此走进紫罗兰色的一间，于是王爷才决定采取行动逮住他。

In that familiar with the local Qing Huan with you Wind came in your breath Clouds Yingzhuo your Xiaoyi Lin Xiang Wei dependencies in the birds I was lonely I am waiting for you back The child opened the window I rely on to I am waiting for you back With pure charisma Like a child Filled with clothes on your memory What a clear night's dream Cold dawn only sigh How do you forget Blur the border without Xiangzhuo nights floating melody in the ears of the non-stop convolution / The thoughts can be carried rainband I find you Although a dream worth mentioning Would rather give up freedom of loneliness How would like to seize your hands Spring and summer autumn and winter of your commitment I will be waiting

在那熟悉的地方轻唤着你风里传来你的呼吸云里映着你的笑意林里的鸟相偎相依我却孤寂我等你回来把那窗儿打开向我依赖我等你回来带着纯真的风采宛如小孩衣上装满你的记忆夜里的梦多么清晰冰冷黎明只剩叹息如何忘你迷离的夜飘响着无边境的旋律在耳边旋绕不停能不能载着思绪的雨带我找你纵然是梦想也罢宁愿寂寞放弃自由怎样也想抓住你的手春夏秋冬你的承诺我会守候谁能把它翻译成英语，不要用翻译网站翻译。。高手指点，谢谢

The former is a narration which deifies and heroizes revolutionary history, the latter is to secularize and mortalize revolutionary history. But there has long been a historical narration which tries its best to reconcile or...

其实，在这两种"极端化"的历史叙事中，一直潜隐着一种试图将两者加以调和，或者说试图超越的历史叙事，那就是出自部分女作家之手的作品，项小米的《英雄无语》就是其中的代表作，它展示了女性对历史的检讨和战争的反省。

Still grows the vivacious lilac a generation after the door and lintel and the sill are gone, unfolding its sweet-scented flowers each spring, to be plucked by the musing traveller; planted and tended once by children's hands, in front-yard plots —— now standing by wallsides in retired pastures, and giving place to new-rising forests;—— the last of that stirp, sole survivor of that family.

而在门框，门楣，门槛都消失了一世代之后，生机勃勃的丁香花还是生长着，每年春天展开它的芳香的花朵，给沉思的旅行者去摘；从前是一双小孩子的手种下的，在屋前的院子里——现在都生在无人迹的牧场上的墙脚边，并且让位给新兴的森林了；——那些了香是这一个家庭的唯一的幸存者，孑然一遗民。

Hediffered little from other peasants in his bronzed skin,homvhands,bushy hair,unwavering gaze and short brown bea-andmoustache,yet a certain gloom overlay his inherent peasant traitsand unreflective simplicity.

他的紫赤的皮肤，粗糙而有坚皮的手，茸茸的发，直视而不灵动的眼睛，口四围短而黄的胡子，都和别的农人没甚分别；但是他还有一种悒郁的神情，将农人固有的特征，浑朴无虑的态度笼罩住。

The gloed hand should not come in contact with the skin before the incision is made. For the extremities, a section of sterile stockinette is drawn proximally oer the operatie field. Then the stockinette is grasped proximally and distally and cut with scissors to uncoer the area of the proposed incision. Its cut edges are pulled apart, and the area is coered by a transparent adhesie-coated material.

带手套的手在切皮之前不许与皮肤接触，肢体手术可应用弹力织物向近端套于手术区表面，然后抓住弹力织物的近端及远端，于木野处用剪刀剪开，将剪开的边缘拉开，在暴露的术野的皮肤上贴无菌的皮肤贴膜。

Vanity, it may be, chose to mortify itself, by putting on, for ceremonials of pomp and state, the garments that had been wrought by her sinful hands.

她天生就有一种追求富足和奢华的东方人的秉性--一种喜欢穷奢极欲的情调，但这一点在她的全部生活中，除去在她那精美的针线手士中尚可施展之外，已经别无表现的可能了。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。