无形的

Generally speaking, those with properties of being active, outward, upward, warm or hot, bright, invisible, over, ouside, hyperfunction pertain to yang, while those with properties of being still, inward, downward, cold, dim, visible, below, inside, inhibited pertain to yin.

一般地说，凡是运动的、外向的、上升的、温热的、明亮的、无形的、在上的、在外的、亢进的，均属于阳；凡是静止的、内守的、下降的、寒冷的、晦暗的、有形的、在下的、在内的、抑制的均属于阴。

In the designs of time, emotion has very important functions. Along with the development of computer, network, digital and electronic technologies in 1990s, non-substance designing has became a leading trend. Computer has replaced paper and pencil to become the main instrument, also the software has turned into a part of design. More important thing is the designs of physical products commence to hanker for lyric-value, advocate the designs that can arouse poetic responses and focus on the non-substance services, technique and audio-visual feeling. Design subject has already speared the evaluative trend from applied material engineering, technical science and functions of products and other physical modality and value to intangibleness such as services, technique, culture, emotion, poetry and so on.

情感在当代设计中有极其重要的作用，90年代，随着电脑等电子技术和数码、网络技术的发展，非物质设计成为设计的一个主导倾向，不仅设计的工具从手绘工具变为电脑，软件成为设计的一部分，重要的是物质产品的设计也开始追求所谓的抒情价值，提倡"能引起诗意反应的物品"的设计，注意非物质的服务、方式、视听感受等方面的设计，设计学科已出现从实用的材料工程科学、技术科学、产品功能等的物质形态和价值转向服务、方式、文化、情感、诗化等无形的非物质方面的趋向。

In this paper, searching technology of product information based on knowledge was researched. On the aspect of cognition, we researched the relation between user\'s cognition and designer\'s cognition, explored the knowledge flow in the process of product development, set up a matching model between user\'s knowledge and designer\'s knowledge, brought forward a modeling method based on users\' cognition, and set up a measurable model of product feature; coded and decoded product form element, set up a computer aided product form design system and image evaluating system based on the result of measurement. Accordingly, the product style and product image were systematically discussed, the recognition space of product style and image was constructed, the factors that affect product style and image were put forwards and analyzed, and the relation between product image and form elements was tested by experiments. Furthermore, the product automatic recognition technologies were discussed.And then, with the media of concept model and the kernel of parameter technology, a mathematic model that describing product layout design by constraints and rules was presented. Furthermore, a product design integration system based on imagery thinking including product fonii base system based on imagery thinking, product form design system based on imagery thinking and product form intelligent design system based on space layout were set up, which tested the system and provided a new way for product innovative design.

本文以产品特征描述目标对象——产品，研究一种基于知识的产品信息检索技术，在对产品的认知方面，研究了用户认知和设计师认知之间的关系，研究了产品开发过程中的知识流传递过程，建立了用户知识和设计知识之间的匹配模型，提出了一种基于用户知识的产品建模方法，它不但提取了产品的特征，还建立了产品特征量化模型，从而实现了产品知识的量化描述；对产品造型元素进行分解和编码，利用实验量化结果构造计算机辅助产品形状设计系统和心象评价系统；使用量表分析造型元素的心象尺度，构造输入、输出系统，建立了产品设计知识库咨询系统，可以方便用户和设计师来导入或查询产品设计方案；实现了对产品造型心象的分类知识库系统，便于设计师存储或查询，辅助设计师进行产品创新设计；通过实验量化了产品造型参数和产品心象参数之间的关系，并在此基础上建立了基于心象的产品形状设计系统，为产品空间布局方案智能生成系统奠定基础；在基于知识库的基础上建立了产品空间布局方案智能生成系统，通过更改概念产品造型参数，实现了产品设计方案的智能生成，使系列化的设计工作变得十分方便；将产品的心象运用到实际设计过程中，能够引导流行趋势，创造出产品无形的设计价值。

God is an invisible, personal, and living Spirit, distinguished from all other spirits by several kinds of attributes: metaphysically God is self-existent, eternal, and unchanging; intellectually God is omniscient, faithful, and wise; ethically God is just, merciful, and loving; emotionally God detests evil, is long-suffering, and is compassionate; existentially God is free, authentic, and omnipotent; relationally God is transcendent in being immanent universally in providential activity, and immanent with his people in redemptive activity.

