无上的

Was it the unconscious impulse to take hold on the precious treasure which she had thought for ever lost; the unconscious attempt to make sure that it was not merely an apparition of Jesus from heaven, but the real Christ in His corporeity on earth; or a gesture of generation, the beginning of such acts of worship as her heart prompted?

它是无意识的冲动把握上的宝贵财富，她原以为永远失去；无意识的企图，以确保它不只是一apparition耶稣从天上，但真正的基督在他的体质在地球上；或1这一代的姿态，开始这种行为的崇拜，她的心脏提示？

Under suitable assumptions, the relationship is established between the unconstrained minimization of the Hestenes-Powell augmented Lagrangian function on the space of problem variables and the solution of the original constrained problem, and a relationship is also presented between the unconstrained minimization of the Hestenes-Powell augmented Lagrangian function on the product space of problem variables and multipliers and the solution of the original constrained problem.

在适当的条件下，我们建立了Hestenes-Powell增广拉格朗日函数在原问题变量空间上的无约束极小与原约束问题的解之间的关系，并且也给出了Hestenes-Powell增广拉格朗日函数在原问题变量和乘子变量的积空间上的无约束极小与原约束问题的解之间的一个关系。

On one hand, the integration between literary autonomy and social heteronomy is the abscissa of the coordinate axis. On the other hand, the integration of ancient and present poetic resources, and Chinese and western poetic resources is the ordinate of the coordinate axis. Integration in Wu Mi\'s poetic thoughts is embodied in two aspects: Firstly, it means the integration of ancient and present poetic resources, and Chinese and western poetic resources. Wu Mi maintains that various poetic resources should be treated equally so as to find the similarities and differences among them. Only with a broad cultural view and calm attitude toward various poetics resources can a new system of modern poetics be achieved.

吴宓打破了"中学"/"西学"，"旧学"/"新学"之间的界线，主张在无新旧无中西的开阔视野上，将古今中外各种诗学资源置于同一平台上，以开阔的文化视野和冷静的学术心态敏锐甄别其间的异同和联系，从瞬息万变的"多"中找到普遍永恒的"一"作为中西古今诗(来源：ABC794d79论文网www.abclunwen.com)学资源的结"和"点，在整合传统与现代、中国与西方的基础上，熔冶出一个新的现代诗学理论体系。

The synthesis scheme we developed can deal with changes in visibility, produce perspectively correct views and handle the distortion around the circumferences in the synthesized views. In our scheme, the area without corresponding points was first determined by using Fourier transformation in order to deal with distortion problem, within the mutual overlapped area the z-buffer values of matched key points were computed so that the visibility in novel views can be handle correctly, lastly the common points in new views are rendered through epipolar geometry constraint.

算法的步骤为：利用傅立叶变换方法确定相邻源图像无对应点的区域；然后，利用尺度空间和相位一致原理在共同区域提取及匹配边缘上的关键点，计算其深度值，并在新图像中由该值判别虚拟图像中的可见性；再由关键点恢复极线约束，通过极线间的位置和颜色插值生成虚拟图像中有对应区域的一般点；在确定极线位于无对应点区域段后，利用加权平均或放大插值的方法实现了源图像无对应点区域在虚拟图像中的自然过渡。

The shilly-shally which exhibited in He Yan and Wang Bi"s thoughts when they probed into the problem of "Being and Non-being", provided the opportunity for the "exceeding the Confucian ethical code and trusting in the Nature" of Ruan Ji and Xi Kang. the extremely showed individuality in Ruan Ji and Wang Bi"s thoughts of explanation and the damage it caused, made Pei Wei and Guo Xiang put their concern focus in the more truly level of society in the situation of "Being and Non-being". And the "wandering around the range of Yi"s arrow and Self-transforming in the profound and obscure state" of Guo Xiang especially presented the dual concerns for "Being and Non-being" and "Confucian ethical code and nature.

