网络例句

无意的

与无意的相关的网络例句 [注：此内容来源于网络，仅供参考]

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Each kid is all equal, living of bad egg, as long as work hard education they, help they, they would understand and correct of, real help they will hold tight reason, use the other party method and palliate to cure origin, in addition to disease in addition to root, education be unequal to beat and scold or loudly condemn, but heart and insight communication, the reason that the kid have chat occurrence many turns and twists on the net, not a few be because of can't with parents communication cause, creation generation gap, make because of incident the heart be subjected to injury, they own to belong to oneself of secret, behaviour and manner in dealing with others also have oneself of viewpoint, probably they once were like teacher parents many times open heart, but drive all not intentional of nonsuit, they will have oneself of mood, with age growth, gradual heart of some sharp angle can not help use oneself of immature raise to let out toward the people of this world.

每个孩子都是平等的，没有生来的坏蛋，只要用心教育他们，帮助他们，他们会明白并改正的，真正帮助他们就要抓住原因，用对方法，治标治本，除病除根，（教育不等于打骂或大声斥责，而是心与心得沟通，孩子之所以在网上有聊天发生许多曲折，不少就是由于不能与父母沟通引起，产生代沟，由于事变而使内心受到伤害，他们拥有属于自己的秘密，为人处事也有自己的想法，或许他们曾像老师父母多次打开心扉，却都被无意的驳回，他们会有自己的心情，随年龄增长，渐渐内心的某些棱角就不得已用自己的幼稚之举向世人发泄。

No matter software business is intended,still be innocently, its are made come out or be stay innocently " postern passageway " let hole of user computer portal leave.

不管软件商是有意还是无意，其所制造出来的或是无意留下的"后门通道"让用户电脑门户洞开。

Unconsciously used to prop up an umbrella walking in the rain wearing trench coat walking in the wind.

习惯了让无意飘入伞下的雨淋乱了头发，让无意穿透纤维的风吹湿了睫毛。

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。