新

Based on the previous literatures, the following major innovation works were carried out in this dissertation:(1) The derivatization reaction conditions of ephedrine and pseudoephedrine with sensitive derivation reagent in aqueous system were studied and two new methods were developed for the assay of them by microemulsion electrokinetic chromatography and micellar electrokinetic chromatography with LIF detection. The sensitivity and analysis times were greatly improved compared with the previous reports;(2) A new method of CZE with indirect LIF detection was developed for the simultaneous determination of six coumarin compounds (esculin, esculetin, isofraxidin, genistein, naringin and sophoricoside) with fluorescein as the probe. The proposed method enlarges the application range of LIF detector, and provides new approach for the analysis of certain compounds difficult to derivatize;(3) Based on the above research, an MEKC with indirect LIF detection method for the simultaneous determination of adenine and guanine in DNA extracts from fungus, maize and soybean was established;(4) A new method for the investigation of the complexes formed between human serum albumin and ampicillin sodium under the simulated physiology conditions using laser light scattering technique was developed.

该论文在综述前人工作的基础上，开展了如下未见文献报道的创新性的研究工作：(1)使用灵敏的衍生试剂对麻黄碱和伪麻黄碱在水体系中的衍生反应条件进行了系统研究，建立了微乳电动色谱-激光诱导荧光检测法和胶束电动色谱—激光诱导荧光检测法测定麻黄碱和伪麻黄碱的灵敏分析新方法，与以前的报道相比，灵敏度和分析时间均有很大改善；(2)使用荧光素钠作为背景荧光试剂，建立了同时分析测定六种黄酮类化合物(秦皮甲素、秦皮乙素、异秦皮定、染料木素、柚皮苷和槐角苷)的毛细管区带电泳—间接激光诱导荧光检测新方法，扩大了激光诱导荧光检测的应用范围，对难衍生化合物的分离分析提供了一种新思路和新途径；(3)以荧光素钠作为背景荧光试剂，建立了一种用于同时测定食品提取DNA中的腺嘌呤和鸟嘌呤含量的胶束电动色谱—间接激光诱导荧光检测新方法；(4)用动态和静态激光散射法研究了模拟生理条件下人血清白蛋白与氨比西林钠盐相互作用所形成的复合物，为药物分子与蛋白质的相互作用、药代动力学等的研究提供了一种新思路。

Think, the traditional economics research about human problem is more the ground is the premise that regards research as economic problem, new system economics revised the human hypothesis point of view in traditional economics afresh, undertook immediateness real research more to human problem, and as a result of,be in charge of criterion of a Confucian school of idealist philosophy of the Song and Ming Dynasties its core problem -- the management to the person, accordingly, its formed management to learn the serious content of research to the research itself of human problem.

认为，传统经济学有关人性新问题的探究更多地是作为探究经济新问题的前提，新制度经济学则重新修正了传统经济学中的人性假设观点，对人性新问题进行了更接近现实的探究，而管理学则由于其核心新问题——对人的管理，因此，其对人性新问题的探究本身就构成了管理学探究的重要内容。

As the need of the evolution, more and more people use these new terms, because of the emergence of the new generation, the classic terms have become more of less indigent.

时代发展需要，越来越多的人使用这些新新词语，是因为越来越多的新新事物新新人类的出现，原有的词汇已经显得有些贫乏了。

Through the photographic technology of fisheye lens and achieved the space image of cotton canopy structure distributing at different condition, and setupped cotton canopy structure base after image analysis. The experiment results indicated that the adaptability of different varieties to plant density is different, reasonable plant density is benefit to the raise of varieties product, and Xinluzao10 is better at high density（225000plant/ hm2） condition and Xinluzao12 is better at mid-high density（150000 plant / hm2） condition. For different nitrogen, Xinluzao10 is better at right nitrogen application amount（600 kg/ hm2） condition and Xinluzao12 is better at mid-high amount（900kg/ hm2）condition. For different irrigation, Xinluzao6 and Xinluzao12 is better at limited drip irrigation amount（1500 m3/ hm2） condition and Xinluzao8 Xinluzao13 is better at right drip irrigation amount（3000 m3/hm2） condition.

利用鱼眼镜头照相技术获取了不同处理棉花冠层分布空间图象，对图像进行处理分析，建立了棉花冠层图像库及分析诊断指标，研究结果表明，不同品种对种植密度适应性不同，合理的配置种植密度有利于品种的产量潜力的挖掘，高密（225000plant/ hm2）条件下选择新陆早10号、中高密（150000 plant / hm2）条件下选择新陆早12号栽培种植较为适宜；对于不同氮肥用量，适量氮肥用量（600 kg/ hm2）条件下选择新陆早10号、中高氮肥用量（900kg/ hm2）条件下选择新陆早12号较为适宜；对于不同灌水量，限量滴灌（1500 m3/ hm2）条件下选择新陆早6号、12号种植较适宜，适量滴灌（3000m3/hm2）条件下选择新陆早8号、13号种植较适宜。

In the second part, it is argued that the effect of Novum Organum on the philosophy and science is just as the function of beacon. The thesis in this part systematically introduces Bacon\'s basic and extensive thoughts excluding Baconian Induction, Theory of the Idols and the Empirical Epistemology that people have thoroughly researched; moreover, the mistakes which people have made are corrected and the limitations of the viewpoints of Novum Organum are also focused on. In the third part, Bacon\'s basic and extensive scientific and technological researches are discussed. Regarded to this, the thesis finds that people only paid attention to Bacon\'s view that heat is a motion which Bacon took lots of space in Novum Organum to summarized according to Baconian Induction.

