施特劳斯

His compositions, particularly those of his later period, are notable for their contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: themes associated with specific characters, locales, or plot elements.

前面承接莫扎特，贝多芬的歌剧传统，后面开启了后浪漫主义歌剧作曲潮流，理查·施特劳斯紧随其后。同时，因为他在政治、宗教方面思想的复杂性，成为欧洲音乐史上最具争议的人物。

It no wonder that Brahms, who loved the waltz and wrote many beautiful ones himself, autographed Mrs. Strauss's fan by writing the opening melody of The Blue Danube, followed by the comment, Unfortunately not by Johannes Brahms.

勃拉姆斯极其喜爱圆舞曲，他本人也写了许多美丽的这种乐曲，难怪他亲笔在施特劳斯夫人的扇子上抄下《蓝色多瑙河》起始的旋律后加厂下面一句话："不幸非约翰·勃拉姆斯所作"。

For comparison they also looked at operas by Mozart, Rossini, and Strauss and determined that, in these compositions, no such correlation existed.

为了对比，他们也检视了莫扎特、罗西尼，以及施特劳斯的歌剧，并证明在他们的作品中并没有这样的相互关系。

In 2010, we are looking forward to PuLaiTe will bring the strauss family more rich and colorful.

在2010年，我们期待着普莱特会带来施特劳斯家族更加丰富多彩的一面。

Strauss and Mozart were two of the most important composers.

施特劳斯和莫扎特是最重要的作曲家中的两位。

John Lowe, a 90-year-old veteran, became Britain's oldest ballet dancer when he pirouetted on stage, the Metro reported.

据英国《都市报》报道，现年90岁的英国老兵约翰·劳氏日前登台出任主角，演出了由奥地利作曲家小约翰·施特劳斯的《艺术家的生活》改编的芭蕾舞剧，成为英国年纪最大的芭蕾舞演员。

This lively recording by the Vienna Boys' Choir features waltzes and polkas by Johann Strauss, Sr. and Jr. These and other pieces such as the trio from The Magic Flute by Mozart represent the abundant musical heritage of Vienna.

这生动记录了维也纳男童合唱团的特点圆舞曲和polkas由约翰施特劳斯，修女和小这些以及其他作品，如三重奏由魔笛莫扎特代表了丰富的音乐遗产的维也纳。

Richard Strauss is one of the most important composers in the late Romantic period. His symphonic poems let him become an influential figure in the field of symphonic poem after Liszt.

理查·施特劳斯是19世纪末20世纪初西方最重要的作曲家之一，他的交响诗创作使其成为李斯特之后浪漫主义交响诗的重要代表人物。

Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R.

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

"Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R. Strauss and the French group Les Six continued in a more traditional vein in reaction to nineteenth-century Romanticism."

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。