无为

Surely it is better to be motivated, and inspired to look after ourselves, than to be scared witless by doing nothing!

当然最好是能够有所触动，启发照顾自己，不是被吓witless无为！

Succeeding the Taoism of Lao Zi and Zhuang Zi during the pre-Qin period, and basing on critique and reconstruction of the cosmogenesis of the Confucian Classics School in Han Dynasty, the thinkers of the Wei -Jin Metaphysics set up a theoretical system about the ontology of universe that makes a feature of"Essence of Non-being", and "Self-transformation in profound and obscure realm". Furthermore, Wei-Jin Metaphysics enlightens the Buddhism thoughts of Heart and Soul in the Southern and Northern Dynasties ,Sui and Tang Dynasties, as well as influences on the Ideology of "Li" in Song and Ming Dynasties.

和中国哲学其他历史发展阶段的思想相比较，魏晋玄学突出和凸现了关于&有无&、&本末&等有关哲学本体问题的探索，它上承先秦道家老、庄思想，通过对汉代经学的宇宙发生论思想的批判、改造，建立起了&以无为本&、&独化于玄冥之境&等别具特色的宇宙本体论理论，以之启发了南北朝及隋唐佛学的心性论思想，乃至对宋明理学的&理&本论思想也有影响。

Laotse's non-action, tranquility, impunity and desireless are thought difficult to be realized in such complicated society as today.

老子的无为、好静、无事、无欲，在当前这样复杂的社会结构下是难以实现的。

"Unreal is real and the real is also false, there is inaction there is also no," Jia Jia Zhen, one blurred,"A Dream of Red Mansions" of all, Lin Tai-yu as a soul, and her people, she is her A cluster of lofty Guao, Gufangzishang Valley of the Orchids.

&假作真时真亦假，无为有处有还无&，假假真真，让人琢磨不透《红楼梦》中的一切，林黛玉作为灵魂人物，她与常人不同，她就是她，一丛清高孤傲的、孤芳自赏的空谷幽兰。

Masanobu Fukuoka is one of the revolutionary natural farmers, who uses the "no-till","do-nothing" method of farming.

政福冈是一个革命性的自然农民，谁使用&免耕&，&无为&的方法耕作。

Actually, it is clear enough that the relationship between nonaction and promising has been explained by our ancestors. It is our decision to choose how to do.

实际上，古人所说的无为而有为已把两者的关系解释得非常清楚，就看我们如何去实践了。

The Taoist ecological view of natural and nonaction adherence shares similarities with Marcuse's thougts of ecoaeshetics.

道家的自然无为、道法自然的生态观念，与马尔库塞的生态美学思想之间具有相似性。

In Zhuangzi's aesthetics,the "Grand Beauty"thought has a close relationship with his personality that advocates the Wayof naturalness and"Nonaction".

在庄子美学中，&大美&思想与其崇尚自然之道、推崇淡泊无为的人格精神有着极为密切的关系。

The idea of animatism stresses absolute conformity; the practice under Taoist'sview of nature undergoes the process from nonaction to "entirely swayed bynature"; the idea of the division between man and heaven attaches importance tothe conformity with the rules of nature; while the idea of the integration of manand heaven stresses the conformity with natural as well as social principles.

顺应的具体表现各不相同，万物有灵观念强调对自然的绝对顺从，道家自然观影响下的实践态度经历了从&无为&到&纯任自然&的过程，天人相分观念强调顺应自然规律，天人合一观念强调顺应自然和社会规律。

Of value judgment and in the aspect of concrete ethical norms, thoughts of modern nationality transformation embodied the modern transformation from the three cardinal guides and the five constant virtues as specified in the feudal ethical code to the bourgoise morality of independence, freedomand equality,and finally to the socialist code of unity, mutual aid and coorperation, and furnished the concrete standards of conduct.On one hand, on the basis of modern transformation of social tendency of value judgement and moral norm, China modern bourgeois thinkers broke the feudal shackles in people's mind by attacking fierely such backward psychology as back to ancient , conservatism, passivity, nonaction, closing the country

在社会价值取向和道德规范近代转换的基础上，主张国民性改造的近代资产阶级思想家猛烈批判了复古、保守、消极萎缩、无为不争、闭关自守、虚矫伪饰以及被动依附的落后心理，打破了人们心灵的封建枷锁；另一方面，他们又通过多种方式大力弘扬重今、创新、竞争奋进、开放、务实、自主等近代社会心理，把个人主义、社会主义的价值原则和自由、平等、独立的近代道德规范转化为人们的心理自觉，为实现人们行为方式的近代转型打下了扎实的基础。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。