斯蒂恩

Those currently working with Studio Azzurro in various roles include: Marco Barsottini, Elisa Bolis, Reiner Bumke, Matteo Cellini, Mario Coccimiglio, Daniele De Palma, Elisa Giardina Papa, Francesca Gollo, Tommaso Leddi, Carmen Leopardi, Chiara Ligi, Chiara Longo, Mauro Macella, Alberto Massagli Bernocchi, Daniela Mezzela, Elisa Midali, Alessandro Pecoraro, Silvia Pellizzari, Giulio Pernice, Sonia Ragno, Lorenzo Sarti.

目前蓝色工房与各类艺术人才合作，他们是：马可。巴索提尼、艾丽莎。薄丽丝、雷讷。布恩可、马泰奥。切利尼、马里奥。可齐米里奥、达涅莱。德。帕尔玛、艾丽莎。嘉尔迪娜。帕琶、弗朗切斯卡。戈洛、托马索。莱迪、卡门。雷欧帕尔蒂、基娅拉。丽姬、基娅拉。隆歌、茅罗。马切拉、阿尔贝托。马萨丽。贝尔诺基、达涅拉。梅泽拉、艾丽莎。米达丽、阿莱桑德罗。贝科拉罗、希尔维娅。佩丽扎礼、朱里奥。佩尔尼切、索妮娅。拉妮奥、罗伦佐。萨尔蒂。

Mr Mortimer graced the well-heeled, pretty Chilterns near Henley-on-Thames, where children, stepchildren, a love-child, two wives called Penelope and the "Mortimer-ettes", a claque of intelligent, charmed women, paid court to him and he to them.

莫蒂默则栖身牛津泰晤士河附近考究美丽的奇特恩斯，家中亲子、继子，私生子共居同一屋檐；两位妻子贝纳洛普和"莫蒂默夫人"才智过人，魅力四射，夫妇们相敬如宾。

Written, performed and recorded as always by Matthew Cooper in his own Watership Sounds studio, Similes marries Eluvium's trademark dream-like aura with Cooper's unique, laconic vocals, akin to an especially contemplative Ian Curtis with trace reflections of Magnetic Fields and Brian Eno.

如经上所记、执行和记录，总是由马修·库珀取材于他自己的声音，Eluvium结婚的工作室的明喻和库珀的商标梦幻般的光环独特、简洁的人声类似于一个冥想的伊恩·柯蒂斯与追踪反射和布莱恩伊诺的磁场。

Members: Steve Barber, Peter Barnes, Ilene Burnstein, Michael Davis, Amr El-Kadi, N. Ben Fairweather, Milton Fulghum, N. Jayaram, Tom Jewett, Mark Kanko, Ernie Kallman, Duncan Langford, Joyce Currie Little, Ed Mechler, Manuel J.

委员：史蒂夫修发，彼德班，Ilene伯恩斯坦，迈克尔戴维斯，穆萨萨尔瓦多，卡迪，注本费尔韦瑟，米尔顿Fulghum，注贾亚拉姆，汤姆朱伊特，马克观光，厄尼卡尔曼，邓肯朗福德，乔伊斯柯里小，埃德梅希勒，曼努埃尔J。

Members: Steve Barber, Peter Barnes, Ilene Burnstein, Michael Davis, Bmr El-Kadi, N. Ben Fairweather, Milton Fulghum, N. Jayaram, Tom Jewett,马克 Kanko, Ernie Kallman, Duncan Langford, Joyce Durrie Little, Ed Mechler, Manuel J.

委员：史蒂夫理发，彼德班，Ilene伯恩斯坦，迈克尔戴维斯，穆萨萨尔瓦多，卡迪，注本费尔韦瑟，米尔顿Fulghum，注贾亚拉姆，汤姆朱伊特，马克不雅光，厄尼卡尔曼，邓肯朗福德，乔伊斯柯里小，埃德梅希勒，曼努埃尔J。

By 1978, Pedro had formed the rock group Serú Girán with Charly García, David Lebón and Oscar Moro, perhaps the most important group in the history of rock music in Argentina. By 1983, Pedro had joined the American jazz group Pat Metheny Group, touring the world several times over and winning three Grammy awards with Pat Metheny, Lyle Mays, Steve Rodby and Paul Wertico.

1978年，佩德罗与查理·加西亚、大卫·雷伯恩以及奥斯卡·莫洛组成了摇滚乐队"Serú Girán"，这也许是阿根廷摇滚乐历史上最为重要的一支乐队了。1983年，佩德罗加入了美国爵士乐组合"Pat Metheny Group"（中文名似乎音译为"派特麦席尼"），与派特麦席尼、雷勒·麦斯、史蒂夫·罗德比及保罗·威尔蒂科一起进行过数次世界巡演并获得三届格莱美大奖。

Man/Miracle is a group from Oakland, California, formed by childhood friends Tyler Corelitz and Dylan Travis in the winter of 2006 with Ian Benedetti and Brian Kennedy in Santa Cruz, California.

文/奇迹是一组由奥克兰，加利福尼亚州，形成了童年时代的朋友特拉维斯泰勒Corelitz和迪伦在2006年冬季伊恩贝内代蒂和布赖恩肯尼迪在圣克鲁斯，加利福尼亚州。

Who knows? Maybe their battles with Miguel Cotto, Paul Williams, Antonio Margarito, Joshua Clottey, Zab Judah, Kermit Cintron -- and ultimately against each other -- could have equaled or even rivaled the excitement that Sugar Ray Leonard, Thomas Hearns, Wilfred Benitez, Roberto Duran, Pipino Cuevas, and Carlos Palomino created in the 147-pound division in the late 1970s and early 1980s.

谁知道呢？也许莫斯利、梅威瑟和库托、威廉姆斯、马加里托、克洛蒂、朱达、辛特龙等人比赛，最后再上演梅威瑟VS莫斯利；这或许可以和上世纪七、八十年代的次中量级车轮大战相媲美，当时的拳台主角是伦纳德、赫恩斯、班尼特兹、杜兰、库瓦斯和帕罗米诺。

He was awarded conducting fellowships to the Los Angeles Philharmonic Institute where he worked with Leonard Bernstein, Michael Tilson Thomas and Herbert Blomstedt.

并被洛杉矶爱乐乐团学院授予指挥奖学金。在那里他与纳德伯恩斯坦，迈克尔蒂尔森托马斯和赫伯特布隆斯泰特一起工作。

Behind him Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, with stickumbrelladustcoat dangling, shunned the lamp before Mr Law Smith's house and, crossing, walked along Merrion square.

跟在他后面的是卡什尔。博伊尔。奥康内尔。菲茨莫里斯。蒂斯代尔。法雷尔，夹在腑下的防尘罩衣、拐杖和雨伞晃荡着。他避开劳。史密斯先生家门前的路灯，穿过街道，沿着梅里恩方场走去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。