旋律优美的

The music prototype of the opera Going to the West Gate is folk tune widely popular in Shaanxi, Shanxi, Inner Mongolia and northern Hebei Province. Through the organic integration of Peking Opera and Shanxi folk music, the melody of Going to the West Gate is more mildly pleasant ...

京剧《走西口》的音乐原型是广泛流行在陕西、山西、内蒙古及河北省北部地区的民间小调，而在该剧中通过将京剧音乐与山西民乐的有机融合，使得《走西口》的旋律更婉转、更优美，表演更具有观赏性和艺术性。

Cantonese music has its origins in south China's beautiful, rich Pearl River Delta, which is famous for its rich artistic traditions. It is in this environment that this music was born, was nurtured and developed over the centuries. Its light spiritedness and simple beauty has made it wildly popular and an important member of China's musical family.

这是一台充满诗情画意的音乐会，里面一首首精美的乐曲显示出鲜明的地域特色，洋溢着活灵活现的生活气息，展现了中国人对大自然的深情赞美，以及对生活的热爱与感悟，它的旋律仿佛像来自自然界的美妙声音，优美而清新，抒情而灵动。

The main characteristics of hisopera are graceful and singable with deep sorrowful meloday , changeable andcolourful orchestrations and violent dramatic effects .

普契尼歌剧的特征主要有：优美富有歌唱性而又带着深深哀愁的旋律，富有变换色彩的配器手法，以及作品中透露出的强烈的戏剧性效果等等。

The British composer Tim Salter wrote Equipoise for Xuefei Yang when she performed in the Park Lane Group Young Artist Series at the Purcell Room in January. She premiered it here and received much success with the piece from the general music critics who attended the concert. The piece is virtuosic and gives her the opportunity to display her superior technique and her enormous dynamic range. The concept of expressing balance and counter-balance was her idea and then Salter has balanced delicacy of line with powerful explosions of notes.

英国作曲家添索特的〝平衡〞，是为杨雪霏的〝帕宁集团年青艺术家〞一月份的普赛音乐厅演奏会系列而委约创作，她的首演非常成功，获得主流音乐圈的高度赞誉，这是一首超技乐曲，提供了一个机会让杨雪霏展现她出类拔萃的超群技巧和异常巨大的动态，索特以优美旋律混合具爆炸力的音符，由杨表达出平衡与反平衡的概念。

He delves into the heart of Latin America for the folksy "Carioca Cat"(named after the cool "screech" at the end of some of the lower-toned 12-string lines) and playful flamenco-tinged "Danza del Corazon."

序言&Call of the East&中，Govi融合了其早期的电子摇滚吉他风格和其后期钟爱的西班牙弗拉门科吉他的优美旋律的风格，并配上锡塔琴作为和谐的背景。

It begins with the theme of the song " Wanderer ", followed with the dramatically musical description in a way of dialogue. The beautiful melody of the second movement coming up immediately, it seems like a monolog of the composer's lonely heart.

此作品由激昂的和弦引出艺术歌曲《流浪者》的主题，开始了一段对话式的戏剧性音乐表述，紧接着出现第二乐章优美而宁静的旋律，似乎是作曲家内心孤独和凄凉的表白。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当傍晚的薄雾笼罩着河岸，一切都充满了诗意，就像蒙上了一层薄薄的面纱，灰暗的房子渐渐消失在暗淡的天空中，夜里，高耸的烟囱变成了钟楼，仓库变成了华丽的宫殿，整个城市似乎是悬浮于空中，仿佛置身于仙境一般—旅行者匆匆的回家了，行人，骚客，聪明人，快乐的人，开始不明白了，因为他们停止了观察，自然曾经用她的旋律唱着歌，优美动听的音乐唱给了孤独的艺术家--一个以为爱着自然的孩子，懂她的艺术大师。

However, Li Yiding's concert music is marked by its enjoyability.

但是李一丁的音乐会音乐却有着一定的可听性，她的室内乐、交响乐在运用现代音乐技法的同时，始终贯穿优美、清晰的旋律。

"The girl's prayer" In 1856, when Poland, the Czech Republic Bada Landowska female pianist's hand gently ask the piano keys on the first of this beautiful and simple melody, she will think of "the girl's prayer" That song would become universally known it?

少女的祈祷》 1856年，当波兰女钢琴家巴达捷芙斯卡的手轻轻在钢琴键上抚出这首优美而简单的旋律时，她是否会想到《少女的祈祷》这首曲子会变得举世皆知呢？

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。