斯蒂恩

Bettina Rodriguez Aguilera, a McCain volunteer, describes how Fidel Castro's thugs tried to grab her and bundle her off to a school in the Soviet Union when she was three years old.

贝蒂娜·罗德里格斯·安吉丽娜是为麦凯恩阵营服务的志愿者，她向大家描述了自己三岁时被菲德尔·卡斯特罗那伙人捉住，绑到苏联学校去的情形。

Australian rower Drew Ginn/James Tomkins who had won gold medals in Men's four oars of both World Rowing Championships and Atlantic Olympics, Donovan Cech/Ramon di Clemente from South Africa and Nathan Twaddle/George Bridgewater from New Zealand had respectively won the 1st place within the group. Together with the 2nd and3rd runner-ups, they entered the semi-final.

曾夺得去年世锦赛冠军和亚特兰大奥运会四人单桨金牌的澳大利亚人德鲁·吉恩／詹姆斯·汤姆金斯、来自南非的多诺万·切赫／拉蒙·克莱门蒂和新西兰的内森·特沃德尔／乔治·布里奇沃特获得了各自小组的第一名，他们将同各小组第二和第三名获得者一起进入半决赛。

Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell walked as far as Mr Lewis Werner's cheerful windows, then turned and strode back along Merrion square, his stickumbrelladustcoat dangling.

525卡什尔。博伊尔。奥康内尔。菲茨莫里斯。蒂斯代尔。法雷尔一直走到刘易斯。沃纳先生那快乐的窗下，随后掉转身，跨大步沿着梅里恩方场折回来。一路上晃荡着风衣、拐杖和雨伞。

Father Knows Better Marsh Cassady 1 CHARACTERS: FATHER; MOTHER; HEIDI, 14; DIANE, 17; SEAN, 16; RESTAURANT MANAGER, 20s; MRS.

老爸英明马什卡萨迪人物：父亲；母亲；海蒂，14 岁；黛安，17 岁；肖恩，16 岁；饭店经理，20 多岁；希金斯太太场景：快餐店，汤普森家餐厅，一所中学的办公室等幕启：随着灯光亮起，海蒂上，走至舞台右前方。

In the legend of Atlantis, orichalcum is a reddish metal, mined in Atlantis but known only by name after the island＇s disappearance.

上文说明，在传说中的亚特兰蒂斯大陆上，Orichalcum是一种微红的金属。但是在大陆沉默以后就光剩下名字了，恩恩。

In addition to their new trio, dependable vet Shane Battier and clutch shooter Brent Barry will offer proven know-how to teammates like Luis Scola, Chuck Hayes, and (if he re-signs) Carl Landry.

除了他们的新三人组外，可靠的老将肖恩。巴蒂尔和关键射手布伦特。巴里将向其他队员，如刘易斯。斯克拉，恰克。海耶斯和卡尔。兰德里提供技术支持，而这一点也已经得到了证实。

The ICRC and five award-winning war photographers from the VII photo agency-James Nachtwey, Franco Pagetti, Antonin Kratochvil, Ron Haviv and Christopher morris-unite in this exhibition to bring individual stories of loss and suffering in war to the forefront of the world's attention: women struggling to recover from sexual violence, families coping with displacement, and people victimized by gang warfare.

红十字国际委员会和来自于VII图片社的五位获奖战地摄影师--詹姆斯？纳赫特韦、佛朗哥？帕杰蒂、安东宁？克拉托赫维尔、罗恩。哈维夫和克里斯托弗？莫里斯--携手在该次展览中将有关战争带给人们损失与痛苦的故事呈现给世人，以期引起全世界对他们的关注：遭受过性暴力摧残正挣扎着恢复创伤的妇女，流离失所的家庭以及帮派冲突的受害者。

The ICRC and five award-winning war photographers from the VII photo agency-James Nachtwey, Franco Pagetti, Antonin Kratochvil, Ron Haviv and Christopher morris-unite in this exhibition to bring individual stories of loss and suffering in war to the forefront of the world's attention: women struggling to recover from *ual violence, families coping with displacement, and people victimized by gang warfare.

红十字国际委员会和来自于VII图片社的五位获奖战地摄影师--詹姆斯？纳赫特韦、佛朗哥？帕杰蒂、安东宁？克拉托赫维尔、罗恩。哈维夫和克里斯托弗？莫里斯--携手在该次展览中将有关战争带给人们损失与痛苦的故事呈现给世人，以期引起全世界对他们的关注：遭受过性暴力摧残正挣扎着恢复创伤的妇女，流离失所的家庭以及帮派冲突的受害者。

The ICRC and five award-winning war photographers from the VII photoagency James Nachtwey, Franco Pagetti, Antonin Kratochvil, Ron Haviv and Christopher Morris unite in this exhibition to bring individual stories of loss and suffering in war to the forefront of the world's attention: women struggling to recover from sexual violence, families coping with displacement, and people victimized by gang warfare.

红十字国际委员会和来自于VII图片社的五位获奖战地摄影师--詹姆斯？纳赫特韦、佛朗哥？帕杰蒂、安东宁？克拉托赫维尔、罗恩。哈维夫和克里斯托弗？莫里斯--携手在该次展览中将有关战争带给人们损失与痛苦的故事呈现给世人，以期引起全世界对他们的关注：遭受过性暴力摧残正挣扎着恢复创伤的妇女，流离失所的家庭以及帮派冲突的受害者。

Mr Mortimer graced the well-heeled, pretty Chilterns near Henley-on-Thames, where children, stepchildren, a love-child, two wives called Penelope and the "Mortimer-ettes", a claque of intelligent, charmed women, paid court to him and he to them.

莫蒂默则栖身牛津泰晤士河附近考究美丽的奇特恩斯，家中亲子、继子，私生子共居同一屋檐；两位妻子贝纳洛普和&莫蒂默夫人&才智过人，魅力四射，夫妇们相敬如宾。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。