斯特劳斯

The second quotation of Wetstein, that when a great Rabbi dies it is as portentous as if the sun went down at midday, has manifestly no bearing whatever on the matter in hand.

第二次报价Wetstein ，当一个伟大拉比去世是因为奇特，犹如阳光坠毁中午，有明显的不影响什麼就此事在手（尽管它斯特劳斯1971 ）。

When we consider societies of the Cherkess and Trobriand types it is not enough to study the correlation of attitudes between father/son and uncle/sister's son .

这句话是为了批评拉德克利夫。布朗而说的。布朗曾推论说态度系统和称谓系统互不依赖。列维-斯特劳斯在批评了布朗之后接着说上面这句话。

Lévi-Strauss distinguishes the activity of the bricoleur from those of the modern scientist, the engineer, and the artist; however, it is this description of an improvisatory activity performed by a kind of intellectual jack-of-all-trades with whatever happens to be available that has caught the imagination of many contemporary theorists, who view the practice of theory as itself a form of bricolage performed with concepts and ideas retrieved from the grand theories of the past.

列维-斯特劳斯对拼合爱好者的活动与现代科学家、工程师和艺术家的活动作了区分。那些智力上的万事通利用手头任何现成的东西临时进行拼凑组合。然而，正是对拼合的这种描述激起了许多当代理论家的想象力。他们把理论实践活动本身就视为某种形式的拼合，使用的是从过去宏大理论中得到的概念和思想。

Totemism, for example, was a system as complex as the Linnaean classification.

列维-斯特劳斯在1962年出版了《野性的思维》一书，等于是下的战书。

Strauss thus attempted to remove the miraculous -- or what he considered the unhistorical matter -- from the text.

斯特劳斯从而试图消除奇迹-或者什麼他认为u nhistorical问题-从文本。

Should so vast a dollop of cash become available, Mr Strauss-Kahn hints it would be divvied up along the lines of the IMF's existing quota system.

关于这一大笔钱是否能兑现的疑问，斯特劳斯卡恩先生示意，这笔钱会按照国际货币基金组织现行的定额分配制各国分担给出。

Brand experts argue that Levi Strauss, which has been losing market share to hipper rivals such as Diesel, is no longer strong enough to command premium prices.

品牌专家认为利维斯特劳斯公司正在逐步丧失市场占有率，而让步给Diesel这样的竞争对手，它的实力已不足以使它对溢价具有掌控能力。

The new year concerts of Vienna have been rebroadcasted for almost twenty years. The music of Johann Strauss family has widely been well known by the professional musicians and the music amateurs. Although there are some simply introductive and short articles about the operetta "Die Fledermaus" at present, the music analysis of Adele in the operetta "Die Fledermaus" and the research of role image building of her are scarce. The present paper try to not only deepen the understanding of the image of the classical character of Adele, but also help the recreation of the image, through the research and exploration about the music image building of Adele.

在中国，现场转播维也纳新年音乐会也已近20年，约翰·斯特劳斯家族的音乐已为音乐界内外的许多人们熟知，对于《蝙蝠》这部轻歌剧，目前国内已经有一些简单、介绍性的、篇幅短小的文章，而令人遗憾的是，《蝙蝠》中经典角色阿黛莉的音乐分析和角色形象塑造的研究则尚未见到，本文试图通过对阿黛莉这个角色的音乐形象塑造问题的研究探索，使我们对这个经典人物形象的认识更加深入，同时也有益于该形象的再创作。

The expression of highly typifying and fully dramatizing on the character with dramatic aesthetics by Strauss made the portrait of "the maid Adele" to tend to reach perfection, and render image of Adele to accord with the aesthetic temperament of the masses on right and wrong, up and down, kindness and evilness, beauty and ugliness.

斯特劳斯在戏剧审美上对人物进行高度典型化和充分戏剧化的表现，使&女仆阿黛莉&的刻画趋于完美，使阿黛莉这一形象符合广大民众的是非上下善恶美丑的审美情趣，这种从神化转向人化，从单一苍白转向复杂丰富，使艺术人物形象获得了巨大的成功。

Tales from Vienna Woods is one of strauss's famous waltzes.

维也纳森林的故事》是斯特劳斯著名圆舞曲之一。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。