无价的

This paper criticizes some theories about value of natural resources, explains the value of forest resources with Marx's labor axiology,thinks that the value is determined by the labor-time in socially necessary on utilized the worst woodland which based social wants in process of reproduction of forest resources,not by the total price of various use value.It puts forward that the value of a use value of forest resources is a compensation of stated value of forest resources on this use value,and its compens...

该文批判了西方有关自然资源的效用论、地租论和传统马克思主义经济学中的无价论、实用论，运用马克思劳动价值论解释森林资源的价值，认为其价值量决定是由森林资源再生产中已利用的最差等级林地的以社会需要为基础的社会必要劳动时间决定的，而不是森林各种使用价值的加总，各种使用价值的价值量是一定的森林资源价值量在该使用价值上的分摊量，其价值补偿是成本补偿而不是效益补偿。

It suggests therefore that people should follow their instinct and"man-as-consumer considers the experience of pleasure an obligation, like an enterprise of pleasure and satisfaction; one is obliged to be happy, to be in love, to be adulating/adulated, seducing/seduced, participating, euphoric, and dynamic"Baudrillard believes that the ideology of consumption is"presented under the guise of gratification, of a facilitated access to affluence, of a hedonistic mentality, and of'freedom from the old taboos of thrift" The Titan is Dreiser's representation and encouragement of hedonism and consumerism Here, women become a subject consuming as well as an object being consumed In The Financier, we see what is promised for Cowperwood is"a world of mansions, carriages, jewels, beauty, a vast metropolis outraged by the power of one man, a great State seething with indignation over a force it could not control, vast halls of priceless pictures, a palace unrivaled for its magnificence, a whole world reading with wonder, at times, of a given name"Throughout The Trilogy, Cowperwood indulges in his pursuit of women, mansions and art objects I think Dreiser's representation of the hero's pursuit of women, mansions, objects of art indicates the inherent ideology--consumerism.

消费文化旨在诱导或鼓励人们摆阔性的挥霍浪费。这种文化所倡导的道德标准是，有钱建豪宅，买昂贵服装，吸引和占有最美的女人在道德上就是正确，有价值的。这时的物品就象鲍德里拉所说的那样已经成为地位的象征，而不是仅仅满足基本的需要。因此，人们应该听从本能的驱使，&作为消费者的人将享乐看成是自己的义务，享乐和满足就象是一种事业&。鲍德里拉指出消费意识形态的欺骗性在于其&倡导的满足、富裕、享乐和'冲破节检的旧樊篱'&。德莱塞在《巨人》中正是表现了这种消费意识形态。妇女、服装和豪宅已成为地位和权力的象征。《金融家》所预示给柯帕乌的是&公寓、四轮马车、珠宝和美物；整个大都会都要被一个人的权力所激怒；一个伟大的国家也要因为一种不能控制的力量而愤怒填膺；充满了无价珍宝的大厅；无与伦比的豪华宫殿；整个世界都惊叹地阅读着一个熟悉的名字&。当然，在整部小说里我们很少发现柯帕乌有抽烟饮酒的嗜好，但他却始终沉溺于性乱交之中。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。