本文总共分为四大部分：首先，分析《新工具》是对亚里斯多德《工具论》的勇敢挑战，并着重论述了培根的政治和文化背景对他的新思想所造成的深刻影响；其次，系统探讨《新工具》在哲学和科学中起到的灯塔作用，本文论述了培根的基本哲学和科学思想及具体应用和反映，但是对前人已深入探讨过的培根式归纳法、四假象说和经验认识论不再论述，同时对前人的一些误读进行澄清，并分析培根的《新工具》在哲学和科学思想方面的局限；再次，对前人很少涉猎的《新工具》中的科学研究方面进行系统论述，本文发现人们基本上仅仅注意到了培根在《新工具》中大篇幅运用培根式归纳法进行举例论证的热动说，而对这本书中其他的科学研究不甚关注。

In the second part, it is argued that the effect of Novum Organum on the philosophy and science is just as the function of beacon. The thesis in this part systematically introduces Bacon"s basic and extensive thoughts excluding Baconian Induction, Theory of the Idols and the Empirical Epistemology that people have thoroughly researched; moreover, the mistakes which people have made are corrected and the limitations of the viewpoints of Novum Organum are also focused on. In the third part, Bacon"s basic and extensive scientific and technological researches are discussed. Regarded to this, the thesis finds that people only paid attention to Bacons view that heat is a motion which Bacon took lots of space in Novum Organum to summarized according to Baconian Induction.

本文总共分为四大部分：首先，分析《新工具》是对亚里斯多德《工具论》的勇敢挑战，并着重论述了培根的政治和文化背景对他的新思想所造成的深刻影响；其次，系统探讨《新工具》在哲学和科学中起到的灯塔作用，本文论述了培根的基本哲学和科学思想及具体应用和反映，但是对前人已深入探讨过的培根式归纳法、四假象说和经验认识论不再论述，同时对前人的一些误读进行澄清，并分析培根的《新工具》在哲学和科学思想方面的局限；再次，对前人很少涉猎的《新工具》中的科学研究方面进行系统论述，本文发现人们基本上仅仅注意到了培根在《新工具》中大篇幅运用培根式归纳法进行举例论证的热动说，而对这本书中其他的科学研究不甚关注。

The evolution process under the control of the multigeodynamic force system (including the boundary forces of Eurasia-Pacific-Indian three massive plates around Nansha block, effects of the deep mantle, relative soft layer-sliding planes within Nansha lithosphere block and the earth's rotational inertial force) can be briefly divided four stages: the late Cretaceous to the early Eocene stage of uprilfing-erosion and shear-extension caused by the oceanwards-eastwards withdrew of Pacific subduction zone and the delamination of proto-subducted slab after the stage of pre-Cretaceous pre-rifting active continentoceanic plate margin. In this stage, the Nansha transcrustal layering-block started to move southeastwards on the Nansha transcrustal layer-sliding plane, meanwhile, the Andu-Bisheng and Liyue-Banyue basement layering-block slid on their upper-crust layer-sliding planes, and Xibu accretion zone was formed. Successively, it entered the stage of the mid-Eocene to early Oligocene, when NW-SE sea-floor spreading occurred in the southwest subbasin owing to the slip-line field initiated by the collision between the Indian and Eurasian plates, Zengmu foreland-basin started to develop in the same time. And in the stage of late Oligocene to early Miocene, near NS simple-shear extension and sea-floor spreading in the central subbasin of eastern South China Sea resulted from the south-southeastwards drawing-force of the mantle-flow. The crustal layering-blocks and the Miri accretion zone formed also in this stage.

南沙岩石圈新生代微板块及板内层块构造的动力演化过程，在多元动力等因素(如块体之外的欧-太-印三大板块运动边界力和地幔深部活动因素、块体内部软弱层滑面以及地球自转变化)控制下，大致经历了4个阶段的演化：从前晚白垩世的裂前活动陆-洋板块边缘阶段因太平洋俯冲带向东跃迁、原向NNW俯冲消亡的板片的拆沉、幔隆而进入晚白垩世-早始新世的隆升剥蚀、剪切伸展演化阶段，南沙超壳层块顺超壳层滑面祥东南运移、安渡-毕生与礼乐-半月基底层块沿上壳层滑面拆离，西布增生带形成；继而先后在中始新世-早渐新世期间受印-欧板块碰撞滑线场、地球自转加速影响出现西南海盆NW-SE向海底扩张和曾母前陆盆地的发育，和晚渐新世-早中新世期间南—东南向地幔流牵引造成的中央次海盆近NS向单剪伸展与海底扩张、壳体层块向南差异滑移、米里增生带形成；中中新世以来，印度-澳洲板块快速向北俯冲，构成今日南海格局。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

Whereas, this article will adopt the autology of New Media Art to discuss its meanings of ontology. The newness of New Media Art will be highlighted. That is, how we orientate and interpret the core of"new", how we distinguish and classify the impact caused by the application of new technologies and mixed media, how to explain and analyse the contradictive as well as unitive relations among image, time and space in New Media Art. This article argues about some controversial academic notions and defines aesthetic scopes logically, in a hope to provide the study of New Media Art with tangible aims and stands.

有鉴于此，本文从媒体艺术的媒体属性入手，对新媒体艺术的本体论意义进行阐释，特别突出了新媒体艺术&新&的本质(即我们怎样定位和解读其&新的内核&)；对现代技术和混合媒体的应用给当代艺术带来的影响与冲击进行甄别与归类；对新媒体艺术中的影像、时间与空间因素之间内在的既矛盾又统一的复杂关系加以分析，以期对争议已久的学术概念和美学范畴进行合理的界定，为我们对新媒体艺术发展趋势的研究与实践确立明确的目标和立足点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。