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A tract of timberland that has been clear-cut.Among his operas are the four works that make up the Ring of the Nibelungs, Tristan and Isolde, The Mastersingers of Nuremberg, and Parsifal, his last work.

在他的歌剧作品中有一个四联剧,该剧由《尼伯龙根的指环》、《特里斯坦与伊索尔德》、《纽伦堡的名歌手》和他的最后一部作品《帕西伐尔》组成。

Intuitionists can accept expressibility of formal system and recursive functions, but will deny any concept of truth outside provability of first order arithmetic.

本文引入了直觉主义的思想,对维特根斯坦的评论进行了新的解读,指出哥德尔证明中所基于的一阶算术的解释是模糊的。

Wagner, a German composer in the 19th century, expressed fully his will of researching for art philosophy in his opera composition. Obviously, Schopenhauerian philosophic views influenced him deeply. In his opera Tristan and Isolde, Schopenhauerian views of "will of existence" and "pessimist philosophy of life" were fully reflected.

在19世纪德国作曲家瓦格纳的歌剧创作中,充分体现了他对于艺术人生观的探索与追求,其中,叔本华的哲学思想对他的影响是十分显著的,尤其在瓦格纳的歌剧《特里斯坦与伊索尔德》当中,叔本华"生存意志"、"悲观生命哲学"的理念得到了充分的体现。

It was a particularly common crop in the province of Sind, along the eastern shores of the Persian Gulf, and along the lower valleys of the Tigris and Euphrates.

尤其值得注意的是,从十世纪起,在信德、胡齐斯坦、黎凡特沿海平原的大部分、尼罗河沿岸和河口三角洲和摩洛哥的南部发现了对供出口的甘蔗的非常集中的生产。

That you know I love you, Tristan.

伊索尔德:特里斯坦,你知道我爱你的。

Philosophers of the tradition, to the degree that they had thought about art at all, thought chiefly about the art of their own time: Plato, about the illusionistic sculptures of his contemporaries; Kant, about the tasteful objects of the Enlightenment; Nietzsche, about Wagnerian opera; the Wittgensteinians, about the extraordinary proliferation of styles in the twentieth century, when a whole period of art history appeared to last about six months.

传统的哲学家们,就他们对艺术所做的思考的范围而言,想的主要是他们自己时代的艺术:柏拉图,想的是他的同代人搞的那些幻象性质的雕像;康德,想的是启蒙时代的那些颇有品味的东西;尼采,想的是瓦格纳的歌剧;魏特根斯坦,想的是二十世纪各种风格的大量繁殖(其时整个一个艺术史阶段似乎只延续六个月)。

Gertrude Stein once enigmatically announced that the United States was the oldest country in the world because it had been in the twentieth century the longest.

格特鲁德·斯坦因曾这样用一种隐晦的描述来形容美国:它算得上是世界上最&古老&的国家,因其在20世纪包容了最为&悠久&的历史经验。

In the summer of 2001 about 18 million Euro was paid for Héctor, Sergio, Djorovic and Amavisca while in 2000 more than 60 million Euro was spent on Tristán, Capdevila, Valerón, Molina, Pandiani, Duscher, César Sampaio and Changui.

而2000年则花了超过6000万欧元在特里斯坦,卡普德维拉,贝莱隆,莫里纳,潘迪亚尼,杜舍尔,塞萨尔·桑帕伊奥和Changui上面。

It's not only that moral universalisms -- accounts of common human nature, interests, or goals -- have so often served as alibis for colonialist and imperialist projects (as the quote from Sun Yat Sen avers). The quest for normative foundations that speak to all rational beings faces sustained and compelling criticism from Neo-Aristotelians, Neo-Wittgensteinians, Pragmatists, and others.

不仅仅道德普世主义(共有的人类本性,共同的利益和目标等主张)常常被用作殖民主义和帝国主义事业的借口(正如所引孙中山的话所断言的),而且寻求对所有理性人有效的规范性之努力还遇上了持续的和强有力的批评,这些批评源于新亚里士多德主义(麦金太尔,泰勒,新维特根斯坦主义,实用主义和其它。

When I studied composition with the late Leonard Stein , one of my regular assignments was to compose minuets for string quartet "in the style of Mozart and Haydn."

当我追随伦纳德·斯坦( http://orpheus.ucsd.edu/speccoll/testing/html/mss0219a.html )学习作曲时,有一项平时作业就是为弦乐四重奏写一首&莫扎特和海顿风格&的小步舞曲。

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。