上帝是一种无形的，个人化的，生活的精神，而有别于其他所有烈酒数种特质：形而上学的上帝是自我存在的，永恒的，不变的；智力神是无所不知，忠诚，智慧；伦理的上帝是公正，慈悲和爱好；感情上上帝detests邪恶的，是长期的痛苦，是值得同情的； existentially上帝是免费的，真实的，无所不能； relationally上帝是超越性，在被上苍普遍在天赐活动，而内在与他的人民在救赎的活动。

Actors in the not done before, I am very happy I am happy, ever free, as long as the body with enough money can the oh, raptured out, no filtration and gloom, since the actors do this, a lot of things. Whether inside or outside of the matter, whether it is major or minor issues every day I sleep well, The most important thing is peer competition, I only just beginning to do good and not to think so much, and things were less willing to, a major event trivial forced me breathless, the former Before the funerals thing again, I really had no choice I am helpless, Who can help me, no,,,, no one can help me, only of their own, of their own, and society is a social, I will also follow the evil devil step into the stuffing Well, the devil's hand has a right I deeply launched an attack I am unable to, the more I struggled, the more deep-stuffing, and now sometimes I do not know myself, I strings, I myself have been to the devil to become straight, the invisible pressure of the pressure I am hard pressed, I will leave the devil's presence near the

在没做场子的以前，我很开心我也很快乐，天天可以自由自在，只要身上带够哦了钱就可以，出去欢天喜地，没有任何的过滤和忧愁，自从做了这个场子，出了好多的事，不管是场内的事还是场外的事，不管是大事还是小事我天天睡不好，最重要的是同行的竞争，我刚刚开始只是想好好的去做，并没有想的这么的多，事不如人愿，一件件大事小事逼的我喘不过气，前事未平后事又来，我很无奈真的我很无奈，谁能帮我，不，，，，谁都不能帮我，只有自己，自己，自己，自己，，社会这就是社会，我慢慢的也跟着罪恶的魔鬼一步一步走进了馅井，魔鬼之手已经深深的对我发起了进攻，我好无力，我越挣扎馅的越深，到现在有时我都不认识我自己了，我身不由己，一直到我自己变成魔鬼为直，无形的压力压的我喘不过气，我将离魔鬼的身影不远了

We've come out of nowhere, literally, nowhere, autumnal towns marked for destruction by a phantom hand; houses held underwater, every bed a sunken tub, tools drowned between rows, every keyhole caulked; clouds hallucinating girls asleep on a wedge of wedding cake; the white rose, among the greatest of liars beginning to show the debilitating effects of fame, the ever-popular blaze placates a vase; the bad sons of thunder beating back a strand of light; someone who knows nothing apart from the rain standing on a chair in muddy legs; the roses blown into their cumulonimbuses, and someone whose glove is recovered, a face that doesn't come clear, a face drawn under an umbrella, beautiful, charcoal, beautiful, like words that never get old, the sons of thunder beating

我们来自无处，纯粹意义上，无处置身，秋天的小镇已被一只无形的幻影之手作上毁灭的记号，房屋们都淹在水下，每一张床成了淹水浴盆，工具没在水滩里，每个洞眼充塞着。云层屯集着像女孩们昏睡于层叠的蛋糕边缘。白玫瑰，在巨大的谎言中，显露渐渐虚弱的光彩。和曾经眩目光芒抚慰着的花瓶。雷电的儿子们回击着一线光亮，有人不知情地站在泥泞的高椅子上，玫瑰被吹向积雨云，有人找到了她的手套，看不清楚的脸，从伞下移出，美丽的，黑炭似的，美丽的，像语言从来不会变老，雷电的儿子们回击着

Forthwith from every Squadron and each Band The Heads and Leaders thither hast where stood Thir great Commander; Godlike shapes and forms Excelling human, Princely Dignities, And Powers that earst in Heaven sat on Thrones; [ 360 ] Though of thir Names in heav'nly Records now Be no memorial blotted out and ras'd By thir Rebellion, from the Books of Life. Nor had they yet among the Sons of Eve Got them new Names, till wandring ore the Earth, [ 365 ] Through Gods high sufferance for the tryal of man, By falsities and lyes the greatest part Of Mankind they corrupted to forsake God thir Creator, and th' invisible Glory of him that made them, to transform [ 370 ] Oft to the Image of a Brute, adorn'd With gay Religions full of Pomp and Gold, And Devils to adore for Deities: Then were they known to men by various Names, And various Idols through the Heathen World.

