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The main reason for the conflict in the hardware: add new hardware, you add new hardware devices occupy the original IRQ interrupt, DMA channels, I / O address of the computer resources, in between the old and the new hardware resource conflicts.

硬件冲突的主要原因:添加新硬件时,你新添加的硬件占用了原有设备的IRQ中断、DMA通道、I/O地址等计算机资源,在新旧硬件之间发生了资源冲突。

New Feminie 男权制文化Male supremacy culture self-awareness自我意识角色失调role incongruence 伤逝harm to die 创作思想creative ideas 封建旧观念old feudalism 幻灭evanescence 女性主义feminism Abstract: In Xun Lu's novel "harm to die ",the imagine of Zi Jun is an advanced sign in the author's creative creative ideas. As a new feminie, Zi Jun took upon herself to pursue her free love in her ideality regardless of the shackles of old feudalism,but resulted in evanescence.

帮忙翻译下以下的摘要和关键词,不要在线翻译工具翻译的,不准确,谢谢摘要:鲁迅的《伤逝》中,子君的形象是作者创作思想上一个超前性的标志,作为"新女性"的子君,她不顾一切冲破封建旧观念的枷锁,毅然去追求自己理想中的自由爱情,但最终以"幻灭"而告终。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族"血性"的传承方面。

On one hand, the integration between literary autonomy and social heteronomy is the abscissa of the coordinate axis. On the other hand, the integration of ancient and present poetic resources, and Chinese and western poetic resources is the ordinate of the coordinate axis. Integration in Wu Mi\'s poetic thoughts is embodied in two aspects: Firstly, it means the integration of ancient and present poetic resources, and Chinese and western poetic resources. Wu Mi maintains that various poetic resources should be treated equally so as to find the similarities and differences among them. Only with a broad cultural view and calm attitude toward various poetics resources can a new system of modern poetics be achieved.

吴宓打破了"中学"/"西学","旧学"/"新学"之间的界线,主张在无新旧无中西的开阔视野上,将古今中外各种诗学资源置于同一平台上,以开阔的文化视野和冷静的学术心态敏锐甄别其间的异同和联系,从瞬息万变的"多"中找到普遍永恒的"一"作为中西古今诗(来源:ABC794d79论文网www.abclunwen.com)学资源的结"和"点,在整合传统与现代、中国与西方的基础上,熔冶出一个新的现代诗学理论体系。

Address population live, is an important link in a harmonious society, we should take the development and transformation of walking on two legs approach on the one hand, increasing technology content in new residential, and building high-quality residential; On the other hand, should also promote the transformation of the old residential "section 4" technology, a new Old a combination of residential technology innovation.

解决百姓居住问题,是构建和谐社会的重要环节,我们应采取开发与改造两条腿走路的方针,一方面在新建住宅中加大科技含量,打造高品质住宅;另一方面,还应在旧住宅改造中推广"四节"技术,抓好新旧住宅技术创新的结合。

Combined with the observation of the metallograph and analysis of the change of chemical composition of alloys,we can draw the following conclusion:the addition of within the range of 40% once-used cobalt-chromium alloy to casting cobalt-chromium alloy wouldn't affect the quality of restorations,excessive addition of once-used alloy would damaged the microstructure and physical properties.

摘 要:通过比较不同比例的新旧钴铬合金铸造后的抗拉强度、屈服强度、延伸率、硬度等机械性能指标,并结合相应的金相观察及化学成份分析,得出结论:铸造钴铬合金中可加入不超过40%的仅铸造过一次的旧料而不影响合金的主要机械性能,超过这一比例,将影响修复体的质量。

By centering round a variety of ethical relationships, this play demonstrates the historical transformation from the ethics based on the familial interest to that of the national politics. The conflict between Hokon and Skule represents the opposition between the new and the conventional ethical views, and the hope and disillusionment of Skule and his son indicates the failure of the efforts in maintaining the old regalist ideas while the marriage and love between Hokon and his wife affirms the principle that personal love should give way to the national interest in a particular context.

作家以人物之间的种种伦理关系为着眼点,揭示了由以家族利益为核心的伦理到以国家政治为核心的伦理之历史转变:霍古恩与斯古利君臣之间的冲突表明新旧伦理观念的对立;斯古利与彼得父子之间的失望与希望表现了对旧王权伦理的维护及最终失败的命运;而霍古恩与玛格蕾蒂夫妻之间的爱情关系,则肯定了特定政治语境中个人爱情必须服从国家利益的原则。

By centering round a variety of ethical relationships this play demonstrates the historical transformation from the ethics based on the familial interest to that of the national politics. The conflict between Hokon and Skule represents the opposition between the new and the conventional ethical views and the hope and disillusionment of Skule and his son indicates the failure of the efforts in maintaining the old regalist ideas while the marriage and love between Hokon and his wife affirms the principle that personal love should give way to the national interest in a particular context.

作家以人物之间的种种伦理关系为着眼点,揭示了由以家族利益为核心的伦理到以国家政治为核心的伦理之历史转变:霍古恩与斯古利君臣之间的冲突表明新旧伦理观念的对立;斯古利与彼得父子之间的失望与希望表现了对旧王权伦理的维护及最终失败的命运;而霍古恩与玛格蕾蒂夫妻之间的爱情关系,则肯定了特定政治语境中个人爱情必须听从国家利益的原则。

By centering round a variety of ethical relationships this play demonstrates the historical transformation from the ethics based on the familial interest to that of the national politics. The conflict between Hokon and Skule represents the opposition between the new and the conventional ethical views and the hope and disillusionment of Skule and his son indicates the failure of the efforts in maintaining the old regalist ideas while the marriage and love between Hokon and his wife affirms the principle that personal love should give way to the national interest in a particular context.

作家以人物之间的种种伦理关系为着眼点,揭示了由以家族利益为核心的伦理到以国家政治为核心的伦理之历史转变:霍古恩与斯古利君臣之间的冲突表明新旧伦理观念的对立;斯古利与彼得父子之间的失望与希望表现了对旧王权伦理的维护及最终失败的命运;而霍古恩与玛胳蕾蒂夫妻之间的爱情关系,则肯定了特定政治语境中个人爱情必须服从国家利益的原则。

On the one hand, the paper dicusses designers how to make harmony between the old building and the new parts and continue the city historic texture in the course of the European old building reconstruction, so people through visual impression gain psychological sense of belongings; on the other hand, I summarize design principle from art view and means of artistic expression.

本文一方面从理论层面探讨欧洲旧建筑改造过程中&新旧&部分如何达到和谐统一,以延续已存的历史环境的文脉,使人们能够通过视觉印象反映到心理,从而产生对历史的归属感;另一方面从艺术的角度总结出相应的设计原则和手法,以力求对我国的建筑创作的实践具有一定的指导意义。

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