无主题的

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

公猿男孩'在2006年的北京重新制造了明版的孙悟空，他们将颠覆封建王朝制度的孙悟空改造成一个在全球化背景下的、在后科技背景下的电子版的孙悟空，不管他们的艺术游戏怎样的不可思议，但传统大闹天宫的主题还是一目了然，只不过'公猿男孩'他们增加了新孙悟空很多建立在当代社会消费背景下的娱乐性和可读性，这也可以被看作是独生一代艺术在中国崛起的一个标志，这一代艺术家更加看中网络上的这种信息整合，也更加利用资讯本身，他们就想让大家感觉到艺术的花里胡哨、艺术的模棱两可，甚至也流露出对传统艺术的不屑一顾，或者只是将传统艺术变为他们自己艺术创作的一个背景，独生一代艺术家首先是无厘头的一代艺术家，此次'control+n'群展的好玩之处还在于使艺术家强行的将一个中国古代的传说中的猴子英雄和现代社会链接，力图打造一个当代版的、甚至是网络游戏版的流行文化英雄。

Chapter I traces Tocqueville's family and educational backgrounds that had a significant impact on the rest of his life. Tocqueville's first important work, Democracy in America, is analyzed in the following two chapters. Chapter II looks into the democracy experiment in America. According to Tocqueville, environment, laws and moeurs are all what make American Democracy work.

在其大量的著述中，1835年的《论美国的民主》主要探讨了以美国为典型的无阶级社会的完美的民主；1840年的《论美国的民主》则主要探讨了诞生于革命的不完美的民主，而该书的最后部分关于民主的中央集权的危险的忧虑在后来的《回忆录》(1893年首版)、《旧制度与大革命》(1856年首版)中成为讨论的主题。

He took"existence"asthe theme of his study and hisreviews on "nonbeing" made his theories in philosophy moreoutstanding.

他一生都把"存在"问题作为自己沉思的主题，而对"无"的哲学思考更使他的哲学学说显出非同一般的哲学视角。

In human beings this urine and scent gland is replaced by the architect, who establishes territory by manipulating the built environment… Annie 92

这些疆界划分所引含的是权力或权利分配的不均衡，然社会表面上的混乱其实皆是有计画地运作而生成的，洛伊是在建筑系念书时才体会到这一点，於是开始尝试了解掌权者与无权者之间永无止尽的冲突，这也成为她所有写作中重要的主题（"Foreword，" Annie ， xi ）。

It is argued that the interplay of lack and excess in Pai Hsien-yung results in a metonymical narrative of desire in which relations of the subject and the object can never be reciprocal and thus are destined to be reenacted in an endlessly renewable cycle of appetite and anxiety in the storytelling process.

二者之间的吊诡关系正说明了白先勇的欲望叙事建基於主体与客体的永远无法交融，只能是一波推向一波的欲望徵逐，一个永无止尽及无偿的循环。这欲望的徵逐循环在白先勇不但是个主题，更是促生整个叙事活动的原动力。它不但决定了叙事发展的模式，也启动了每次书写的开端。

Its subject coverage includes: removal of phosphorus from carbon and alloy (including high alloy and stainless) steel baths in the converter; fluxes, flux action; blowing; slag formation and dynamics; slag/melt interaction; slagless refining; continuous processes; treatment of secondary metal melts; effect of treatment methods on final product quality and pr

它的主题涉及的范围包括：转炉中从碳和合金钢液池除磷；助熔剂，助熔作用；吹炼；炉渣形态和动力学；矿渣/溶解交互作用；无渣精炼；连续过程；再生金属融解处理；最终产品质量和性能处理方法的作用；钢特性中磷水平的作用。

Its subject coverage includes: composites from a wide range of matrix alloys, particulate sizes, and loadings; and wear processes also over a full range, including sliding, abrasion, erosion, and impact, etc., in both lubricated and unlubricated conditions.

它的主题涉及的范围包括：各类基合金合成物、颗粒大小与装入；全面的磨损过程，包括在润滑与无润滑条件下的滑动、磨擦、侵蚀与冲击。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了