无声

In the early 1930s, when silent movies were being replaced by talkies, Ogura has become famous for making popular flickers and comedies.

在二十世纪三十年代初期，当无声电影正被有声电影取代的时候，Ogura成为了著名的电影人。

The setting is Hollywood during the transition to talkies, with Hagen giving the performance of a lifetime as Kelly's silent screen costar, whose voice could shatter glass.

好莱坞的设置是在过渡期间的对讲机，与哈根的表现给予了一辈子的凯利的无声电影合演的歌声，可以粉碎的玻璃。

A side effect of the "talkies" was that many actors who had made their careers in silent films suddenly found themselves out of work, as they often had bad voices or could not remember their lines.

有声电影一方面的影响就是许多无声电影演员发现自己接不到工作，因为他们多数人的声音不悦耳或是演员记不住台词。

Mary herself had five bullets in her , from at least two different guns, most likely with silencers.

玛丽本人曾在五发子弹她至少来自两个不同的枪，最可能无声。

We seek for full expression of the outside and the transparency of the inside of the building at night, especially the moving wave in the water, in the lamplight, is projected to the building, making people's sightlines move correspondingly. Each floor, there is "static" dynamic water shadow, which is dynamic without any sound, and convergent and general.

我们力图实现晚间建筑外形体的展现和建筑内部的剔透性，特别是光影中水的波动投影在建筑体上，仿佛视线也被荡漾起来，每一层都有&静&动的水景，无声而动，收敛而大气。

He was led as a lamb to the slaughter, and as a sheep before its shearers is silent, so He opened not His mouth.

他像羊羔被牵到宰杀之地，又像羊在剪毛的人手下无声，他也是这样不开口。

He was oppressed and afflicted, yet he did not open his mouth; he was led like a lamb to the slaughter, and as a sheep before her shearers is silent, so he did not open his mouth.

他被欺压，在受苦的时候却不开口。他像羊羔被牵到宰杀之地，又像羊在剪毛的人手下无声，他也是这样不开口。

He was led like a lamb to the slaughter,and as a sheep before her shearers is silent,so he did not open his mouth.

或作他受欺压却自卑不开口）他像羊羔被牵到宰杀之地，又像羊在剪毛的人手下无声，他也是这样不开口。

In the ordinary way, his gentle passive resistance would have made her say something which he could have used to bring about a favourable turn in the situation.

依照向来的习惯，他这无声的温柔的抗议，可以引出林佩珊的几句话，因而事情便往往就有转圜的可能性。进行消极抵抗。

So, this paper will discuss them in three chapters.In Chapter I, the paper starts from Xiao Hong's "complex of loneliness", discusses her childhood, marriage and social life, rootles the real reason which oppresses her free soul: the life without voice and ego. Chapter II starts from her unique writing mode, discusses how she found the way to emit her own voice, say her own words, and also about her animadvert on sex discrimination and her discover of the common people's hard life. In this chapter, it also involves several images, which represent the hard life condition of the common people. Chapter III discusses several groups of unique images such as "the back garden", which represent the spree and release of free soul. It shows Xiao Hong's permanent longing for freedom,"love and mildness".

基于此，本文着重从这两方面出发，分三章作如下探讨：第一章，从萧红的&寂寞情结&入手，分别就其童年生活、婚姻生活、社会生活三方面论述萧红自我声音的长期受到压制以至于消解，从而挖掘出导致其自由心灵压抑的真正原因——&无声&的、没有自我的生活；第二章则从她执著于自我的文体形式着手，论述她如何寻求到发出自己的声音、言说自己的话语的方式，并就她对女性艰难境遇的忧患和对普通民众苦难生涯的揭示作了评述，其间，涉及到萧红设置的几组表现民众艰难生存状况的意象；第三章专章论述萧红小说中几组以&后花园&为核心的、表现自由心灵的释放与张扬的独特意象，得出她对自由、对&爱和温暖&永久的憧憬和向往的结论。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。