新来的

New chiliad gave us infinite opportunity, also gave us new challenge, stand on the scratch line of new century, our complacent, with confidence, we are certain, with us indefatigable effort and eternal flame come mould becomes brand of a canorous.

新的千年给了我们无限机遇，也给了我们新的挑战，站在新世纪的起跑线上，我们踌躇满志，满怀信心，我们坚信，用我们不懈的努力和不灭的热情来浇铸成一个响亮的品牌。

And the market of new products can be seemed as an oligarch market. And from the view of microcosmic, we can price the new products by using maximum profit equilibrium of oligarch market, which gives us some advice.

新产品的市场可以看作是一个寡头市场，从微观角度分析，利用寡头市场的利润最大化均衡来确定新产品的价格，对厂商的新产品定价有一定的启示。

The main works include five parts:(1) A modified K-means algorithm for optimizing the RBPNNs' structures was proposed;(2) The RBPNNs' structure optimization method based on the orthogonal least square algorithm was proposed that can greatly reduce the computation expense for the structure optimization;(3) Using the GA to perform the whole structure optimization of the RBPNNs was proposed in this thesis, which include simultaneous optimization of the hidden centers and the corresponding controlling parameters of the kernel functions.

主要工作体现在如下三个方面：(1)提出一种改进的 K-Means 算法；(2)提出了基于递推正交最小二乘算法的结构优化算法来训练径向基概率神经网络，从而大大减小了用于结构优化的计算开销；(3)提出使用遗传算法来实现径向基概率神经网络的全结构优化，即隐中心矢量和核函数控制参数同时优化，通过新设计的编码方式、新构造的适应度函数，充分发挥了 GA 的全局搜索性能，使得所优化的径向基概率神经网络的结构趋于最简。

They (1) describe the same thitlgs, behaviors or conditions opposite or contrary to the spatial direction as the original characters describe;(2) describe the images reverse to which the original characters describe;(3) give meanings completely opposite to those of original characters;(4) are used to distinguish similar but different things with the original characters;(5) give new meanings which are spread out from those of original characters;(6) expand more abstract meanings.

其意义大致有以下几种类型：（1描绘与原字所指事物、行为或状态在空间方向上呈相反或相背关系的同类事物、行为或状态；(2)与原字分别描绘同一事物的正反两面形象；(3)新字义是对原字义的完全否定；(4)新字与原字用以区别形象相似的两种不同事物；新字的意义由原字意义顺衍而来；(6)引申出较为抽象的含义。

The New command actually opens the New Items dialog box,also called the Object Repository.This dialog box can be used to invoke Delphi Wizards and to create items such as new applications, forms that inherit from existing forms,threads,DLIs,Delphi components,and ActiveX controls.I'll cover the Object Repositor's rich set of features in the next chapter.

新开辟的新项目实际指挥对话框，又称物体repository.this对话框可以用来引用德尔菲等奇才，创造新的应用项目，从形式到继承现有形式、螺纹、修理、Delphi的组件和ActiveXcontrols.i'当地采访对象复位丰富的特点，在未来章。

The author tries to review the individualized composition teaching guidedby the new curriculum based on current research and the author's seventeen years of experience in teaching Chinese, carries on historical introspection into the long lost "individualization" of composition teaching, tries to probe into the concept of composition teaching deeply, and explains the unique understanding of the individualized composition teaching, thecharacteristics of individualized composition teaching, the view of teaching and viewofrelationshipbetweenteachers and students in individualized composition teaching as well asthe requisition for Chinese teacher's accomplishments so as to probe into the way ofimplementing individualized composition teaching and the procedure of training, and tries toavoid the tendency of generalized and formularized traditional composition teaching.

个性化作文教学是语文教育理论和实践关注的&热点&问题之一，是社会发展和教育改革的产物，是新课程标准指导下的作文教学新理念。本文试图在现有研究的基础上，在新课程标准的背景下，结合自己十年来的语文教育实践，对个性化作文教学的问题进行反思，深入探讨个性化作文教学理念，阐释对个性化作文教学的独特理解，包括个性化作文的内涵，个性化作文的特征，个性化作文教学观、师生观，尤其强调创造性思维、和创作的主体性在个性化作文教学中的地位，同时建立新的作文评价体系等，旨在探索赋予个性的作文教学的培养方法，落实个性化作文教学的训练环节及实施途径。

The larger implication of this compositional method becomes clear when we consider a resemblance at another level: both Pound's and the New Historicist's works are global in scale-they tend to use Luminous Details to reveal large pictures of a society or culture. In Pound's words, it is to use "a sufficient phalanx of particulars" to capture recurring paideumatic structures of civilization; in New Historicist terms, it is to put tiny tissues of textual traces under a microscopic lens in order to reveal a picture of a "sublime confrontation between a total artist and a totalizing society."