各队的队长，各班的班长，都匆匆地奔向他们的大司令站立的地方；一个个雄姿英发，形貌非凡人能比，有王者的威严，都是天上有座位的诸掌权者；虽然由于叛逆，他们的名号已从生命册上被删除了，在天上群生的记忆中，如今已渐渐被淡忘，在夏娃的子孙中也没有得到过新的名号，一直到后来，在天神的允许下，得以游历人间来试探世人，用各种的诡计、谎言去腐蚀他们，使他们背叛天神，他们的创造者，并且把创造主无形的光彩，转化做兽类的形像，用浮华的装饰，打扮得金碧辉煌，用淫乐的仪式，把魔鬼尊为神明。

Protracted fasts of the most fantastic character are also enjoined. In all this, there is no asceticism. These suicidal penances, apart from their wickedness and absurdity, are based on a misconception of the purpose of mortification. They are not supposed to atone for sin or to acquire merit, but are prompt by the idea that the greater the austerity the greater the holiness, and that besides hastening absorption in the divinity they will help the penitent to obtain such a mastery over his body as to make it invisible at will, to float in the air, or pass with lighting speed from place to place.

旷日持久的fasts的最神奇的性质，也责成，在所有这一切，是没有禁欲主义，这些自杀penances ，除了从他们的邪恶和荒谬的，是基于一种错觉的目的mortification ，他们是不是要赎罪，单仲偕或收购的好处，但提示的设想，即更大的紧缩越大，成圣，除了加速吸收，在神，他们将帮助忏悔，以取得这种掌握超过他的身体，以使它在将无形的，浮动在空气中，或通过与灯光的速度从地方。

Today, we have reasons to query the "love" behind powerful class's diligence, when the truth from "push" to "fling ", from "fling "to" pull ", it repeatedly evolutes, an anxious scene happen in Fu You hospital. But it makes kindness people felt in the sense of fear: if the Yijun Zou and Xiang Wu go out the tangible asylum with social justice personage's care and help. And the society in which we live like a shady and full of evil intangible asylum, the people here subject to "sedative" brainwashing and tribulations...

今天，我们有理由质疑这&关爱&的背后隐藏着权贵阶层的良苦用心，当真相从&推倒&到&推坐&，从&推坐&到&拉扯&一再演变时，发生在&抚优医院&的揪心一幕，却令善良的&人民&感受到对这世道的恐惧：如果说，邹宜均、吴翔们在社会正义人士的关心和帮助之下走出了有形的疯人院，而我们所处的社会却仿佛是一个黑幕重重、充满邪恶的无形的疯人院，生活在这里的人们，正在遭受着&镇静剂&的洗脑与种种磨难

But as we sat on an empty fruit crate in the living-room, staring at the beloved walls with their unbleached rectangles where the pictures and mirrors had been, staring at the radiators whose first winter whisperings we will not hear this year, we knew that not even the stalwart movers could wrench loose something that was still there, invisible and ineradicable; we knew that people must inevitably leave something of themselves behind----something besides the mere residue of dust and bent paper clips and fallen coat hangers.

可是当我们坐在一个空空的水果箱子上审视着那钟爱的墙壁，看到原本挂着照片、镜子的地方现在只留下未曾被涂白的痕迹的时候；当我们看着暖炉，想到再也不会听到它在冬日里第一次咝咝作响的时候；我们终于知晓，即使最坚定的搬家者亦会因那些留下的东西而黯然神伤，那些东西有的是无形的，有的带不走了；我们终于知晓，除了那些残留的灰尘，弯折的回形针和落地的衣架之外，人们还是不可避免地会留下些什么。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。