旋律的

This thesis tries to analyze 'Carmen' by reviewing the characteristics of its musical score and the imagination of the character. The score in 'Carmen' applied the strong march and the local folk dance rhythm, sequence of beautiful melodies appeared time and again. Within the whole opera, Bizet illustrated the minute psychological changes of the character and the motifs by excellently using the elegant rhythmic expressions in a variety of styles; and he also used a different ploy to imply the development of tragedy.

本文试图通过对歌剧《卡门》中的音乐特征和人物想象进行分析，《卡门》里面运用了强烈的进行曲节奏和具有地方风格的舞曲节奏；优美的旋律层出不穷，比才很好的用优美的旋律体现把人物微小的心理变化；主导动机都以不同的形式贯穿全剧，对悲剧的发展作了不同手法的暗示。

Following, too, the fundamental constructive principle of all synagogal chants, explained under Cantillation and azzanut, in consequence of which the same text varies alike in tonality and in melodic outline according to the importance of the occasion and to the esthetic expression associated with it, there have gradually shaped themselves in each of the traditional uses a number of tuneful renderings of the addish which have become in themselves typical melodies of the day or of the service.

之后，也根本建设性的原则，所有synagogal呼喊，解释下cantillation和azzanut ，在后果的，即同一文本的不同，无论大小，调性和旋律纲要根据重要性的场合和审美表达与此相关，有已逐步形成了自己的每一项传统使用的一些tuneful透视图的addish已成为在自己典型的旋律在日间或该项服务。

Through classifying and summing up the five aspects of technical issues of melody levels, octave, scale, sound jumping and tone repeating, analyzing the six main aspects of the singing control of melody, levels of vocal parts, dynamics and changes of tone color, performance of grace note, application of pedal, and the handling of rhythm, this article analyzes the main points of performance, thereby elaborates the teaching value of the eight impromptus embodied.

通过对八首即兴曲的旋律层次、八度、音阶、跳音、重复音五个方面的技术课题进行了分类、归纳；从旋律歌唱的把握、声部线条的层次、力度与音色变化、装饰音的弹奏、踏板的应用、节奏的处理六大方面分析演奏的要点，并进一步阐述八首即兴曲在教学中的价值体现。

If anything, Smith's songwriting continues to improve, as each of the XO's 14 tracks displays his inarguable mastery of the pop song structure more clearly than ever.

专辑中甜蜜的昏暗的旋律通过一些细节性的安排被巧妙的带到了生活中，他们的卖点是Smith痛苦的音乐——这些音乐在旋律上容易被接受，但是歌曲的内容到底是什么往往在以后的回味中才能被发现。

The piano accompaniment is music work organic structure part, only then causes the accompaniment with to sing the part the melody to merge into one organic whole, music work content only then possibly obtains the perfect performance, it requests the sideman the pianism, the keyboard and the sound technique, the composition theoretical knowledge unifies, under the melody condition's limit, in the situation which does not prepare beforehand carries on the instantaneous art to create again.

钢琴伴奏是音乐作品的有机构成部分，只有使伴奏与歌唱部分的旋律融为一体，音乐作品内容才可能得到完美的表现，它要求伴奏者将钢琴演奏技巧、键盘和声手法、作曲理论知识结合起来，在旋律条件的限制下，在事先毫无准备的情况下进行瞬间的艺术再创作。

All may casual, you said I all am willing to go, the small trainswings the melody, all may be really, you said I all can believe,because I completely trust you, exquisite liking, the wool blanketsincere feeling, has exposed to the sun the solar familiar securitysense, shares the hot soup, a our two soupspoon bowl, left atrium warmgood full, I want to say actually you very good, you actually did notknow, sincerity to me good, does not request the repayment, likes aperson hoping he better, is warm since the heart in, You are moreimportant than oneself,In recollection satisfied melody, your palm of the hand thick truefeelings, any difficulty all thinks hopefully, my humph song, younatural are receiving a section, I knew warmly warms on in the chest,always all very the low key, the self-confidence is not high, you aremore important than oneself, I also hoped changes

都可以随便的，你说的我都愿意去，小火车摆动的旋律，都可以是真的，你说的我都会相信，因为我完全信任你，细腻的喜欢，毛毯般的厚重感，晒过太阳熟悉的安全感，分享热汤，我们两支汤匙一个碗，左心房暖暖的好饱满，我想说其实你很好，你自己却不知道，真心的对我好，不要求回报，爱一个人希望他过更好，打从心里暖暖的，你比自己更重要，回忆里满足的旋律，你手掌的厚实感，什么困难都觉得有希望，我哼着歌，你自然的就接下一段，我知道暖暖就在胸膛，从来都很低调，自信心不高，你比自己更重要，我也希望变更好

By stretching the song to about 50 times slower than normal, one can enter a rich world of odd tones, microscopic vibrations and little glissandi not belonging to the actual melody, but being a natural part of the human voice and the Chinese tradition of singing.

随着歌曲旋律被放慢到比正常速度慢五十倍，这时就进入了一个丰富的单音世界，显微镜摆动着，小的滑音并不属于真实的旋律，却是人声和中国民族唱法组成的自然的声部。

Woman: Kizomba was born in the early eighties and it was a fusion of all the rhythms that were happening at the time, and out of the old rhythms that went into the Caribbean sort of, was sort of a bit of a come back and in the early eighties, the rhythm called Zouk came into Angola as well as a lot and with the fusion of other rhythms that were already there, it created Kizomba.

女舞者：基宗巴舞出现在18世纪初，它融合了现代的多种节奏，以及加勒比风味的经典旋律。18世纪伦巴达的旋律在安哥拉流行起来，同时还有新型的其它音律，这些所有元素的融合，产生了基宗巴舞。

Firstly,the inputs of the lyrics are converted into speech with the text to speech synthesis system.Then,the melody parameters of the song are extracted from the MIDI file.At last,the melody control model is adopted to achieve the lyrics to song conversion by modifying the acoustic parameters of speech signal.

首先利用一个文语转换系统将输入的歌词转换为语音，同时从歌曲的MIDI文件中提取歌曲的旋律参数，最后通过旋律控制模型对语音信号的声学特征进行修改，实现由歌词到歌曲的转换。

Love is not giving; Love is not a getting; Love is not holding on; Love is a taste, a taste of sweet honey; Love is a color, a color of fluffy pink; Love is a sound, a sound of soft music that touches your heart...Master A.H.

爱情不是给予，爱情不是得到，爱情不是紧紧抓住；爱情是一种味道，甜甜的蜜糖的味道，爱情是一种颜色，毛茸茸的粉红色，爱情是一种旋律，轻轻的音乐的旋律，触动你的心弦。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。