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P5 Where is the man who feels that he is free to-day to sit upon his steps and have a quiet think, unless there floats across the spirit of his dream the sweet and reassuring sound of some one making a tremendous din around the next corner—a band, or a new literary journal, or a historical novel, or a special correspondent, or a new club or church or something?

如今哪儿还有人能心无沉疴,停下脚步端坐于自己的安宁思索之中?除非是在梦境中的灵魂听到了附近传来甜美和确凿的喧嚣——乐队、新创刊的文学杂志、历史小说、特别的来函、新成立的协会、教堂或其他什么东西。

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader - you must fancy you see a room in the George Inn at Millcote, with such large-figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mantelpiece, such prints - including a portrait of George the Third and another of the Prince of Wales, and a representation of the death of Wolfe.

一部小说中新的一章,有些像一出戏中的新的一场。这回我拉开幕布的时候,读者,你一定会想象,你看到的是米尔科特乔治旅店中的一个房间。这里同其他旅店的陈设相同,一样的大图案墙纸,一样的地毯,一样的家具,一样的壁炉摆设,一样的图片,其中一幅是乔治三世的肖像,另一幅是威尔士亲王的肖像还有一幅画的是沃尔夫之死。

The Fourth Chapter: The Extreme and Limit of the Model Deconstructing (1985-1991) The introduction and importation of the contemporary western historical concept, the extension and deviousness of the history journey and the writers' personal special experience impelled the writers of the new generation to abandon the concept of the history and literature that they had had, and overwhelmed the classical mode of the narration about the Minguo Times completely.

第四章 模式消解的极致与限度(1985-1991)西方当代史学观念的介绍与引进、历史行程的延展性与几度的迂回性、作家自身的独特经历促使新一代作家抛弃既有历史观、文学观,完全颠覆民国叙事的经典模式:打破阶级界线、释放个人欲望、强调偶然不测,并用种种形式探索来显示历史叙述的主观性,创作了一批被称为"新历史小说"的作品。

The book is divided into four sections: documentary analysis of Leavis's practice as a teacher, drawing on seminar notes, lecture handouts, reading lists and other material; new bibliographical data, including a detailed account of Leavis's project to turn Daniel Deronda into a new novel called 'Gwendolen Harleth'; critical essays on Leavis's thought; and memoirs of different phases in Leavis's career, from the 1930s to the 1960s.

本书分为四个部分:对利维斯的实践纪录片分析,教师,研讨会上指出,演讲讲义绘画,阅读资料和其他材料,新的书目数据,包括利维斯的项目进行详细的帐户转入一个新的小说丹尼尔德龙达所谓'格温德琳Harleth';评论文章对利维斯的思想,以及在利维斯的职业生涯不同阶段的回忆录,从20世纪30年代,到20世纪60年代。

Steven Spielberg, who turned the novel into a seven Academy Award-winning film, Schindler's List, pointed out in an interview in Der Spiegel, that Oskar Schindler simply was 'ein guter Mensch', whose sheer humanity forced him to take extremely great personal risks to save the Schindlerjews.

把这本小说拍成电影「新德勒的名单」而荣获7项奥斯卡金像奖的史蒂芬史匹柏曾在一次於德史匹高尔接受的专访中指出,奥斯卡新德勒其实是个「心地善良的人」,恻隐之心迫使他甘冒生命危险,拯救犹太人。

Vietnam Syndrome; separate peace; Post Traumatic Stress Disorder; neorealism; postmodernism; metafiction; new historicism

越南综合症;单独媾和;创伤后综合症;新现实主义;后现代主义;元小说;新历史主义

Experience new tastes and smells; try to do things with your nondominant hand; find new ways to drive to work; travel to new places; create art; read that Dostoyevsky novel; write a buddy comedy for Ted Kennedy and Rush Limbaugh - basically, do anything you can to force yourself out of your mental ruts.

尝试新的味道和气味;试着用你不常使用的那只手去做事;发现完成工作的新方法;去新的地方旅游;绘画;读陀思妥耶夫斯基的小说;为Ted Kennedy和Rush Limbaugh写搭档喜剧,总之做任何打破自己常规的事情。

Modern Chinese fiction research is a new criticism practice on the face of the new situation of Chinese fiction research.

中国现代小说类型研究是一种面对中国小说研究现状而提出的新的批评实践。

Charlotte Bronte created the novel full of Gothic characteristics in the view of feminism and it brings the readers the horrible and gloomy feeling and experience, and the more important thing is that the novel develops a new field for the traditional women's survival and development.

夏洛特勃朗特用独特的女性视角创作的具有哥特持点的小说带给读者的不仅是恐怖阴森的感受和体验,而且更为重要的是小说为传统女性的生存和发展划出了一片新天地。

Leavis thinksthat the great tradition of English literature lies in the strong consciousnessto the human nature and morality, and James has the honor to be listed inthe list of great novelists embody this great tradition , because he has akind of pious attitude and a serious heart when he faces the life.

审美取向和题材取向的&内向化&必然需要新的叙事模式与之相适应,詹姆斯一改传统的&全知视角&和&第一人称有限视角&,创造性地提出了&意识中心&理论,即作家选择小说中感受最深的某个人物充当叙述者,一切描述都从这个角色的&意识中心&出发,通过他的观察认识与感受来反映生活,从而增强作品的真实感,这一叙事理论对英美现代小说的发展产生了极为深远的影响。

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