旋律

With nasal-childlike naughty female voice and melodic punk rock guitar soliloquizing and tough girl lyrics , you'll feel a sad shadow in the happy tune .来源: bbs.poco.cn

加以叛客摇滚的节奏与旋律性极强的吉他喃喃自语以及赋有倔强女孩思想的歌词，欢乐旋律中也不难发现藏有忧伤的影子。

The songs are "strophic"--that is, arranged in stanzas--and the melody of the first stanza is used again and again with little conscious change until all the stanzas have been sung.

歌曲旋律以小节反复出现，即第二段中反复出现第一段的旋律。没有刻意的变化，直到全部唱完。

The immanent quality of musicality in poem is expressed as an object in time by language, so lapse of time can be apperceived just as melody in music, when dynamic images in poem form the rhythm.

只有当诗歌语言被用于呈现生命时间本身，诗歌才达到旋律的境界，声韵一变而为神韵。动态意象成就了诗歌的内在节奏，它使得体验者当下的时间音乐化了。律化时间片断的延续构成了生命过程本身，由此抵达诗歌的内在旋律。

By stretching the song to about 50 times slower than normal, one can enter a rich world of odd tones, microscopic vibrations and little glissandi not belonging to the actual melody, but being a natural part of the human voice and the Chinese tradition of singing.

随着歌曲旋律被放慢到比正常速度慢五十倍，这时就进入了一个丰富的单音世界，显微镜摆动着，小的滑音并不属于真实的旋律，却是人声和中国民族唱法组成的自然的声部。

A short, simple melody in which a number of syllables or words are sung on or intoned to the same note .

简短的旋律一种简短的旋律，和着同一种调子演唱或吟诵一组音节和歌词

I can't change my mold, no,no,no,no,no///(It justs sex and violence melody and silence)(It justs sex and violence melody and silence)(I'll take you down the only road I've ever been down)(It justs sex and violence melody and silence)(I'll take you down the only road I've ever been down)Lalalalalalaaaaaaaa...

我不能改变我的塑造、不，不，不，不，不///(justs色情暴力资讯justs旋律和沉默)(我就带你们下来，我只道它从未下)(justs色情暴力旋律和沉默)(我就带你们下来的唯一道路我从未被定)以往从未lalalalalalaaaaaaaa。。。

Hittner , and I understand has beenpublished in London ,which head and tail-pieces , accompainments , and all the resined airs of Europe music ; tothat it ceafes to be a specimen of the plain melody of China.

据我所知，这段旋律已被加上了引子、尾声、伴奏和欧洲音乐的一切技法在伦敦发表了，但它已不再是中国人那纯朴旋律的音乐。

Transcription, and analyzes Wangs inheritance, reproduction and development of Chinese ethical folk music. She also makes transverse comparisons between the musical forms of piano works by composers of both China and abroad, and illustrates that Wang uses for inference but not copies the western musical forms, that he attaches importance but not stickles to the framework of traditional Chinese music, and also that he demonstrates a characteristic of not sticking to one pattern. She makes contrastive comparisons as well of the melodies and harmonies of piano works by composers of both China and abroad, and indicates that in inquiries into the folk style of counterpoint, Wang is flexible and creative in harmonies by inheriting the character of a clear melody and the method of multi-voice in Chinese traditional music and also by absorbing the character of emphasizing the layers of texture in western piano music.

拿民族民间音乐与钢琴改编曲作纵向比较，分析其对中国民族民间音乐的继承再现与发展；拿中外钢琴作品的曲式原则作横向比较，说明他借鉴但不照搬西方音乐曲式规范，重视但不拘泥于传统中国音乐结构方法，在作品的结构上，呈现出不拘一格的特点；拿中外钢琴作品在旋律、和声等方面作相异比较，指出了在探索多声部音乐的民族风格过程中，王建中一方面继承了传统音乐中旋律线条十分突出的特点，另一方面又吸收了西方钢琴音乐注重织体的网状结构的特点，有意识地运用了我国民间多声手法，在和声的运用方面表现出灵活多样而又富于创新的特点。

There is in folk music melody a phenomenon of "Five-Tone Multi-Gong Synthesis", in which the diao seems turning but really not so.

民间音乐旋律中存在着一种调似转非转的&五声性多宫综合&现象，这一现象的特点是在旋律发展过程中将不同宫的五声进行综合运用，使偏音具有它宫正声的意义。

MOSSO wants performers play the melody swiftly that makes it full of pride and active.

&MOSSO&的出现，要求演唱者和演奏者必须快速地演唱或演奏这段旋律，使旋律充满骄傲和活跃的感觉。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。