旋律小调

There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性，有时再加入一个新主题，最后在呈示部结束之前到达属调； 5、较多地运用整小节的休止，使其不仅具有深刻的表情意义，而且在结构乐曲中起到了不可或缺的作用； 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落，使同一个旋律在不同的和声色彩里闪现，既避免了单调的重复，又保持了旋律的抒情性和完整性； 7、展开的段落中习惯运用半音化的发展手法，半音阶式的深层线条成为某些展开段落的显著特点； 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机，三首奏鸣曲中运用了大量叹息的音调，并倾向于~#c小调的运用； 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

Csardas Dance of the Roma originated in the folk dances, probably in the 15th century of 1930s, widely popular in Hungary, the 19th century to the 1950s and 1960s to become the Hungarian folk music to the genre.

查尔达斯》的乐曲出19世纪末、20世纪初的意大利曲家蒙蒂，乐曲开始时也有充满激情的引子，然后出深沉而略带忧郁的题，它有小调色彩的抒情旋律，后来换成流畅而华丽的格调，都具有鲜明的匈牙利吉普赛音乐的特点。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

I$xt Y3x0 The melodic minor scale is the form of minor scale commonly used in melodies.

旋律小调是旋律中小调的通用形式。

B!{9T%Z P/_0 The melodic minor scale is the form of minor scale commonly used in melodies.

旋律小调是旋律中小调的通用形式。

I thought it would be interesting to orchestrate the rhythm , chords , and bass with mostly my voice .

我想把节奏，和弦，贝司和我的声音编配起来是一件很有趣的事情，这首歌的旋律让我想起了小调，亚洲民歌和摇篮曲之类的音乐。

Redemption Composed by Miki Takashi This is a music composed with the harmony minor, in which the melody evolves with the stepped motivation, forms lines featured by partita, and drives forward in combination with the incomplete cadence of Rumba dance.

偿还 曲：三木尤贺志这是一首以和声小调创作的乐曲，旋律以阶梯式动机发展，以变奏曲特点形成线条，结合不完整的伦巴舞曲节奏推进而成。

The melodic minor scale may be described as a minor scale with the 6th and 7th degrees raised int its ascending form; in its descending form the melodic minor scale reverts to pure minor

旋律小调音阶也可以被描述在小调音阶上行六级音和七级音的升半音形式，在下行中旋律小音阶又恢复到原来的小调

While the ascending melodic minor follows the natural minor, with the sixth and seventh degrees of the scale sharpened as in the major scale, the descending melodic minor scale follows the natural minor. The descending melodic minor scale of A minor can, therefore, be played on the white notes of the piano, starting on A, and would be:

上行旋律小调与自然小音阶的模式相同，大音阶的第六级和第七级音阶仍为升，下行旋律小调遵循自然小调模式。A小调下行旋律小调为在钢琴的白键上演奏，开始于A调，为

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲&Russians&俄罗斯人中借用了Prokofiev 的&Lieutenant Kijé&三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品&Iron Foundry&是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