旋律的

We could not turn our eyes to either shore without seeing rich towns and country estates most agreeably located; fields, never fallowed, covered with golden crops every year; meadows full of flocks; workers bending under the weight of the fruit which the earth lavished upon its cultivators; shepherds who made the echoes resound with the soft notes from their pipes and flutes.

我们找不到比这些更富足的城镇和国家的海岸了；田野，从不荒废，每年都覆盖着金色的庄稼；牧场布满了羊群；工人被土地慷慨给与它的耕种者的果实压弯了腰；牧羊人的口哨和长笛的温柔旋律在旷野回荡。

This song folk melody is very classical and elegant, is a description of the love songs of grief, but feels it is the world's favorite aspect is not limited to love, someone will replace it lyrics sung, also somebody will it as Christmas songs, and it was adapted for instrumental music playing version is numerous, essays, and there are chamber orchestra... And that which the beggar opera "the English composer and illiams Vaughan Williams written Fantasia (the sleeves on" Fantasia Greensleeves ) is the most representative

这首民谣的旋律非常古典而优雅，是一首描写对爱情感到忧伤的歌曲，但它受到世人喜爱的层面却不仅仅局限在爱情的领域，有人将它换了歌词演唱、也有人将它作为圣诞歌曲，而它被改编为器乐演奏的版本也是多不胜数，有小品、有室内乐、有管弦乐…，而这其中又以上述的《乞丐歌剧》和英国作曲家佛汉威廉斯所写的《绿袖子幻想曲》(&Fantasia on Greensleeves&)最具代表性。

From the jagged string stabs thatunleash mutant disco-glam opener 'Kriss Kross', to the desolatelate-night pulse of final track 'Take Me Home', it's a tour-de-forcethat marries Guillemots' natural melodic flair with a sense ofdancefloor abandonment, not heard since Prince's '80s wild popadventures.

从由破碎的弦乐演奏交织着异军突起的 disco-glam 变调的开场曲&Kriss Kross&到有着深夜的那种寂寞感觉的结束曲&Take Me Home&，这是 Guillemots 原有的旋律风格混合舞曲的那种放荡不羁的奇特产物，自 Prince 80 年代狂野的流行音乐实验风格以来，这种风格差不多已成绝响。

Civility seems suddenly to assume the garb and the air, and to use the gutturals of barbarism ; legal processes are gone through with the frantic howls and gesticulations of armed Ojibeways ; and while all this, to those who are ignorant of primitive times, seems mere idle pantomime, sometimes silly, sometimes odd, sometimes puzzling by its17 intricacy, to those who are prepared to receive their suggestions, the forms employed are pregnant with meaning and instruction.

文明似乎突然成了装演和旋律，而用着未开化的喉音；法律过程伴着武装的Ojibeways狂乱的吼叫和姿势贯彻；虽然这对那些不了解各原始时代的人，似乎完全只是无聊的哑剧，有时愚蠢，有时怪异，有时由于它的错综复杂而迷惑，而对那些有准备接受它们的暗示的人，所使用的诸形式却蕴藏含义和指示意义。

From the viewpoint of both geographical cultural feature and the category of music,the article searches for the characteristics of music in west Asia and North Africa,in which the music in Afghanistan,Arabian countries and countries in central Asia are all involved.It also discusses the common features of the music in West Asia and North Africa from the angle of religious music,folk music and classic music: namely,the use of microtones and the character fit for singing under certain conditions;the textural ...

从地域的文化特点和音乐的种类上探寻西亚和北非的音乐特点，其中涉及了以阿富汗、伊朗、土耳其、阿拉伯各国和中亚各国的音乐，并从宗教音乐、民俗音乐和古典音乐等几个方面阐述了西亚和北非音乐的共同性：具有微分音的运用和乐音有条件的带腔性；玛卡姆和达斯特加赫的旋律体系；均分律动与非均分律动同时存在；织体思维方式以横向性为主以及乐器的运用等。

As a result, his work in the form of the fugue coupled with preludes and toccatas for organ, and the baroque concerto forms, have become fundamental in both performance and prominent in the classical and romantic eras as composers rediscovered the harmonic and melodic subtleties of his works.

因此，他赋格作品的形式与序曲和管风琴托卡塔结合，并且他巴洛克协奏曲的形式，已经能够成为理论技法和演奏的基础。事实上，每种乐器和合奏的效果--除了剧院的风格，都在他的作品中得以充分的描述。巴赫的学说随着古典主义和浪漫主义时期作曲家对其作品和声和旋律精妙的重新发掘而越来越卓越。

I need you now i'll do anything you ask, just give me a chance help you with your homewk, even carry your school books i won't even call you a thief, even though its my heart that you took don't matter to me, what my friends say i just say took, maybe i don't know what true love is but i've never felt like this,"hi im rew chou" just gotta get past this let you know i exist, then you'll see, that god put you on this earth, just f me...

wrutw她一首歌，旋律就像我的心情……我现在就需要你，我会完成你要求的任何东西。只要你给我一个机会，我可以帮你做作业，也可以帮你背书包。即使你把我的心偷去了，我也不会叫你为小偷，正如我的朋友说的，你偷去的是代表我对你的爱的心。可能我不知道真爱是什么，但我从来不觉得这样，&嘿，我是rew周&我必须回到过去，让你知道我的存在，然后你会看到，上帝让你存在于世界上，只为了我

All that stuff is great. I think the '60s had some of the best melodies of all time between Peter, Paul, and Mary, and you know, all those people. The Mamas and the Papas were wonderful. And the Drifters go a little further back, but I love that song "On Broadway"--it's genius.

the Supremes的任何歌曲，所有的歌都很棒，我觉得60年代的歌曲拥有最好的旋律，都在 Peter， Paul，还有Mary这些人当中，你知道，所有的这些人，爸爸妈妈乐队是极好的， the Drifters走的有点后退，但是我很爱On Broadway，真是个天才的歌曲。

When you are tired with flamboyant luxury, vapid simplicity, iridescent pattern and lavish gloss, the little angel in your heart will begin to swing her laced skirt and dance to a sweet melody in front of a vine-wound crystal dressing table in a carefree paradise.

当人们厌倦了夸张奢华的艳羡、简约元素的乏味、波普撞色的摩登、漆皮缎面的夸张时，住在你心灵深处的那个小天使开始抖动自己缀满蕾丝花边的蓬蓬裙，对着藤蔓缠绕的水晶梳妆台翩翩起舞，画出一串美妙的旋律，尽情迷失在无忧的乐园里。

Textured and timeless, seamless and dreamlike, Gregorian Chants, ethereal female vocals and angelic voices float upon the imagination of the dreamer. Embrace the sacred and the sensual as you awaken to the beauty of Tempting the Muse

Tempting The Muse 诱人的缪斯/诱惑人的沉思/诱惑的冥想》里的音乐富有质感，非常耐听，完美梦幻的格林高利圣歌，飘渺朦胧的女声演唱和天使般的旋律萦绕在听者的脑海和梦境……尽情享受 Mysteria 带来的神圣而美妙的感官盛宴吧。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。