旁观

Investors who use this style of analysis are often unconcerned about the nature or value of the companies they trade stocks in. They only invest in a stock as far as it is projected to yeild profit, then they sell all their stock.

投资者使用这种风格分析往往漠不关心性质或价值的公司，他们的贸易股市旁观的，他们只投资股票而言，它预计产量利润然后他们变卖所有股票。

Post-graduate students, Paolo Ruffino introduced some fascinating concepts of our collective evolving worldview through mapping; Bianca Ahmadi presented machinima as an art and education form; and Lindsay Todres explored "self spectatorship" online and how it relates to/changes our use of media, especially cinema.

研究生之一 Paolo Ruffino 通过地图介绍了一些关于集体进化的世界观的有趣的概念； Bianca Ahmadi 将游戏电影作为一种艺术和教育形式来展示； Lindsay Todres 探讨了网络&自我旁观&，以及其如何联系/改变媒体的用途，尤其是电影。

A man that is busy, and inquisitive, is commonly envious For to know much of other men's matters, cannot be because all that ado may concern his own estate; therefore it must needs be, that he taketh a kind of play-pleasure, in looking upon the fortunes of others Neither can he, that mindeth but his own business, find much matter for envy For envy is a gadding passion, and walketh the streets, and doth not keep home: Non est curiosus, quin idem sit malevolus

好管闲事且好深隐私者通常都好嫉妒，因为劳神费力地去打探别人的事情绝非是由于那些事与打探者的利害有关，所以其原因必定是打探者在旁观他人祸福时能获得一种视剧般的乐趣。而一心只管自家事的人无甚嫉妒的由来，因为嫉妒是一种爱游荡的感情，它总在街头闲逛，不肯呆在家里，所以古人说：&好管闲事者必定没安好心。&

Neither can he, that mindeth but his own business, find much matter for envy. For envy is a gadding passion, and walketh the streets, and doth not keep home: Non est curiosus, quin idem sit malevolus.

好管闲事且好深隐私者通常都好嫉妒，因为劳神费力地去打探别人的事情绝非是由于那些事与打探者的利害有关，所以其原因必定是打探者在旁观他人祸福时能获得一种视剧般的乐趣。

Forth most into the outward parts, and so meet the blow.But leaving these curiosities (though not unworthy to be thought on, infit place), we will handle, what persons are apt to envy others; what

好管闲事且好深隐私者通常都好嫉妒，因为劳神费力地去打探别人的事情绝非是由于那些事与打探者的利害有关，所以其原因必定是打探者在旁观他人祸福时能获得一种视剧般的乐趣。

Won't phonate, this is a window, that is the voice cry out to LaoGaiFan bystanders instructors are issued.

就再也发不出声了，此时窗外也是泣声一片，那是指导员喊来旁观的劳改犯们发出的。

And to be honest, too many people are happy to spectate rather than actually get in the game.

老实说，太多太多人喜欢旁观而不付诸行动了。

Interactivity is the way that a site allows you to do something. Good interactivity is more than a rollover or choosing what to click on next; it allows you, as a user, to give and receive. It insists that you participate, not spectate.

所谓交互性是指网站允许你做些什么，好的交互性绝不仅仅是鼠标滑过的效果或者下一步该点击什么，它允许你做为一个用户可以给予也可以获取，强调你的参与而不是旁观。

Interactivity 交互性 Interactivity is the way that a site allows you to do something. Good interactivity is more than a rollover or choosing what to click on next; it allows you, as a user, to give and receive. It insists that you participate, not spectate.

所谓交互性是指网站允许你做些什么，好的交互性绝不仅仅是鼠标滑过的效果或者下一步该点击什么，它允许你做为一个用户可以给予也可以获取，强调你的参与而不是旁观。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。