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与 无思想的 相关的网络例句 [注:此内容来源于网络,仅供参考]

However,this kind of human feeling without objectivenecessity can not guarantee that human's behavior accords with the principle of"moral".So the dominators and thinkers,who use theConfucianism to dominate country,have to objectify and logicize the subjectivefeelings,that is to say,to restrict the individual sensual feature and freedom.

但这种无客观必然性作框架依托的人的主观情感,无法保证人的行为必然符合&善&的原则,采用儒家思想作为治国方略的统治者及其思想家必须致力于把主观心理情感认可的信念及主张外在化、对象化与知性化,也就是说,限制个体的感性特征与自由。

The traditional DEA model can not beused to deal with such stagewise operation problems. In order to avoid the limitation of the traditional DEA model, a multi-stage DEA model was set up based onthe idea of the DEA model with uncontrollable factor. Simultaneously, considering the shortage of the single DEA model, the multi-stage DEA model was extended to be the multi-objective one.

工程项目某一分期实施阶段的无效率可能导致整体计划的无效,为了克服传统DEA模型评价这类阶段性问题的局限,及时发现并调整工程项目的无效阶段,借鉴具有不可控要素DEA模型的思想建立了多阶段DEA模型,同时考虑到单目标DEA模型的不足,进一步将多阶段DEA模型扩展为多目标模型。

For my own part, I confess I am not only very much disposed to lay down the absolute necessity of imitation in the first stages of the art, but am of opinion that the study of other masters, which I here call imitation, may be extended throughout our whole life without any danger of the inconveniences with which it is charged, of enfeebling the mind, or preventing us from giving that original air which every work undoubtedly ought always to have.

对我本人来说,我特别反对的是,在艺术开始的几个阶段,那种完全照搬抄袭式的模仿。而我这里所说的模仿,是向大师们学习的模仿,是在我们一生中都能受用、百利而无一害的模仿。这种模仿,不会影响我们的情感,不会减弱我们的思想,也毫无疑问地不会改变原始事物本身的风格。

And if the Other resists my constitutive grasp by overflowing my thought by that which exceeds its capacity, this resistance is presaged, he goes on to state, by the nudity or openness of his or her eyes, completely defenceless as they are of themselves alone.

如果他者通过那些超出其能力的充溢的思想来抵抗我的构建性的领会,那么,这种抵抗预示着他会通过裸露或敞开他的眼睛接着陈述其完全的无防御,就好像他们单单就是其自身一样。

Velvet gowns this design idea is a very careful, because both sides have long-staple, and the back and silk lining, not only has the appearance of legislation plexus villi, the thickness of the larger and the effect of soft and cotton clothing with is similar to the good thermal properties, very sophisticated, but also very practical, is known in the ancient countries in the same fabric seems to have been found, even if placed velvet fabric with a modern bar, no less briefly indeed rare products, worthy of "mechanism cloud steaming, almost won Tiangong" the reputation.

这件绒袍的设计思想是相当周密的,由于两面均有长绒,而背面又有绢衬,不仅具有绒毛丛立的外观,厚度较大和手感柔软的效果,而且具有与绵衣相似的良好保暖特性,非常精巧,也非常实用,在现知古代各国的同类织品中似乎还没有发现过,即使将其置于现代绒类织物同列中,也略无逊色,实为难得的产品,无愧于&机制云蒸,殆夺天工&之美誉。

The Neo-Confucianism of Taiwan and Hongkong\'s aesthetic study combines the artistic spirit of Confucianism and Taoism, introjects the aesthetics of China and the west, and excavates the modern merits of traditional aesthetic, which are important problems of the modern Chinese aesthetics. Therefore, it is very helpful to the modern Chinese aesthetic and the comparative poetics that we scan the Neo-Confucianism of Taiwan and Hongkong\'s problems again and pursue the evolution of these problems in a cross-cultural and cross-subject view.

由于台港新儒家的美学研究兼有会通儒道艺术精神、融合中西美学思想,及发掘传统美学之当代价值等的层面,这些无一不是中国当代美学的重大课题,因此带着问题意识用跨文化、跨学科的视野重新审视他们探讨过的问题并追踪问题的延伸,将对中国当代美学的建构和比较诗学的研究都有着重要的启发意义。

Everything is portrayed in the light of instinctive emotions, and the free association which takes root in memory is serving this pure language of traces as it develops.

痕迹感与联想是截然不同的两种事物,而作品中的痕迹感,又于当时的时空中凸显了儿童想象力的无限延伸,看似无厘头的堆砌,其实质是一种原生状态的自由驰骋,没有被过多地教化,没有被&文明&思想所侵蚀,一切都以一种本能的情绪去涵盖,这种孕于痕迹感中的联想情结,在其产生的过程中就服务于那种单纯以至真的痕迹语言。

Narration characteristics include love narration, experience narration and simple images.The novel indicates Zhang Jie new accomplishment, which consolidates her position of female literature history by her sharp-cut view, steady standpoint, profound thought and spiritual edification.

无字》的出现,代表着张洁对女性命运的关注与认识走向了一个成熟的审美境界,她鲜明的观点,坚定的立场,深刻的思考,以及思想上的启迪性,都代表了新世纪以来女性文学的又一大成就,也巩固了张洁在女性文学史上的重要地位。

Yin Zhaoyang has also painted a group of sad-looking, naked fat boys standing in the Northern sunlight. They are helpless and anxious as they wait in the sunlight, a picture of youthful sadness, emptiness, absence of thought and disillusionment with life, and behind them lies the desolate snows cape from "The Heroes Have Gone Away".

尹朝阳笔下的站在北方阳光下的感伤的光膀子男孩,他们无奈而又惶惑,在阳光下等待,一付青春空洞、无所思想和人生虚妄的青春感伤状,他们的背后就是&英雄远去&后落寞的雪地。

This course is to initiate the students to understand the theories of educational anthropology, the educatability, and the necessary education of people, especially from the view points of cultural anthropology, such as cultural foundations of education; schooling and enculturation and acculturation; localization, globalizationand multicultural education; myths, sex and gender education, etc.

UPDOE 316 教育人类学(选修, 3年级, 2学分,学期课,先修科目:无)探讨人的本质、可塑性、教育的可能性、教育的需要性、人的本质改变与形成问题,以及国内外教育人类学家的思想,尤其是文化人类学的教育论点,使学生对此一学科有深入的了解与兴趣。

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