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Nevertheless,or exactly for that reason,it is the place that is still full of extreme neglect and even hostility toward the noise's aesthetic and political possibilities ,only the lives of every samll and minor activity that has its own aural qualities could not be accumulated and sustained here;the condition for listening to the sound of the collectives of the 'small poeple' and the 'tiny machines',under or maybe beyond the threshold of audibility ,dosesn't seem to be secured sufficiently.surely,this kind of problem is not confined in the particular locality like seoul,or south korea.anyway,this tension and the sense of the absence of condition,together,have been the main source of the two koren resident noise-making.

然而,或许更是因为,这是一个对噪音美学与政治的可能性充满轻蔑与敌视的地方,在这里,那些有自身听感氛围与质量的小众活动不能够集聚起来并很好的持续下去;对於那些倾心于此类音乐并集合在一起的"弱小个体"们和那些"微型机器",必然是早就远离或超越了肤浅的旋律性和可听性的门槛,看起来并不能稳定地被安置,当然,此类问题不只被局限在一个小的局部,首尔,韩国,无论在哪,这一切产生的张力连同其状况本身,反复地显现在我们眼前,交织在一起,构成了两个韩国人创作原生噪音的来源。

White clouds wave in the blue sky, horses run below the white clouds, this is our Chinese people's sung and impressions on the grasslands, but in my feelings, grassland and the world is a unity, in the vast grassland the pure clean river is the most breeziness and dazzling , she's like a white cincture of Earth, also like a white hada, flying in the green sea, flying in melodious melody of Matou Qin, cattle and sheep and tabernacle is like a piece of cloud , the spray, the note are telling the story of the prairie.

作品描述:蓝蓝的天上白云飘,白云下面马儿跑,这是中国人对草原的传唱和印象,而在我的感受里,草原的天地和人是合一的,在茫茫的草原里最灵动、最耀眼的是那条纯净的清流,她像一条地球的白飘带,又像一条洁白的哈达,飘舞在绿色的海洋里,在马头琴悠扬的旋律中飞翔。牛羊和帐房仿佛是一片片云彩,一朵朵浪花,一个个音符在诉说着草原的故事。

Secondly, in terms of the dynamic development of harmony in chorus, this paper expounds harmony in chorus in different periods in the history of music: harmony in the structure of contrapuntus in the Renaissance chorus, harmony in contra-structure in Baroque chorus, harmony in chorus of the classical period, harmony in chromaticism the expansion of modes in the romantic period. These dynamic features of harmony display the principle of formal beauty in western chorus.

从合唱音乐的语言形式上看,作为美学特征的"和谐"表现在音程、和声、对位结构之中:从合唱音乐的历史发展上看,"和谐"则表现为文艺复兴时期对位结构中的"和谐"、巴洛克时期的对位与和声相结合中的"和谐"、古典主义时期的旋律与和声相结合的主调音乐中的"和谐"、浪漫主义时期半音化和声与扩张的调式中的"和谐"。

This text passes the writing background of divertimento and analysis of the works of"""""""" tour in winter"""""""" to romanticism composer Schubert, Propose that this structure is huge, and has all achieved the artistic characteristics of the divertimento of very high achievement in characterization and psychology portrayed: Expressing the deep thought with the tactics that suggest, development music and ideal of the literature poesy are combined ; The creative development piano accompanies on the functional function of art, the artistic conception of making every effort to portray the musical image and playing up the song from many aspects; The song is tuneful and smooth naturally, has folk song and succinct and simple; It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对十九世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究,总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色,即:用暗喻的手法表达作品深刻的思想内含,并在很大程度上完成了音乐与文学诗词之间的理想结合;创造性地发展了钢琴伴奏艺术的功能性作用,力求从多方面刻画音乐艺术形象和渲染歌曲的意境;转调频繁,特别是同名大小调转调运用巧妙;歌曲的旋律优美、自然、流畅,有民歌的简洁和朴素;全套曲具有戏剧性,是一部浪漫主义力作,但仍始终保持着古典主义的静谧与对称。

This text pases the writing background of divertimento and analysis of the works of tour in winter to romanticism composer Schubert,Propose that this structure is huge,and has all achieved the artistic characteristics of the divertiment of very high achievement in characterizayion and psychology portrayed:Expressing the deep thought with the tactics that suggest,development music and ideal of the literature poesy are combined;The creayive development piano accompanies on the functional funcyion of art,the artisitic conception of making every effort to portray the musical image and smooth naturally,has folk song and succinct and simple;It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对19世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究,总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色,即:用暗喻的手法表达作品深刻的思想内含,并在很大程度上完成了音乐与文学诗词之间的理想结合;创作性的发展了钢琴伴奏艺术的功能性作用,力求从多方面刻画音乐艺术形象和渲染歌曲的意境;转调频繁,特别是同名大小调转调运用巧妙;歌曲的旋律优美、自然、流畅,有民歌的简洁和朴素;全套曲具有戏剧性,是一部浪漫主义力作,但仍始终保持着古典主义的静谧与对称。

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用(这是一种即兴的技法,运用于圣咏的旋律中,下方有一个主要是平行六度的部分,而它们又由一个低于下方的纯四度演唱装饰,这种后来影响了整个欧洲大陆的技法被称为fauxbordon),三度音程的出现成为一种重要的音乐发展,这是因为Contenance Angloise ("English countenance")--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

In the peak of his career the award winning and globetrotting French pianist performed 200 concerts in 250 days.

他演奏的《致艾德琳的诗》、《心曲》、《爱的旋律》、《异国情》、《爱的乐章》等曲子,如同一首首浪漫的钢琴诗,激发出人们对生活的爱,唤醒那些沉睡在心中的浪漫情怀。

The formulaic character of melody is concluded by the musical scale, pentatonic modes Tonality and melody. Configuration formulaic character is the normal stylebook and typical characteristic of Fuzhou Tea-leaf Picking Opera, and accompaniment formulaic character means the characteristic of common musical instrument and band weave.

其中&曲调程式性特征&指从抚州采茶戏音乐的音阶、调式、调性及旋律形态等方面归纳出的具有规律性的曲调特征;&结构程式性特征&指的是抚州采茶戏音乐中的常用板式和曲牌及其特征;&伴奏程式性特征&则是指音乐中的常用乐器与乐队编制的特点。

In the work of Boethius an dht scholastic philosophers, as in Dante and Chaucer, musical harmony is the first principle of cosmic balance, and the melody of individuals—the expression of individual free will—is the standard figure for the play of free will within the overall design of Providence.

就像在但丁和乔叟的著作里一样,在贝多芬和经院哲学家的作品里,音乐性的和谐是宇宙间平衡的第一准则,个人的旋律,也就是自由意志的表达,是奏响存在于天道范畴内的自由意志的标准音型。

This article focused on the novel Bunin melody of sadness and nostalgia for the passing away, love and beauty in his works in complete harmony, delicate psychological description and the environment to create the atmosphere of these three characteristics in order to display the creative writer the more complexthinking and work style.

本文集中论述了蒲宁小说之中忧伤的旋律及对逝去时代的怀念,爱与美在作品中的水乳交融,细腻的心理描写和环境气氛的营造这三大特色,从而展示作家较为复杂的创作思想和作品的独特风格。

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