何晏、王弼在诠释"有与无"的问题时表现出来的徘徊，为阮籍、嵇康的"越名教而任自然"埋下了理论上的契机，而表现在嵇、阮这里的主体个性的极度张扬以及对社会所造成的冲击，又使得裴頠、郭象在"有与无"的语境中，将关注的焦点放在了更为真实的社会层面之上，而郭象的"游于羿之彀中与独化于玄冥之境"则更是表现出了对"有与无"以及"自然与名教"的双重关注。

The structure shown in the figure : The governing body received direct or roller drying cylinder, as the main components of the rotation; After finishing the outside of the sphere, Bottom Cover and soak spherical carbon graphite seal ring joint seal reliable seal friction deputy, Sealing ring in the spherical shell of its annular space sliding, in addition to oil-free bearings and with the close cooperation of Shell, Rotating connector so that the free support, and therefore do not require a high level of accuracy installed; Spherical seal ring wear, Spring means of pressure at any time in advance to receive compensation, compensation for the shell slowly moved backward, accessible through the tube outside the inscription on the line to observe the seals wear; When steam, Oil flows through the media or other spherical sealing ring and oil-free bearings, the formation of thin liquid film, sealing and lubrication, thereby reducing friction and wear, extending the service life.

其结构如图所示：外管体直接接到辊子或烘筒上，为主要的旋转部件；经过精加工的外管本球面、底盖和浸泡碳石墨球面密封环共同组成密封可靠的动密封磨擦副，球面密封环在其壳体内的环形空间中滑动，加之无油轴承与壳体的密切配合，使旋转接头自由支撑，故对装机精度要求不高；球面密封环磨损后，借助于弹簧的预压力随时得到补偿，补偿时壳体缓缓向后移动，并可通过外管体上的刻线观察到密封件的磨损程度；当蒸汽、油或其它介质流经球面密封环和无油轴承时，形成一层很薄的液膜，提供密封和润滑，从而减轻了摩擦和磨损，延长了使用寿命。

It is said that the importance of excusing conditions in criminal responsibility is derivative, and it derives from the more fundamental requirement that for criminal responsibility there must be 'moral culpability', which would not exist where the excusing conditions are present On this view the maxim actus non est reus nisimens sit rea refers to a morally evil mind Certainly traces of this view are to be found in scattered observations of English and American judges—in phrases such as 'an evil mind with regard to that which he is doing ',' a bad mind ', or references to acts done not ' merely unguardedly or accidentally , without any evil mind.

有人说，刑事责任中的免责条件的意义是派生性的，而且，其派生于这样一项更基本的要求，即对于刑事责任来说，必须存在"道德上的可责性"，而这在出现了免责条件的场合，是不存在的。按照这一观点，"无犯意即无犯罪"的法谚便关涉到一种在道德上邪恶的心理。在英、美法官的分散的评论中——在诸如"与其正在做的事相关的一种邪恶的心理"、"一种不良心理"之类的措辞中，或在对"不只是没有提防地或意外地，没有任何恶意"地实施的行为的提及中——肯定会发现这一观点的迹象。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

On bright, calm days they lie in thousands on the now darkening water, mostly yellow flotillas of poplar, floating continuously down from great trees that themselves shake in the windless air with the sound of falling water , but on rainy days or after rain they seem to swim or be driven away, and nothing remains to break the surface except the last of the olive-yellow lily pads that in high summer covered every inch of water like plates of emerald porcelain...

当风和日丽时，无数的树叶浮在已经变暗的湖水上，大部份都是白桦叶子，他们一批一批，像黄色的小小扁舟，不断地从高高的树上飘落下来，在无风的空气中轻轻地晃动着，发出如同流水而下的声音。但是在下雨的时候，或者雨过之后，那些浮在湖面上的落叶，仿佛鱼儿一样都游走了，又像是被不知什么驱赶一空，湖面上除了最后的几片黄绿色睡莲叶子，再无一物，而在盛夏里，那些睡莲叶子，如同翠绿晶莹的瓷盘，覆盖着每一寸湖面。

Finally, the prints are laminated on line-free and acid-free cardboard, giving them a genuine archive feel. The results are museum-quality photographs with long-term durability that will bring pleasure to their owners for many years to come.

接著再上一层可让照片持久保存的特殊涂剂，最后再将之护贝在无痕的无酸纸板上，呈现出一种博物馆级的展览质感，这将带给收藏家无比的观赏和收藏的乐趣。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失