旋律的

All that is sweet, delightful, and amiable in this world, in the serenity of the air, the fineness of seasons, the joy of light, the melody of sounds, the beauty of colors, the fragrancy of smells, the splendor our precious stones, is nothing else but Heaven breaking through the veil of this world, manifesting itself in such a degree and darting forth in such variety so much of its own nature.

这世上最美妙、欢乐及亲切的事物，存在于晴朗的天空、美丽的四季、光明的喜悦、声音的旋律、颜色的美妙、芬芳的气味、宝石的华丽，这些都是上天穿过世间的面纱，以千变万化、稍纵即逝的方式彰显自己的本质。

The sincere sadness is the melody which I grow, one day ponders Chen, your name is one's turn in my happiness, in each rain in day ......You are also same, in the random time, likes following the clear sea face characteristic the profound blue color horizon, likes the long coastline for a long time, likes the cool sea breeze, smiles is enjoying the idea ......Fetter; That is the sad beauty.

厚重的忧伤是我成长的旋律，一天默念一遍辰，你的名字化成我的幸福，在每一个下雨的日子里……你也一样，任意的时间里，喜欢蔚蓝的天际伴着粼粼的海的面容，喜欢长长的海岸线，喜欢清凉的海风，微笑着享受想念的束缚……；那是忧伤的美丽。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

The work was popular with its deep emotion and created quite a sensation among the audience by its characteristics and power of poetic picture and fresh simplicity.Through the portrayal of the rise of the European romantic music and artistic songs and the introduction of Schumann's life and about the composer Cham...更多isso, this paper examines the background of the creation of the divertimento Frauenlieb und leben op.42. It give an analysis of the combination of music and poetry, full of the musical style of romanticism, stressing the expressiveness of piano and connection between music and daily life, bearing the air of German folk music and showing the bright artistic features.

论文通过阐述欧洲浪漫主义音乐的兴起与艺术歌曲的产生和舒曼生平简介以及对词作者沙米索的情况介绍，考察了声乐套曲《妇女的爱情与生活》创作背景；分析了这部声乐套曲与诗融为一体，充满浪漫主义的音乐风格，歌曲旋律与钢琴伴奏完美结合，突出丰富的钢琴表现力；重视音乐与生活的联系，而且具有德国民歌的气息，呈现出鲜明的艺术特色；在套曲的演唱研究方面，论文通过对演唱中德语元音的发音和辅音的发音分析，介绍了在演唱中发音的常见问题，并提出自。。。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

In that familiar with the local Qing Huan with you Wind came in your breath Clouds Yingzhuo your Xiaoyi Lin Xiang Wei dependencies in the birds I was lonely I am waiting for you back The child opened the window I rely on to I am waiting for you back With pure charisma Like a child Filled with clothes on your memory What a clear night's dream Cold dawn only sigh How do you forget Blur the border without Xiangzhuo nights floating melody in the ears of the non-stop convolution / The thoughts can be carried rainband I find you Although a dream worth mentioning Would rather give up freedom of loneliness How would like to seize your hands Spring and summer autumn and winter of your commitment I will be waiting

在那熟悉的地方轻唤着你风里传来你的呼吸云里映着你的笑意林里的鸟相偎相依我却孤寂我等你回来把那窗儿打开向我依赖我等你回来带着纯真的风采宛如小孩衣上装满你的记忆夜里的梦多么清晰冰冷黎明只剩叹息如何忘你迷离的夜飘响着无边境的旋律在耳边旋绕不停能不能载着思绪的雨带我找你纵然是梦想也罢宁愿寂寞放弃自由怎样也想抓住你的手春夏秋冬你的承诺我会守候谁能把它翻译成英语，不要用翻译网站翻译。。高手指点，谢谢

On Children Running Through, Griffin's seamless songcraft is supported by spare, spacious arrangements and production by Griffin along with Mike McCarthy that emphasize her effortlessly eloquent lyrics, her subtly indelible melodies and her sublimely expressive voice, while making judicious use of such sonic frills as horns and strings.

在专辑《身边跑过的孩子们》(" Children Running Through ")的制作过程中， Griffin 和 Mike McCarthy合理安排了充裕的时间以确保 Griffin 那天衣无缝的作词。专辑凸显出 Griffin 手到擒来的普词功底和极具感染力歌词，以及她那含蓄精致的旋律和触及内心的、富于表现力的嗓音；专辑中也谨慎聪明的使用了比如管乐和弦乐的配乐。

Dark Horse's other songs -- recorded during the summer at Chad Kroeger's converted barn studio in Vancouver -- traverse a wide terrain, from the arcing melodic ebb and flow of the first single,"Gotta Be Somebody" and the metallic groove of "Burn It To The Ground" to the heavy riffery of "Something In Your Mouth" and "The Next Go Round" and the inspiring balladry of "You'll Never Be Alone" and I'd Come For You.

& 黑马的其他歌曲-记在今年夏天在乍得克勒格尔的转换谷仓工作室在温哥华-穿越了广泛的地形，从电弧旋律低潮和流动的首支单曲&爱是要有人&和金属槽的&烧地面&的沉重riffery的&东西你的嘴&和&下一页转到回合&和鼓舞人心的民谣的&你将永远不会被孤立&和&我想现在您。

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise (&English countenance&)--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

Composers of the period alternated florid and discant organum (more note-against-note, as opposed to the succession of many-note melismas against long-held notes found in the florid type), and created several new musical forms: clausulate, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration: which was a song for more voices to be sung rhythmically, most likely in a procession of some sort; and trops, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant: that is ,one of the voice,(usually three, though sometime four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voice sang organum.

这个时期作曲家的作品中华丽的奥尔加农和迪斯康特交替出现note-against-note(应该是自由奥尔加农，与由许多连续的装饰音组成的旋律对抗，这些装饰音对应在华丽部分中出现的长音，他们还开创了几个新的音乐形式：clausulae，来自于奥尔加农的拖腔片段，并配以新的词和更富悦耳的细节；conductus，孔杜克图斯，一种基于圣咏之上的有节奏性的单声或者多声歌曲，很有可能是用于礼拜的行列。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。