旁边

I stand on the parents and next to the old cypress.

我和父母就站在老柏树的旁边。

I told you to put the roses on the table next to cyrus' seat.

我跟你说了把玫瑰放在赛勒斯的座位旁边

In 2004 I went to Dacca, the capital of Bangladesh. I visited a village nearby and there was an international art workshop going on. In such a remote village, artists had to get rid of their original working habits and familiar experience, and started new adventure and exploration. Artists took advantage of local and ecological materials to do experiment: quilt, henhouse, dried branch, mud, leaves, agricultural appliance and even their bodies.

2004年我赴孟加拉首都达卡，考查旁边的一个小村庄，那里正进行的一个国际艺术工作坊，在这个远离都市的小乡村，艺术家们要抛弃原有的工作习惯和原来熟悉的经验，进行新的冒险和探索，艺术家们因地制宜地利用现有和原生态的生活材料来进行尝试：被子、鸡圈、干树枝、泥团、树叶、家什农具甚至自己的身体。

When the Philistines took the ark of God, they brought it into the house of Dagon, and set

非利士人将神的约柜抬进大衮庙，放在大衮的旁边。

They took the ark of God into the house of Dagon and put it by the side of Dagon.

5：2 非利士人将神的约柜抬进大衮庙、放在大衮的旁边。

Then the Philistines took the ark of God and brought it to the house of Dagon and set it by Dagon.

撒上5：2 非利士人将神的约柜抬进大衮庙、放在大衮的旁边。

When the Philistines took the ark of God, they brought it into the house of Dagon, and set it by Dagon.

5：2 非利士人将神的约柜抬进大衮庙，放在大衮的旁边。

And the Philistines took the Ark of God and brought it into the house of Dagon, and they set it next to Dagon.

5：2 非利士人将神的约柜抬进大衮庙，放在大衮的旁边。

The medical mission to visit Linger also added one, easy-Xi Xiang Huafeng a brief introduction about later, we began to busy to move to the living room to room, game consoles, in an instant to see Yi Xi kind of expression does not Linger very complex and very much perplexed also a ray of light penetration, Meng Fei holding Linger went and sat down on the sofa, Yang month and henny sat next to Owen Xiang Yi Xi, and let him pretend to play games, the house Light colors and subtly arranged, the game disc into the CD-ROM then, once again playing, Meng Fei, and Linger's parents obviously felt her change into the eyes of a long break away from the embrace of Meng Fei walked before game stopped father, Owen Cheung of Warcraft her remarks were translated into sound, Daimon, how are you?

去探访灵儿的医务团又多加了一位，易夕简单介绍了一下华丰翔之后，大家开始忙碌着把房里的游戏机搬到客厅来，在瞬间易夕看见灵儿不样的表情，很复杂很迷惘也透了一线光亮，孟菲抱着灵儿走到沙发上坐了下来，杨晓月和henny也坐在旁边，华丰翔让易夕和他一起假装要玩游戏，屋里的光线布置成暗暗的色调，游戏碟随即放入光盘中，一次又一次播放，孟菲和灵儿的父母明显感觉到她的改变，长时间的眼神投入到挣脱孟菲的怀抱走到游戏机前叫住爸爸，华丰翔把魔兽对她说的话也转变成声音，魔灵，你好吗？

And Karen could not help dancing a step or two, and when she began her feetcontinued to dance; it was just as though the shoes had power over them.

这时站在旁边的那个老兵说︰"多麼美丽的舞鞋啊！"珈伦经不起这番赞美︰她要跳几个步子。她一开始，一双腿就不停地跳起来。这双鞋好像控制住了她的腿似的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。