旁边

A curved-tooth flank is generated as a continuous geometric feature, as opposed to the flanks of herringbone and double-helical teeth.

一个curved-tooth旁边是作为一个连续产生多少何特征，反对的人字形和double-helical牙齿。

00 At night, I went to the radio. Because almost no one was on duty at night, and i was familiar with it, i entered the director room easily. A man was busy dialing, with a piece of paper before him, which was fully written with phone numbers and answers. He dialed one by one and ordered the same fake customers as me on the other end of the phone the answers they should say later. My arriving alerted him a little, looking back at me doubtingly. I pointed the host in the live broadcasting room the other side of the glass partition, and waved. After the host responded with a smiling face, he left me alone, and continued to dial. I pulled a stool and sat beside him, watching him busy about. From time to time, he would scold, because several calls put through but the other side was unwilling.

晚上8点我到了电台，因为晚上也没有什么人值班，再说对我也还熟悉，我很轻松的到了导播间，一个男子正在忙碌的打电话，面前放着一张纸，上面写满了电话号码和答案，他一个一个的拨打和交代电话那端"象我一样的托"，等下要说的答案，我的到来让他略显警觉，回头疑问的看着我，我指了指玻璃隔断那边直播间里的主持人，挥了下手，里面的主持人回了个笑脸后，男子即不再理我，而继续拨打着电话，我拉了张凳子坐在他的旁边，看着和他忙碌，间断里他会骂骂咧咧，因为个别电话拨通了，对方不愿意。

I will be by your side if you feel down and out.

当你消沉的时候，我总会在你旁边。

Sets a button to have a drop down arrow next to it.

一个按钮，有一个旁边的向下箭头不会下降。

Returning to the house the next day we found that the workmen had set our imaginary table by drawing dishes, glasses and silverware.

第二天我们回到屋子的时候发现，工人们在我们想象的餐桌旁边还画上了器皿，玻璃器和银器。

DrawString to draw a vertical string next to my y-axis line.

DrawString画一个垂直的字符串我旁边y轴线。

It's very dreamily color.the dresser is next to the bed.

这是多么梦幻的颜色啊。梳妆台在床的旁边。

I'm looking at our wedding photo now, the one on our dressing table, next to your jewellery box.

现在我正在看我们的结婚照片，就在我们的梳妆台上，在你的首饰盒旁边。

Dressing table in table's side.

梳妆台在桌子的旁边。

Now check out Droopy Dog on the other side.

现在再回头看看刚刚垂头丧气站在旁边的那个男人

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。