当我们关注另一层次上的相似性时，这一结构模式所具有的更为深广的涵义更加明显：庞德和新历史主义的著作都相应地具有全球性，两者都倾向于使用透明细节来展示社会或文化的宏大图景－按照庞德的说法，即要用&密集的细节&来捕捉不断复现的根本性的文明结构；按照新历史主义的说法，即要将文本线索的微小结构置于显微镜下以展示&整个艺术家与整一化的社会之间壮观的对峙&图景。

Other cultures have other canons of classics, however, and a recurring strain of neoclassicism appears to be a natural expression of a culture at a certain moment in its career, a culture that is highly self-aware, that is also confident of its own high mainstream tradition, but at the same time feels the need to regain something that has slipped away: Apollonius of Rhodes is a neoclassic writer; Ming ceramics pay homage to Sung celadon porcelains; Italian 15th century humanists learn to write a "Roman" hand we call italic; Neo-Babylonian culture is a neoclassical revival, and in Persia the "classic" religion of Zoroaster, Zoroastrianism, is revived after centuries, to "re-Persianize" a culture that had fallen away from its own classic Achaemenean past.

其他文化有其他经典的经典，然而，周期性应变的新古典主义似乎是一种自然表达的文化在某一时刻在其职业生涯中，文化是非常自我意识，这也是它自己的信心高主流传统，但同时认为有必要恢复这一组织已溜走了：阿波罗纽斯的罗德是一个新古典主义的作家；明陶瓷顶礼膜拜宋青瓷瓷器；意大利15世纪人文主义学习写&罗马&一方面，我们呼吁斜体；新巴比伦文化是一个新古典主义复苏，并在波斯的&经典&的宗教Zoroaster ，拜火教，是恢复后，百年来，&重新Persianize &的文化，已经下降远离自己的经典Achaemenean过去。

Guangxi Yantan turbine diameter 8m 90s in the 20th century in operation, mainly due to the hydraulic design and manufacturing quality Runner and other reasons, put into operation a serious vibration, cracks, vibration tube into the door crack, power generation Floor Vibration machine layer. 10 years of annual repair cracks, cavitation, multiple blade line has been restored can not be guaranteed, for the more radical change in this situation, has on one desktop PC upgrades, replacement of the old wheel, replaced by a Taiwan new designs, new technology a new wheel, troubled years of generating station floor floor vibration problems are basically solved.

广西岩滩水电站直径达8m的水轮机在20世纪90年代投入运行，主要是由于水力设计和分瓣转轮制造质量等原因，投入运行后振动严重，裂纹产生，尾水管进入门振裂，发电机层楼板振动。10年来年年修补裂纹、空蚀、多次修复后叶片型线已无法保证，为较彻底的改变这种状况，已对其中一台机进行升级改造，更换了老转轮，代之以一台新设计、采用新工艺的新转轮，困扰电站多年的发电机层楼板振动问题得到基本解决。

If they were to build big machines, they would obviously need more space, but the idea of building a new building to house a new machine was not thinkable in the Cavendish culture. Rutherford was notoriously stingy and kept all expenditures to a minimum. The Cavendish was a historic building and could not be remodeled. So everything that Cockcroft and Walton built had to fit into existing rooms and pass through existing doors. This had the consequence that they could not use any commercial power equipment that could not be squeezed through the historic Gothic gateway of the Cavendish. They had to spend long months designing and testing their own equipment.

他们要修建一台大型设备，很明显，他们需要比现有房子更大的空间，但盖一栋新房子来装一台新机器的想法在卡文迪什的文化中不可想象：卢瑟福的小气赫赫有名，他把一切花费压到最低限度；卡文迪什是一栋历史建筑，不能改造，所以考克饶夫和华尔顿建造的一切设备不得不适应现有的房间和门的大小，这使得他们无法使用任何商业动力设备，因为那些设备无法挤进卡文迪什具有历史意义的哥特风格大门，他们不得不花很长时间来设计和调试自己的设备。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。