新现实主义

American Pop was born in the 1960s, with the emergence of international masters like Andy Warhol, James Rosenquist and Roy Lichtenstein. Andy Warhol has had a tremendous influence on the development of Chinese art. Performance art emerged in the 1970s as well as Nam June Paik's video art and Christo and Jeanne-Claude's installation art. Sigmar Polke and Gerhard Richter were among the leaders of the Post Modern movement, which also flourished in the 1970s. Among them, Richter has had the most significant impact on Chinese art. New Expressionism emerged in the United States during the 1980s with artists such as Keith Haring, installation artist Ann Hamilton, and Cindy Sherman whose work is somewhat derived from New Expressionism.

进入50年代又出现了格林伯格画派、形式主义绘画，以及具象复活等等。50年代后期出现了新现实主义画派，以及为心灵而创作的博伊斯。60年代美国波普艺术诞生，出现了安迪·沃霍、罗森奎斯特、利希滕斯坦这样的世界级大师人物，其中安迪·沃霍对中国的影响最大。70年代出现身体艺术、行为艺术、白南准的电子艺术、克里斯托和珍妮—克劳德的包裹艺术，以及以波尔克、里希特、巴尔德萨利的后现代主义，其中里希特在中国影响巨大。80年代出现了美国新表现主义如基斯·哈林，装置如汉密尔顿，以及辛迪·舍曼的挪用。

The neorealism in France initiated in the 1960s, it was a new ideology developed with the industrial civilization.

法国新现实主义产生于20世纪60年代，是随着工业文明的发展而产生的一种新的意识形态。

Neorealism and neoliberal institutionalism are the two main schools in the 4 western international relations theory debate, in which international cooperation was one of the core issues.

新现实主义和新自由制度主义是西方国际关系理论第四次论战中的两大重要流派，国际合作问题则是双方在论战中争论的焦点问题之一。

The fourth part, in dynamic perspective, compares neorealism to neoliberal institutionism and mainstream constructivism in order to specify three theories' explanatory capabilities.

第四部分，从动态的角度比较新现实主义与新自由制度主义和主流建构主义，考察三者在解释经验事实上的能力大小。

This essay is a comparison of the international cooperation theories from the three main IR schools—neorealism, neoliberal institutionalism and constructionism,specifically,how they set their hypothesises and consequently define "national interest" and then deduce their explanations of international cooperation.

国际关系的三个主流学派——新现实主义、新自由制度主义和建构主义——基于对国际体系的不同假定而做出不同的国家利益界定，演绎出了不同的国际合作解释。

Vietnam Syndrome; separate peace; Post Traumatic Stress Disorder; neorealism; postmodernism; metafiction; new historicism

越南综合症；单独媾和；创伤后综合症；新现实主义；后现代主义；元小说；新历史主义

Films as diverse as Hiroshima, Mon Amour and Hatari, Breathless and Blow-Up, The Savage Innocents and Fahrenheit 451, 2001: A Space Odyssey and Playtime, Contempt and The Rise of Louis XIV were virtually defined by their multinational elements and sentiments; and for the first time since the 20s--barring perhaps only the impact of Italian neorealism in the 40s-Hollywood styles of filmmaking were fundamentally overturned by new developments from abroad.

电影五花八门：《广岛之恋》和《哈泰利》、《筋疲力尽》和《放大》、《雪海冰上人》和《华氏451》、《2001：太空漫游》和《玩乐时间》、《轻蔑》和《路易十四的崛起》，事实上都是依据它们所包含的多国元素和情感来进行阐释；就第一时期，从20年代起始--40年代所受到的可能也是唯一的意大利新现实主义影响除外--好莱坞电影制作形式基本上被国外的新发展所颠覆。

Also, the chapter discusses the internal relationships between "17-year" movies and the world movies, including the Hollywood pattern, New Realism movies in Italy, and Nouvelle Vague movies in France, aiming at placing the "17-year" movies in multiple foreign movie resources, in order to discover the actual effect of Soviet influence.

同时，还讨论了"十七年"电影与美国好莱坞、意大利新现实主义以及法国新浪潮等世界电影之间的联系，旨在将"十七年"电影置于多重外来电影资源中考察，以发现苏联影响的实际效果。

There is one kind of bepuzzlement after the impact and which envoke arouse our reflections of the neorealistic novel.

新现实主义小说的创生不是空穴来风，是中国社会转型期、变革期、阵痛期社会生活的折光映照，是新时期以后小说园地一种自然升华。

While it is difficult for other nations not to fall victim to nationalistic sentiments, classical realist balance of power politics, neorealist securitisations and security dilemma dynamics, it is important to realise that at this juncture neither a passive, isolatinist US nor a US constrained by an immature International Criminal Court is in the interest of the promotion of democratic-peace or the healthy development of human society.

其他国家政府虽然难免被民族主义激情、古典现实主义权力均衡政治、新现实主义的安全化、安全困境动态所困惑，但他们必须承认让美国采取一种被动的孤立主义外交政策，让其在无政府的国际体制之下被刚建立不久的国际法庭所约束，既不利于民主和平论的实现，也不利于人类的健康发展。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。