旁边

Now Eli the priest was sitting on a chair by the doorpost of the LORD's temple.

祭司以利、在耶和华殿的门框旁边坐在自己的位上。

Now Eli the priest was sitting on his seat at the doorpost of the temple of Jehovah.

祭司以利在耶和华殿的门框旁边，坐在自己的位上。

And the prince shall enter through the porch of the gate from the outside and stand by the doorpost of the gate, and the priests will prepare his burnt offering and his peace offerings, and he shall worship at the threshold of the gate; then he shall go out, but the gate shall not be shut until the evening.

46：2 王要从外面经这门的廊进入，站在门框旁边；祭司要为他预备燔祭和平安祭，他就要在门槛那里敬拜，然后出去；这门直到晚上不可关闭。

All the widows stood around him, crying and showing him the robes and other clothing that Dorcas had made while she was still with them.

众寡妇都站在彼得旁边哭，拿多加与她们同在时，所做的里衣外衣给他看。

And all the widows stood by him, weeping and showing him tunics and garments, all of which Dorcas had made while she was with them.

众寡妇都站在彼得旁边哭，拿多加与她们同在时所作的里衣外衣给他看。

And when he had come, they took him into the room: and all the widows were there, weeping and putting before him the coats and clothing which Dorcas had made while she was with them.

到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与她们同在时，所做的里衣外衣给他看。

When he was come, they brought him into the upper chamber: and all the widows stood by him weeping, and showing the coats and garments which Dorcas made, while she was with them.

彼得就起身和他们同去；到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与他们同在时所作的里衣外衣给他看。

When he was come, they brought him into the upper chamber: and all the widows stood by him weeping, and shewing the coats and garments which Dorcas made, while she was with them.

到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与他们同在时，所做的里衣外衣给他看。

When he was come, they brought him into the uer chamber: and all the widows stood by him weeping, and shewing the coats and garments which Dorcas made, while she was with them.

到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与他们同在时，所做的里衣外衣给他看。

We see a dormitory building next to the school.

我们看到学校旁边的一栋宿舍楼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。