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On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上,本文以意象分析法为贯穿全文的主要方法,通过对意象的具体分析来透视凉山诗群的诗歌世界;在诗人的选择上以其作品的影响力及意义为标准,选择了这一诗群的七位诗人展开论述,他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加;在论述过程上,笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索,着重探讨了这一诗群创作的三个主要倾向和三个主要领域,前者详论,后者略述,具体表现在对前三位诗人的论述以诗人论的形式详细展开,探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向,即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构,对后四位诗人的论述则以主题的方式展开,探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索;在文章结构上,全文主要分为两大板块,一是对各位诗人创作的具体意象分析,二是在前文分析的基础上进行理论的整合,以此将前面散珠似的论述贯穿成一个有机整体;在结论上,我们通过整合得出:1、凉山诗人群新时期以来诗歌创作的大致发展脉络:在母族文化的基质之上的多元诗艺探索,其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态;2、新时期彝族凉山诗人群汉语诗歌创作的特点,即民族文化意识的深层自觉,对诗性的关注和探索;3、新时期彝族凉山诗人群汉语诗歌创作的缺陷,即情感意蕴的雷同和创作格局的狭小。

There was no notable difference in avifaunal zoogeographical pattern of China before and after 30 years by cluster analysis. The accordance of present analysis and zoogeographical region division in Cheng(1976), Zhang(1991), and Cheng(1997)'s reflected long term stability in evolution of avifauna.

鸟类区系的动物地理分布格局聚类分析结果,在30年前后没有明显差异,和郑作新(1976),张荣祖(1991)以及郑作新等(1997)的动物地理区划结果一致,反映了鸟类区系演化的长期稳定性。

Overseas Chinese literature in the ten years of the new century, presented at a deeper level the integrity of the overseas Chinese writers in the "new old" hand-over communication between the generations, the Chinese writers generation and new immigrants from overseas due to the deep-seated patterns of Chinese literature adjustments, Chinese development in the cultural displace and spread , and all reflect the efforts of overseas Chinese literature beyond the east and west binary to point the "third element".

新世纪10年海外华文文学在深层次上呈现的中华民族文学的整体性,海外华文作家"新老"交接中的世代沟通,华人新生代和新移民作家创作引起的海外华文文学格局的深层次调整,汉语在文化流徙传播中的丰富发展,都反映出海外华文文学超越东、西二元而指向"第三元"的努力。

Of market demand, many new brands and new products in the corresponding, This has resulted in between the old and new brand of fierce competition, and indirectly led to the emergence of new concepts, Including appearance and shows, uses, the design of the new element to the display market pattern has brought no small change.

应市场的需求,许多新品牌和相应的新产品出现了,这导致了新老品牌之间的激烈竞争,从而间接导致了新概念的出现,包括外观、立意、用途、设计等新元素的迸发给市场格局带来了不小变化。

Vehicle breaks down the old one-unit administerial system and puts political activity in a new framework, new territory and new process.

载体创制格局打破了原来行政体系的单中心位置,使政治活动在一个新框架、新领域与新方式下进行。

A new international economic configuration is emerging in which developing countries - particularly those with high rates of economic growth - are becoming dynamos of economic activity.

一种新的世界经济格局正在形成。在这个格局中,发展中国家,尤其是经济增长率较高的国家,正成为经济活动的动力。

Asian countries on the ice and snow levels of the project, China, Japan and South Korea have formed the pattern of the three Chinese athletes in the women's results highlighted a number of projects have formed a group of combat advantage, China should establish a scientific ice team training the concept of increased funding to study new methods, new technologies, new tactics and training methods to improve, so that snow and ice sports in our country training more targeted and effective.

亚洲各国在冰雪项目上水平参差不齐,中、日、韩三国三足鼎立的格局已经形成,中国运动员在女子的一些项目上成绩突出,已经形成了集团作战优势,中国冰雪队应树立科学训练理念,加大经费投入,研究新方法、新技术、新战术,改进训练手段,使我国冰雪运动项目训练更具有针对性和实效性。

Face new round driving development, the urban situation of Shanghai tradition and industrial position structure already cannot get used to new development condition, new development setting and new development requirement, mode of Shanghai city progress changes extremely urgent.

面对新一轮的强劲发展,上海传统的城市格局和产业布局结构已无法适应新的发展形势、新的发展背景和新的发展要求,上海城市发展模式变革迫在眉睫。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上,本文以意象分析法为贯穿全文的主要方法,通过对意象的具体分析来****凉山诗群的诗歌世界;在诗人的选择上以其作品的影响力及意义为标准,选择了这一诗群的七位诗人展开论述,他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加;在论述过程上,笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索,着重探讨了这一诗群创作的三个主要倾向和三个主要领域,前者详论,后者略述,具体表现在对前三位诗人的论述以诗人论的形式详细展开,探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向,即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构,对后四位诗人的论述则以主题的方式展开,探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索;在文章结构上,全文主要分为两大板块,一是对各位诗人创作的具体意象分析,二是在前文分析的基础上进行理论的整合,以此将前面散珠似的论述贯穿成一个有机整体;在结论上,我们通过整合得出:1、凉山诗人群新时期以来诗歌创作的大致发展脉络:在母族文化的基质之上的多元诗艺探索,其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态;2、新时期彝族凉山诗人群汉语诗歌创作的特点,即民族文化意识的深层自觉,对诗性的关注和探索;3、新时期彝族凉山诗人群汉语诗歌创作的缺陷,即情感意蕴的雷同和创作格局的狭小。

The different points of views, transverse section, plane and volume changes are considered. The results show that the evolution of the Xinqiao Channel has experienced three stages: in 1861~1926 ,the Xinqiao Channel area had been eroded at first and then silted; the Xinqiao Channel is formed during 1926~1958 with the channel experiencing persistence erosion; from 1958 to 2002, the total volume of the Xinqiao Channel keeps stable with the volume of 5.02×108m^3. The pattern of 10m contour has shaped to a certainty in 1926 and 5m contour of the upper and lower parts of Biandansha has been joined. The change of sections of the Xinqiao Channel reflects its thalweg movement to the North Bank 1.1~2.8 km, its shape changes from "U" shape to "V" shape and its depth has been deepened.

计算结果显示在所研究的区域内自1861年以来新桥水道冲淤过程明显被分为三个阶段:1861~1926年的66a间新桥水道区域经过一段时间的冲刷后又重新产生淤积,总容积变化不大;1926~1958年的33a间新桥水道在不断的冲刷中总容积由2.603亿立方公尺增长到5.076亿立方公尺;1958年至今的45a时间里水道容积基本保持在平均5.02亿立方公尺。1926年新桥水道10m等深线已经形成一定的格局,1947年5m等深线向上延伸,扁担沙已经不再与崇明岛相连;1958年上下扁担沙的5m等深线基本连成一体,可以认为此时新桥水道已经形成。

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